Sentences with phrase «black eyes of the people»

I don't know if it was the black eyes of the people watching me or the way everything looked dark and overused in that city, but I was ill at ease, as if Yoga's history has many places of obscurity and uncertainty due to its oral transmission of sacred texts and the secretive nature of its teachings.

Not exact matches

Just another band of fruitcake religous nutjobs that give us regular people a black eye.

In the post-colonial, post-Atlantic slave trade world, it is crucial that peoples who have historically benefited from the sale and plunder of black women's bodies, justifying those practices with their readings of scripture learn to hear and the scriptures in our voices and through our eyes.

They're the people who give the rest of American Christianity a black eye; much like Islamist extremists do to their more moderate brethren.

In the streets of Kuala Lumpur, Western tourists and business people mingle with many young vacationing Saudi couples, typically a man in T - shirt and blue jeans and a woman enveloped in black save for her eyes.

@NII YOU SOUND LIKE YOU ARE GUILTY AND TALKED ABOUT OTHER FALSEHOOD RELIGION YOU DID NOT LIKE OR UNDERSTAND WHEN YOU WAS LITTLE CHILD OR YOUNGER ADULT OR MID LIFE PERSON.THERE ARE THOUSANDS OF GLOBAL FALSEHOOD RELIGIONS.BUT THIS ONE THING DOES NOT LIE (DNA) Y CHROMOSOME EVEN TOP SUPER SMART BLOND HEAD BLUE EYE PALE SKIN SUPER DNA RESEARCH PROFESSIONALS WITH MULTIPLE PHD DEGREES FROM NORWAY SWEDEN AND FINLAND DENMARK ETC KNOW THAT THE Y CHROMOSOME ALSO KNOWN AS THE ADAM Y CHROMOSOME CAMED OUT OF EAST AFRICA.falsehood religion did not make.the human race WISDOM DID WISDOM WALKED AND TALKED WITH MAN IT WAS WISDOM THAT MADE ADAM AND EVE.THINK ABOUT IT @NII NOW THE MOST DOMINANT DNA BELONGS TOO BLACK PEOPLE NOT EUROPEANS.LOOK AT ALL YOUR MIXED RACE BLACK PEOPLE»S TIGER WOOD»S HALLEY BERRY LENNY KRAVITZ LISA BONET ETC DNA DO NT LIE man made falsehood religion do lie

Religious institutions have done this to all sorts of people for various reasons: black skin being impure, dirty, in their eyes; gay persons for being the reason God destroyed Sodom; women for somehow being the introduction of sin into the world.

Some people, like myself, have a specific preference on the taste and texture of their black - eye peas, much like personal preferences for salsa and guacamole.

In people with severe eye disease, transplants made from embryonic stem cells (in region of black dotted circle) appear safe, and became larger and more pigmented over time (right).

It informed a lot of blond - haired, blue - eyed people that at least some of their forebears were black.

Most people would probably agree that astronomy is an inspiring subject, blowing our minds with astonishing facts about exploding stars, extrasolar planets and supermassive black holes while beguiling our eyes with awesome vistas of alien worlds and distant galaxies.

The black - eyed peas with lower fiber content elicited less of a response in most people in comparison to the pinto and navy beans with higher fiber content.

Anything black with an interesting design detail has been more likely to catch my eye, so when I first saw images of this Heart of Haute Inspiration top I suddenly became a YES SIREE SIGN ME UP OYESOYESOYES THATS IT RIGHT THURR GOOD LAWD MA'AM HOT DAMN internet meme reaction of a person.

But, swatching that black shade in person I think my eyes bugged out of my head haha The texture is so great, I knew I'd get a lot of use of it!

I am 6» 7 «tall 47 yrs old have honey brown complexion black hair an brown eyes slim, I am single gay live alone, down to earth with a since of humor, I don't steel lie, I am romantic, loving, caring, wonderful person to get along with at first I am shy but then I open up to u, I love cooking an baking...

i'm 5»10 of average build but athletic i have brown eyes long black hair one tattoo and i'm a black man, I ENJOY TRYING NEW THINGS AND MEETING NEW PPL, I»M ALSO A GREAT POET IF I MUST SAY SO MYSELF I LOVE AN HONEST WOMAN WHO KNOWS WHO SHE IS AND WHAT SHE WANTS

Black hair Brown eyes Athletic like to havea gold time meet new people enjoy the oudoors and all sorts of fun stuff.

The industry gets black eyes and reputation starts being questioned if sometimes people take other people's money for the sake of taking their money and not trying to get a good result.

My name is salomey, 31 yrs black straight hair, brown eyes, 141 lbs.Am God fearing person, truthful, caring, loving, kind, since, a good sense of humor, honest, humble and understanding.Am in search for a man who the almighty Lord will point for me to marry and create a whole family of our own.i really like Go...

