Sentences with phrase «black figures in a space»

Not exact matches

But beyond the black and white figures on the stat sheet, it's the manner in which he's making effective use of the space on the pitch to create and sustain an attack down the left flank, bringing some much needed balance to Spalletti's attack.

So when NASA launched a gamma - ray telescope into space in 2008, astronomers figured the high - energy radiation it detected would point the way to easily identifiable supernova remnants, black holes, and other extroverted objects.

In an outlined space beneath the line was a row of human figures in blacIn an outlined space beneath the line was a row of human figures in blacin black.

«It's a new window into trying to figure out what's happening in the jets of these black hole systems,» says Tod Strohmayer of NASA's Goddard Space Flight Center in Greenbelt, Maryland, who was not involved with the studies.

Set in deep space, and in half a dozen lands (New York, Wakanda, Titan, Knowhere), the film presents a galactic battle for the fate of the universe that throws together the six original Avengers; the follow - up wave of Marvel superheroes who've only recently been given their own origin stories (Black Panther, Dr. Strange, the rebooted Spider - Man); the Guardians of the Galaxy; and a sprinkling of other figures who've been there on the fringes.

Hidden Figures, about black women who worked as expert mathematicians for NASA in the early years of the space race, says the opposite: It wants to tell you that these women were stars unjustly deprived of a spotlight.

It's a pleasure, then, to see Ali and Henson pick up right where they left off in Hidden Figures, a rousing historical crowdpleaser in which Henson plays genius mathematician Katherine Johnson, one of the long - unrecognised black female pioneers who aided NASA in the Space Race during the 1960s.

Under «performance», amid all the fuel consumption and emission numbers, the space where an official 0 - 100 figure should be sits like a black hole swallowing the elephant in the middle of the living room.

Hidden Figures revealed the story behind the brilliant black women who used their skills in mathematics to help America win the space race, and Shetterly's next two books will follow in the same vein.

Yiadom - Boakye's mysteriously handsome figures exist in an allegorically retroactive space — a present where works like these, and those of other leading black artists, can aspire to self - invent a visual canon.

My eye gets taken into those spaces in the centre and the figure (three rhombus shapes combined) on the left appears to be in front of the one on the right (again, not really a figure so much as four black shapes that my eye groups together and interprets as a figure), that ochre square in the bottom left is definitely in front of the red / brown square, until suddenly the white space in the middle becomes figure, softer and slightly curved, which for less than a second might be a female figure, or a face.

In works like Darkytown Rebellion (2000), the artist uses overhead projectors to throw colored light onto the ceiling, walls, and floor of the exhibition space; the lights cast a shadow of the viewer's body onto the walls, where it mingles with Walker's black - paper figures and landscapes.

Both the figure and the space in the traditional sense are absent; countless bottles and potions crowding a counter are abstracted; and he has introduced images of universal black cultural figures (Malcolm X, Martin Luther King Jr., Nelson Mandela) commonly found on the walls of these social gathering spaces, having been placed there decades earlier.

Both the figure and the space in the traditional sense are absent; countless bottles and potions crowding a counter are abstracted; and he has introduced images of universal black cultural figures (Malcolm X, Martin Luther King Jr., Nelson Mandela) commonly found on the walls of these social gathering spaces, having been hung decades earlier.

2011Double Life, Tate Modern, London Under the Big Black Sun: California Art 1974 — 1981, The Geffen Contemporary at MOCA, Los Angeles (Catalogue Essays by Kristine Stiles, Paul Schimmel, Thomas Crow, Charles Desmarais) State of Mind: New California Art Circa 1970, Orange County Museum of Art, Newport Beach, CA Dolls - Figures of Projection in Contemporary Art, Museum Villa Rot, BurgriedenRot, Germany Touched: A Space of Relations, bitforms gallery, New York RESPONSE: ABILITY, transmediale.11, Haus der Kulteren Welt, Berlin The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 — 1992, Neuberger Museum of Art, New York, Catalogue with essays by Kristine Stiles, Griselda Pollock, Nancy Princenthal, Helaine Posner, Tom McDonough New Frontier, Sundance Film Festival, Park City and Salt Lake City, Utah

Black Southern art can hardly avoid questions of identity in those enigmatic figures and the space in which they live, and Martin's color contrasts resemble those of Jacob Lawrence and Romare Bearden.

Collection, Cornell Fine Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet: ConTEXTS of Contemporary African - American Art, Zacheta, National Gallery of Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C. Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition, New York, NY She's Come Undone, Greenberg Van Doren, New York, NY The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY Beauty, Kravets + Wehby, New York, NY African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy New Wave, Kravets Wehby Gallery, New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space, New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem, New York, NY Black Romantic, The Studio Museum of Harlem, New York, NY 2001 It's Bigger Than Hip Hop, Rush Arts, New York, NY

Since the early 90s Himid has been recasting paintings from his period of painting fashionable women, replacing white figures with black figures, suggesting alternative stories that could have been concurrent, but that also operate in their own time space continuum.

Black Righteous Space effectively puts viewers» own experiences in conversation with decades of prominent African American celebrities and political figures.

«I want for people to see the work and feel empowered and normal,» he tells me, sitting in his Brooklyn studio before half finished collage paintings of black figures in repose for «Repose,» a solo show at UTA Artist Space opening October 28.

Also examined is Haring's activity in public spaces, including the anonymous works that first drew him to the attention of the public, figures drawn in chalk on pieces of black paper used to cover old advertisements on the walls of New York City subway stations.

His signature black line narrows as he places geometrically alike figures in compressed spaces.

In the figure below, Dr Gavin Schmidt, director of the NASA Goddard Institute for Space Studies, uses a simple statistical model to estimate what the global temperature record (black line) would be like in the absence of El Niño or La Niña influences (red lineIn the figure below, Dr Gavin Schmidt, director of the NASA Goddard Institute for Space Studies, uses a simple statistical model to estimate what the global temperature record (black line) would be like in the absence of El Niño or La Niña influences (red linein the absence of El Niño or La Niña influences (red line).