Sentences with phrase «black female bodies in»

Also, people were thinking about the various ways the images are perceived and what it means to see so many black female bodies in one space.

Her performative sculptures, both made between the 1960s and today, combine nylons filled with sand and ritualized movements to explore the dual fragility and resilience of the human body — and the black female body in particular.

By inserting them into the western art - historical canon, black women are given visibility, provoking a conversation about the representation of the black female body in popular culture, its absence from that canon, and how much this visual representation in art has evolved over time.

Self creates large patchworks combining painting, swatches of fabric, and canvas that examine the black female body in the present.

Not exact matches

If someone were to go insane because of going from white male to black female, doesn't that at least hint there's something intrinsically tied in to the human body and not everything is in the brain?

From the 1970's, the little black dress started shrinking in size and / or revealing much more of the female body.

You ALL ONLY LET DARK as hell black guys have interracial dating and sex and attractive nice body females and relationships, you don't let ME, (a MIXED LIGHTSKIN black guy) ever in my lifetime have interracial dating or sex; a relationship, attractive slim sexy beautiful, a white or asian or ANY other race just not a black or fat unattractive female..

An investigative documentary team sets out to uncover the true story behind the Black Water murders, a series of brutal killings where mangled female bodies were found dumped in the woods, completely devoid of blood.

Those who are interested in grisly crime mysteries will already recognize the subject of Ellroy's book as the infamous «Black Dahlia» murder, where a young female drifter named Elizabeth Short (Kirshner, According to Spencer) was murdered, her torso cut in half, and her body drained of blood.

His portrayal of the black body — both female and male — represented a shift in our perceptions of African - American masculinity,» Salon 94 Founder Jeanne Greenberg Rohatyn said in a statement.

Tschabalala Self is a visual artist based in New York who builds a singular style from the syncretic use of both painting and printmaking to explore ideas about the black female body.

Director of the Studio Museum in Harlem Thelma Golden probes renowned artist Lorna Simpson on the challenges of representing the female black body, and her complex (and not completely amicable) relationship to feminism in this Phaidon excerpt.

«Florine Demosthene is a Haitian - born artist currently based in New York City whose work explores stereotypes and representation of the black female body.

What she was doing, especially in the late «80s and early «90s, was talking about the black female body as a superhero — an almost bionic, all - powerful body that can take on so many burdens but at the same time be fortified.

NY - based photographer Aaron McElroy has been exploring details of the female body and views of American suburbia in the black & white series Traces and his more recent colour prints.

Oscillating between two separate works, Thomas's painted homage to Sojourner Truth's 1851 speech of Black female empowerment, «Ain't I a Woman,» and a religious altarpiece, Diptych presents the sexy, Black female body sculpted out of flat planes of primary colors in two dimensions on the left (a gesture reminiscent of the painterly techniques of her idols Jacob Lawrence and Romare Bearden), and in a televised two dimensions on the right.

Shown for the first in the UK, Tschabalala Self's vibrant canvases explore the fantasies surrounding the Black female body within contemporary culture.

Photographed in black and white, the female models» bodies and clothing have synergy with the graphic backdrops constructing the scenes: a curve of the waistline in the foreground of one woman merges into the calligraphic line of the background.

In her work, Doreen Garner examines the sensual and the grotesque, specifically regarding the black female body.

In this interview excerpted from Phaidon's Contemporary Artist series book Lorna Simpson, Golden probes Simpson on the challenges of representing the female black body, and pushes her to confront her complex (and not completely amicable) relationship to feminism.

These pieces explore personal narratives from the artist intermingled with known and unknown historical figures in relationship to notions and constructions of the black female body as a prototype for both exotic beauty and repulsion.

In her earlier black and white series «Graces,» female bodies are coupled with classical European goddess heads to create a sense of dissonance.

In The Clearing (1991), from Lorraine O'Grady's photographic installation Body / Ground, a surrealistic garden becomes the background for an unsettling narrative exploring the Black female body and its relationship to ColonialBody / Ground, a surrealistic garden becomes the background for an unsettling narrative exploring the Black female body and its relationship to Colonialbody and its relationship to Colonialism.

