Once again,
Black film directors like Ryan Coogler and F. Gary Gray find themselves shut out of nominations in the Best Director category.
By all accounts, 2013 has been a striking year for
black film directors.
Not exact matches
Much like the success of last year's Warner Bros.
film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman
director, a box - office smashing debut for
Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories about characters of color.
While
Black Panther rode a huge wave of critical acclaim and fan excitement to the biggest opening weekend ever for the month of February (and the fifth - largest of all - time), raking in more than $ 426 million worldwide, a small number of Internet trolls still did what they could to dampen the good vibes surrounding the trailblazing film, which features Marvel's first African - American director (Ryan Coogler) and a cast led by black actors such as Chadwick Boseman and Lupita Nyong» o. Starting last week, in the first few days of Black Panther «s highly - anticipated theatrical release, some Twitter accounts started trying to spread false accounts of attacks at screenings of the m
Black Panther rode a huge wave of critical acclaim and fan excitement to the biggest opening weekend ever for the month of February (and the fifth - largest of all - time), raking in more than $ 426 million worldwide, a small number of Internet trolls still did what they could to dampen the good vibes surrounding the trailblazing
film, which features Marvel's first African - American
director (Ryan Coogler) and a cast led by
black actors such as Chadwick Boseman and Lupita Nyong» o. Starting last week, in the first few days of Black Panther «s highly - anticipated theatrical release, some Twitter accounts started trying to spread false accounts of attacks at screenings of the m
black actors such as Chadwick Boseman and Lupita Nyong» o. Starting last week, in the first few days of
Black Panther «s highly - anticipated theatrical release, some Twitter accounts started trying to spread false accounts of attacks at screenings of the m
Black Panther «s highly - anticipated theatrical release, some Twitter accounts started trying to spread false accounts of attacks at screenings of the movie.
Set mostly in the fictional African nation of Wakanda, the
film boasts a
director and primary star who are both African - American men (
director Ryan Coogler and actor Chadwick Boseman), while the cast also features numerous other notable
black stars, such as Oscar winners Lupita Nyong» o and Forest Whitaker as well as Angela Bassett and Michael B. Jordan.
«Noah»
director Darren Arnofsky's previous
films have included the art - house hits «
Black Swan» and «The Wrestler.»
Recent and upcoming releases include the romance - horror hybrid Spring; the hotly - anticipated The Look Of Silence, Oppenheimer's companion piece to The Act Of Killing; The Connection, a 70's - set true crime epic and European flipside to William Friedkin's The French Connection starring Oscar ® winning Best Actor Jean Dujardin (The Artist); The Keeping Room, from
director Daniel Barber (Harry Brown), based on Julia Hart's acclaimed
Black List screenplay, starring Brit Marling, Hailee Steinfeld and Sam Worthington; the multiple Cannes award winning The Tribe,
filmed entirely in Ukrainian Sign Language with a cast of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films, of the 1981 disasterpiece Roar, the most dangerous
film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animals.
The
Black Panthers: Vanguard of the Revolution, the latest
film by
director Stanley Nelson, masterfully tells the story of the rise and subsequent fall of the
Black Panther Party...
First, they can show feature
films in the proportions that their
directors intended; on 4:3 screens, either some of the side of the picture must cropped out, or it appears in a letterbox, with
black bands above and below.
Seeing it depicted in
black - and - white in French
film Angel - a by
director Luc Besson just showed how magnificent it still looked even when it wasn't in colour.
Trying hard to play against expectations, writer -
director Michael O'Shea casts a
black teenager in the lead role of an urban vampire
film.
Shot in
black and white with none of the glossiness or spectacle characteristic of the
director, the
film is a triumph.
Commentary 3 — The Picture -
Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the
film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute
black Fincher always wanted in Alien 3 but could achieve until now and more.
From pre-production to final cut, Jarecki follows the existential - minded
director through the entire process of making a movie as Toback opens up to the camera to discuss a variety of deeply personal matters and explore just how they have manifested themselves in such
films as Love and Money, The Big Bang, and
Black and White.