Killmonger's goal is, in his eyes, the global liberation of black people.

Unbeknownst to the majority of the world save for a trusted few, T'Challa is also the Wakandan protector known as the Black Panther, a vibranium - clad hero entrusted to keep his people safe from the prying eyes outsiders.

As a final point of hilarity, the only two black people we see in the town end up on a date together after laying eyes on each other for a few seconds.

As Chris, Kaluuya is called to respond to all manners of degradations and condescension — an elderly golfer happy to tell him he knows Tiger Woods, or a middle - aged woman all too eager to invade his personal space and touch his arms to feel his muscles — with a rueful smile and world - weary eyes that tell us that these are the sorts of things black people have to deal with all the time.

The Babadook - 12/8/14 Batman: The Killing Joke - 9/7/16 Batman V Superman: Dawn of Justice - 3/27/16 Begin Again - 7/7/14 Big Eyes - 12/26/14 Big Hero 6 - 11/12/14 The Big Short - 12/10/15 Birdman or (The Unexpected Virtue of Ignorance)- 10/26/14 Birth - 3/17/15 Bird People - 10/3/14 Black Mass - 9/21/15 Black Swan - 12/6/10 Blue is the Warmest Color - 11/11/13 Blue Valentine - 1/11/11 The Book of Life - 10/18/14 The Boxtrolls - 9/29/14 Boyhood - 7/20/14 Bridge of Spies - 11/18/15 Brooklyn - 11/16/15 Buzzard - 3/13/15

Award: The Assassin Least Sexy Movie: 50 Shades of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge of Spies Trends of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third of Spectre)

Recently, «Stonewall» received criticism for showing the Stonewall Riots through the eyes of a fictional white boy, when those riots were instigated by mostly black and Latina protesters, people whose names are already in the history books.

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

When Stuart Klawans says «the nightmare vision of white people exerting their dominance not just around him but inside his body», he points to what may be one of the most damaging aspect of Jordan Peele's vision — that growing up Black in America means that many young Black people see themselves through White eyes and suffer the sometimes crippling psychological effects of that sadly harsh and limiting vision.

Cinema has focused mainly on racism towards black people, however, with last year's wonderful Wind River, and now Hostiles, that celluloid eye is turning towards the treatment of Native Americans.

Fast describes it as «an elliptical thriller about a person whose past catches up with him when he's most vulnerable»... Shane Black has teamed up with Russell Crowe and Ryan Gosling for The Nice Guys, in which a pair of private eyes investigates the suicide of a fading porn star in 1970s Los Angeles and uncovers a conspiracy «bizarrely rooted in smog and the U.S. auto industry.»

Their comedy works because the Farrellys have not only a keen eye for but also a deep sympathy with human foible; when Jack Black's Hal in Shallow Hal scolds his overweight girlfriend's father for denigrating her looks, we get the gag that in Hal's eyes, she's Gwyneth Paltrow, and we likewise understand that many of this fat girl's self - esteem issues probably do have something to do with the amount of support she's getting from the people closest to her.

Repertoire (Alphabetical order by director) Du levande (You, the Living, Roy Andersson, 2007) En kärlekshistoria (A Swedish Love Story, Roy Andersson, 1970) Sånger från andra våningen (Songs from the Second Floor, Roy Andersson, 2000) Les ordres (Michel Brault, 1974) Jagdszenen aus Niederbayern (Hunting Scenes from Bavaria, Peter Fleischman, 1969) La faille (Weak Spot, Peter Fleischman, 1975) Proverka na Dorogakh (Trial on the Road, Aleksei German, 1971) Moy drug Ivan Lapshin (My Friend Ivan Lapshin, Aleksei German, 1984) La Verifica Incerta (Alberto Grifi & Gianfranco Baruchello, 1965) Die linkshändige frau (The Left - Handed Woman, Peter Handke, 1978) Poison (Todd Haynes, 1990) Feng gui lai de ren (Boys from Fengkuei, Hou Hsiao - hsien, 1983) Jak zyc (How to Live, Marcel Lozinski, 1981) The savage eye (Ben Maddow / Sidney Meyers / Joseph Strick, 1960) Kundskabens træ (Tree of Knowledge, Nils Malmros, 1981) Drenge (Boys, Nils Malmros, 1977) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) De ofrivilliga (Involuntary, Ruben Östlund, 2008) Minotaur (Nicolás Pereda, 2015) La parmigiana (The Girl from Parma, Antonio Pietrangeli, 1963) Chroniques turcs (Turkish Shorts, Maurice Pialat, 1963) La gueule ouverte (Mouth Agape, Maurice Pialat, 1978) Passe ton bac d'abord (Graduate First, Maurice Pialat, 1978) La maison des bois (Maurice Pialat, 1971) Silvia Prieto (Martin Rejtman, 1999) Entrenamiento Elemental para Actores (Elementary Training for Actors, Martin Rejtman, 2009) Rapado (Martin Rejtman, 1992) Trás - os - Montes (Antonio Reis & Margarida Cordeiro, 1976) Os Verdes Anos (The Green Years, Paulo Rochas, 1963) Sagro Gra (Gianfranco Rosi, 2013) Carriage trade (Warren Sonbert, 1968) Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht (Not Reconciled, Straub - Huillet, 1965) Idioterne (The Idiots, Lars von Trier, 1998) Im Lauf der Zeit (Kings of the Road, Wim Wenders, 1976) Die Angst des Tormanns beim Elfmeter (Goalie's Anxiety at the Penalty Kick, Wim Wenders, 1971) Summer in the City (Wim Wenders, 1970) Ich war neunzehn (I Was 19, Konrad Wolf, 1968) Ljudi (U Prolazu)(People (In Passing), Lordan Zafranović, 1967) Poslihe Podne (Puska)(Afternoon (The Gun), Lordan Zafranović, 1968) Crni film (Black Film, Želimir Žilnik, 1971)