For her performance Purge, Garner recreates the monument to Sims that stands in Central Park, enacting the very gynecological surgery that Sims became famous for upon this silicone body with a group of Black female performers.

Spread over the first floor of the Wiels in Brussels, the exhibition Body Talk, curated by Koyo Kouoh (Raw Material Company, Dakar), is an emotionally and politically charged questioning of the female Black body as a repository for a post - colonial critique of poBody Talk, curated by Koyo Kouoh (Raw Material Company, Dakar), is an emotionally and politically charged questioning of the female Black body as a repository for a post - colonial critique of pobody as a repository for a post - colonial critique of power.

The Retrieval, a solo exhibition of works by Bay Area artist Kenyatta A.C. Hinkle, features a large body of works that respond to the disappearance of Black women and female - identifying women due to various abuses and the current human trafficking trade in the Bay Area and beyond.

Valérie Oka, Ivorian - French artist addresses the dehumanising and objectification of the black female body while provoking the viewer into an act of looking which involves procedures of translation and the questioning his own implicit role in the perpetuation of these prejudices.

Criminality, judgment and the legacy of legal and rhetorical violences perpetrated on Black female and trans bodies turn up in the exhibition's introductory work, Jafa's girdled and corseted self - portrait «Mary Jones.»

Past artists who have created work for Rivington Place's window include Philomena Francis who used piped black treacle in her artwork mo» lasses III to raise questions about identity and viewing the black female body, and most recently Nilbar Güres» Beekeeper, a photographic composition examining representations of femininity and cultural identity.

While, in these series, she placed her black female body into spaces, like museums, where black women have historically been underrepresented, Weems, in

While, in these series, she placed her black female body into spaces, like museums, where black women have historically been underrepresented, Weems, in Scenes & Take, celebrates the renaissance of television shows with strong black lead characters by black creators like Shonda Rhimes and Lee Daniels.

Viewers are allowed to move her limbs, becoming complicit in a long history of controlling black female bodies.

In the year and a half since finishing her MFA at Yale, 26 - year - old Self has garnered a wide audience for her dynamic representations of the black female body.

On the airplane flying into Saudi Arabia, the artist's mother would black out, using a marker, all the exposed parts of female bodies from the latest «Vogue» magazine in order to bring them into the country.

In attempting to read the work the viewer is provoked into confronting histories of appropriation and consumption of the black female body.

In her work she often references Black female theorists such as Audre Lorde (1934 - 1992) to question the misrepresentation of the female and the Black body in society and culturIn her work she often references Black female theorists such as Audre Lorde (1934 - 1992) to question the misrepresentation of the female and the Black body in society and culturin society and culture.

While the body appears in a literal sense in Antoni's works, most notably as a vehicle for creation, Leigh contemplates its representation through investigations into black female subjectivity and constructed archetypes.

African American Vernacular Photography reproduces 70 of Cowin's most exceptional color plates with essays by Brian Wallis, Director of Exhibitions and Chief Curator at the International Center of Photography, and Deborah Willis, MacArthur Fellow and author of Reflections in Black: A History of Black Photographers 1840 to the Present and, with Carla Williams, The Black Female Body: A Photographic History.

Hosted by Lanisa Kitchiner, director of education and scholarly initiatives at the museum, the panel «will explore how they negotiate intention versus impact in creative works, how they navigate the exclusive art world, and how they use black female bodies — particularly their own — to create alternative visions of black womanhood.»

During the 1970s Soltau held performances where she would bind herself and audience members in black thread, concealing their faces and confronting issues surrounding the body, female identity, censorship and silencing.

The drawings utilize certain repeated motifs, including a geometric lattice wallpaper pattern, a pictogram of a floating female figure, eelgrass (that also mimics long black hair) and snippets of handwritten poems focusing on the search for her body that was ultimately found floating in a gorge.

The female body is sometimes best depicted by curvy lines in black ink on white paper, as Qian Shaowu seems to tell us.

Cortor's body of work is pioneering because he emphasized the beauty of the black female figure, a rarity among African American artists in his era.