The
film reps a new career high for
director Dee Rees, whose remarkable 2011 debut feature Pariah is a semi-autobiographical deep dive into a
black girl's struggles with coming out.
Handsomely mounted by Creed
director Ryan Coogler and starring an enviable slate of
black actors that makes cameoing comics godhead Stan Lee almost seem lost, the
film is provocative and satisfying in ways that are long overdue, like its ornate, culturally dense production design and the deeper subtexts of honor, compassion and destiny.
Director Ryan Coogler (Fruitvale Station & Creed) enters «the big leagues» with Marvel's
Black Panther, a somewhat monumental feat for the studio that has mostly featured
films that skew towards the white male demographic.
Two years later, he could be seen in another high - profile, politically tinged thriller, this time opposite Denzel Washington in
director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe - winning HBO movie Lackawanna Blues, a life - affirming
film about a selfless
black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house.
«In the Fade» is written and directed by Fatih Akin, one of Germany's top
directors whose breakthrough
film was 2004's pitch -
black romance «Head - On.»
An over indulgent and often confusing stab at
film noir, The
Black Dahlia leaves little to be desired as
director Brian De Palma continues to prove that his best days are behind him.
The movie has generated record proceeds of more than $ 400 million worldwide so far, making it the highest - grossing opening for a
film with a
black director.
Also impressive is
director Wenders» use of his and Lisa Rinzler's shoots in Assisi,
black - and - white, deliberately faded and silent
film, showing an actor playing St. Francis who at the key point in his life heard God tell him to restore a dilapidated church — which I believe he did thinking that God's will is more important than his father's rage at the saint's alleged throwing away his money.
One of many interesting stylistic choices by
director Irvin Kershner and cinematographer Haskell Wexler, who shot the
film in gorgeous high contrast
black - and - white with the warts - and - all insouciance of a documentary, is to present this reunion scene sans dialogue (which is buried by train noise)-- with Billy and Pio framed in the oval window of the train door.
Probably more than any other filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking
black comedy, and an eccentric characterization or two in every one of the
director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through art courses and advertising, and by the mid -»20s he was making his first
films.
He went on to starring and supporting roles the independent
films BLACK CLOUD and BLIND DATING with Chris Pine for
director James Keach; and larger studio
films like STOMP THE YARD 2: HOMECOMING, and the hit
film JUMPING THE BROOM.
After these notable performances, Mihok continued to create memorable and diverse roles in such
films as THE DAY AFTER TOMORROW, DARK BLUE, BASIC, CONNIE AND CARLA,
director Shane
Black's KISS KISS BANG BANG, 10TH & WOLF, HOLLYWOODLAND, SEX AND DEATH 101, THE LONGSHOTS, Marvel's PUNISHER: WAR ZONE, and the unsettling motion - capture performance of the Alpha Male creature that went toe - to - toe with Will Smith in I AM LEGEND.
In a
film filled with examples of whites either habitually exploiting
blacks — or even in the case of the fundamentally decent but chronically guilt - stricken Schultz, deciding to «take responsibility» for them — Stephen's calculated and ultimately self - defeating betrayal of a figurative «brother» is truly diabolical and heartbreaking, not to mention a ballsy move for Tarantino, who could have easily gotten away cleaner as a white writer -
director without hinging the back half of his movie on a case of Southern Stockholm Syndrome.
Bonus features include: - Logan Noir: a
black - and - white version of the
film - Audio commentary by
director James Mangold - Deleted scenes with optional audio commentary by Mangold - Making Logan — behind - the - scenes documentary
At Comic - Con this past weekend, co - writer /
director Shane
Black stated that they were halfway through
filming, and «If we don't fuck up the rest, it's going to be great!»
Director Shane
Black has covered familiar territory before in the 2005 movie «Kiss Kiss Bang Bang» (a massively underrated
film in my opinion), but he has managed to win me over once again here.
Lee then talks with this month's guest, actor and writer Michael Ian
Black (Wet Hot American Summer, Ed, This Is 40, Another Period), to look at the
films of writer /
director / actor Sylvester Stallone.