On the other hand, Delpit provides counterexamples of success, for instance, Afrocentric assignments, inspiring teachers who love and sympathize but maintain rigor, and a beloved white teacher whom the students consider «black» for this reason: when asked «how he felt as a white man teaching black history... tears came to his eyes as he answered that when he learned about Emmett Till and other terrible things white people had done to black people, it sometimes made him ashamed to be white.»

There are a ton of people throwing junk up on Kindle and it is a shame because it puts a black eye on all authors who publish for kindle.

It's not a beautiful piece of hardware that will magnetically pull drool out of people's lips in a trickle, but it's black - and - chrome modern enough with just the right lines (borrowed from the Storm) that it will draw eyes, if only for a split second.

The PlayBook is just getting a couple of black eyes for no reason at all and from people that don't use one at all or have a negative opinion about BlackBerry.

Many people prefer the silky coat, striking eyes and black & white markings of the Siberian Husky parent.

Because of border collies I have had friends in the darkest hours companions who became outdoor shadows and learned the meaning of unconditional love Because of border collies I have been taught how to approach the day how to see places and objects with refreshingly new eyes and to appreciate the possibilities of the mundane Because of border collies I have been denied access to pubs had to apologise to picnickers for missing sandwiches and to Sunday walkers for water - sprayed clothes Because of border collies I have possessed hard - working vacuum cleaners had black hair hiding in carpets and clothes and mini-collie clumps under sofas and beds Because of border collies I have had the pain of ending life watch ageing take over willing but incapable bodies and cried so long and so hard in emptiness Because of border collies I have had a life that is full and beautiful that has made me a person who knows how to love and to be loved in an uncomplicated world Ronnie Goodyer, Indigo Dreams Publishing Ltd www.indigodreams.co.uk

Even people who love this gorgeous country admit that Belize City is often the national black eye, inflating crime statistics that skew just how peaceful and relaxed the rest of the country really is.

All of a sudden, I see a bunch of people in black - and - white telling me how strong, cool, and pretentious they were (it's all in the eyes).

But to be fair, this is a survival horror game, and some people like that sort of thing, in the same way some people enjoy the music of the Black - Eyed Peas and haggis.

While Whitten will be remembered as a giant of American painting and a singular figure in the creative history of black diaspora, he kept his eye fixed on the deeper currents that connect people across broad cultural divides and vast historical distances.

Just to give an overview of what was in each of the three galleries: a rhino, his shadow, and two black - and - white photographs of dwarves grace the first; a giraffe, some very un-PC photographs of tribal Africans and Western media projections of «jungle people» in the second; and polar bears, a man on fire, more animals, and movie stars with dotted out eyes are in the third.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Here are people, landscapes, and odd little moments in and around Eggleston's hometown of Memphis — an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal - fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray - haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint - green room whose only visible furniture is a shaded lamp on an end table.

Yet in the eyes of the law, it is not always as black and white as you might think, and the other person may have a claim over assets that you have brought into the relationship.

It was several government law enforcement agencies that coordinated across multiple jurisdictions on limited budgets.6 Yet, like Silk Road, some people in the cryptocurrency community likely knew the operators of the BTC - e and willingly turned a blind eye to serious misconduct which, for so long as it continues, represents a black mark to the entire industry.

Thanks to Loft Resumes, I stood out from a sea of plain black and white paper and caught the eyes and attention of the important people!