Director Kevin Macdonald runs through the making of
Black Sea from developing the idea to finding the perfect sound effects for the
film.
That's kind of what
director Christopher Smith is offering with his new
film Black Death.
Yet, there is a very real risk that you will be lableled as a racist for criticizing
black panther, or the work of the 29 year old
director who was given the keys to a $ 200,000,000 budget after making only 2 independent
films.
He added, «I'm so proud to be a part of a time at the beginning of a movement where I feel like the best
films in every genre are being brought to me by my fellow
black directors.»
It's been nearly a decade since release of the last
film in the Predator franchise — Predators, starring Adrien Brody and Alice Braga — but that's about to change with The Predator, a revival from The Other Guys and Iron Man 3
director Shane
Black.
Ridley Scott's much anticipated prequel / sequel to his hit
film Alien and the polarizing Prometheus will be moved from it's October release into the summer in August while «The Predator» will come out in March 2018 with the
director of The Monster Squad and Shane
Black returning to pare up for the sequel to the 1987 classic.
The metaphorical sentiment of the
film is clear:
Director Reginald Hudlin, who splashed on the scene with «House Party» in 1990, wants viewers to see Thurgood Marshall as «The
Black Superman,» ready to rip out a giant letter «M» on his chest whenever injustice is near.
Director Ryan Coogler through Marvel's official social media pages, shared a thank you note for the fans across the globe, for their love and support, that made Marvel's first
black standalone superhero
film, such a mammoth hit.
Plot details have been few and far between for Shane
Black's The Predator but the
director himself has provided a tease of the chaos to come in terms of one of the
film's locations.
In honor of this week's release of «
Black Panther,» the pick today is the previous
film from
director Ryan Coogler.
Elsewhere on the blog I review
Black Orpheus (Criterion) and Orlando (Sony), and also released this week is L'enfance Nue (Criterion), the debut feature from French
director Maurice Pialat, and this DVD debut includes Pialat's first
film, the 1960 short L'amour existe, and the 1968 documentary Autor de L'enfance nue, among its supplements.
Director Barry Sonnenfeld badly needed a hit after Wild Wild West and Big Trouble and so he went down the tried and tested route of making a sequel to his most popular
film so far, the entertaining Men in
Black (not a
film that was exactly crying out for a sequel, but still).
The Art
Directors Guild (ADG) tonight announced winners of its 18th Annual Excellence in Production Design Awards, Presented by Kohler Co., in ten categories of
film, television, commercials and music videos during the
black - tie ceremony in the International Ballroom of the Beverly Hilton Hotel in Beverly Hills.
Director Canuel, who shot this in Canada where he, Plummer, and the play all originated, injects some cinematic flourishes unachievable on stage, having the
film assume the look of an old
black & white movie and editing together self - conversations.
No Escape — This was very cool; the cast and crew talk about the aesthetic of the
film (the way it's largely swallowed in darkness) and
director Fede Alvarez gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in
black and white.
From British / Irish
director Martin McDonagh, who'd already had massive transatlantic success with plays like «The Beauty Queen of Leenane» and «The Cripple of Inishmaan» and had already won an Academy Award for his short
film «Six Shooter,» the hitman
black comedy was not just the arrival of an exciting new
director, but also marked a refreshing change of pace for Farrell, whose split personality of rugged charm, soulfulness and hair - trigger volatility found its most perfect vehicle to date.
The
film comes from Creed
director Ryan Coogler and screenwriter Joe Robert Cole, with Get On Up's Chadwick Boseman playing the iconic Wakandan protector, T'Challa, aka
Black Panther.
Moonlight
director Barry Jenkins won the Oscar for Best Adapted Screenplay along with playwright Tarell Alvin McCraney who wrote the play upon which the
film is based, In Moonlight
Black Boys Look Blue.
Our in - depth Iron Man 3 spoiler podcast - featuring interviews with
director Shane
Black and co-writer Drew Pearce - will arrive next Friday, April 26, so that our American friends (who see the
film a week later than us) have a chance to see it.