Sentences with phrase «black housing project»

During a drug sweep of her all - black housing project, the local police bring in Beharie and dozens of others on trumped - up charges.

Not exact matches

The «All in the Family» spin off «Good Times» featured a black family that lives in an inner - city housing project, probably Chicago's infamous Cabrini Green.

Edgebrook, on the other hand, is in a transitional area of Danville adjacent to Fair Oaks, a 700 - unit public - housing project occupied largely by blacks, the majority of whom receive public assistance.

Herman Bell, who, along with two other members of the Black Liberation Army, shot and killed two NYPD officers outside a housing project in Harlem in 1971, has been granted parole.

An NYPD officer was reportedly indicted on multiple charges, including manslaughter, in the November shooting death of an unarmed black man in the darkened stairwell of a housing project.

Former NYPD officer Peter Liang was sentenced to probation by a Brooklyn judge for shooting an unarmed black man in a public housing project stairwell in 2014 in a ruling expected to set off denunciations from police critics.

Trump's company pulled out of a proposed $ 250 - million tower project in the Georgian Black Sea resort town of Batumi, the latest effort by the president - elect to defuse charges that his global businesses will cause conflicts of interest once he enters the White House.

In more than a dozen interviews with The Daily Orange, public housing tenants living by I - 81 in the low - income, majority black East Adams Street neighborhood expressed increasing frustration and anxiety with what several called an unnecessary delay of the interstate's replacement project.

A black housing - project manager in The Bronx claims she was the victim of a witch hunt because City Council Speaker Melissa Mark - Viverito demanded a Spanish speaker in the post.

Key projects included the CUNY Cultural Initiative Task Force, the 100th Anniversary of Louis Armstrong's First Professional Gig, NYC Black History Month Five Boro Tour and the Queens Historical Holiday House Tour Planning Committee.

Born in London and raised in Norwich, Norfolk, Harris studied at the Drama Centre in London and made his feature leading role debut in 2007's SAXON, a black comedy set in a London housing project.

In the county where Dee lives, the district attorney, a slimy pol named Calvin Beckett (Michael O'Keefe), has long made local African Americans the target of indiscriminate drug sweeps, assuming that poor black people in the projects will plead out even if they're innocent just to get out of jail, not realizing that the guilty plea brands them as felons and opens up a host of other troubles in getting housing, jobs, etc..

I thought about it even more during Black Panther, his globe - trotting Marvel superhero extravaganza that nonetheless begins and ends with sad, streetwise children talking smack on an Oakland housing project's ramshackle basketball court.

But instead, the Academy was won over by an intimate portrait of a young, gay black man in a poor Miami housing project whose mother (brilliantly played by Naomie Harris) is a crack addict.

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The city wants to redraw the zones in a way that would send kids from this predominantly white school to a nearby school where enrollment is over 90 percent black and Hispanic and which draws many of its students from a public housing project.

New York City claimed it did not segregate its projects, but Woodside and similar complexes in white neighborhoods accepted only a token few black tenants because Housing Authority policy was to respect «existing community patterns.»

First is the paint scheme, the GLC Celebration Edition gets a Designo Hyacinth Red colour, ORVMs finished in black, LED logo projectors that project the star symbol on entry and exit, and high - sheened chrome accents on the grille, fog - lamps housing & the rear.

Highly readable and thought - provoking, this personal story of growing up white in a mainly black and Hispanic housing project in Manhattan is frank, funny, and honest.

His authored publications include The Last Pictures (New York: Creative Time Books; Berkeley: University of California Press, 2012), a critical compendium of his Creative Time project to launch an ultra-archival disc, micro-etched with one hundred photographs, into orbit around the Earth for billions of years; Blank Spots on the Map: The Dark Geography of the Pentagon's Secret World (New York: Penguin Publishers, 2009); and I Could Tell You but Then You Would Have to Be Destroyed by Me: Emblems from the Pentagons Black World (Brooklyn: Melville House Publishing, 2007).

Organizers: Molly Rose Quinn, Housing Works Bookstore Cafe; Brandon Stosuy, The Creative Independent, a project of Kickstarter; Glory Edim, Well - Read Black Girl; Jillian Steinhauer, Hyperallergic; Ben Sisto, Ace Hotel New York

Base Camp Inc., Black Cat, Body Smith Training Gym & Studio, Chocolate House, City Houses, LLC, Coldwell Banker, DC Noodles, District Creative, Floors on 14th, Framesmith DC, Good Wood, Hamiltonian Gallery, Hemphill Fine Arts, Home Rule, JAM Communications, The Joan Hisaoka Healing Arts Gallery, Little Leaf, Miss Pixie's Furnishings & Whatnot., Peregrine Espresso, Pink Line Project, Rapp Distributors (Wine and Liquor), Rice Restaurant, Room & Board, Salt & Sundry, Som Records, and White Cloud Gallery.

Theaster Gates is internationally known for his work on the South Side of Chicago, including Dorchester Projects, Black Cinema House, and the upcoming Stony Island Arts Bank and Dorchester Artists Housing Collaborative.

In his series the Black House (1973 - 1976), Colin Jones (b. 1936, U.K) captured the careful and discreetly extravagant styling of young men living in an Islington Housing Project.

Selected group shows include The Finder: Ethnography of the Personal Interface, Off Site Project, Online (2018), Millimetre, Kingsgate Gallery, London (2017), Verona Art Fair, Verona, Italy (2017), EnterCity, Like Festival, Kunsthalle, Kosice, Slovakia (2017), The Museum Has Abandoned Us, State of the Art, Berlin (2017), A Show About The Show, Scaffold Gallery, Manchester (2017), The Choice of a New Generation, The Muse Gallery, London (2017), Pupa, Assembly House, Leeds (2017), Black Lotus, TAU Gaming, Middlesbrough (2017), Xhibit 20, Art Bermondsey Project Space, London (2017), Glitch Art is Dead, Gamut Gallery, Minneapolis (2017), The Sacred Screen, The Square Gallery, London (2017), A Group Thing, Thomas Young Gallery, Boston (2016) and TRAVELOGUE, Piazzetta Santa Barbara, Mantua, Italy (2016).

Exhibition and performance highlights include: MoMA PS1 Greater New York 2005; PERFORMA 05 and a performance project commissioned by the Calder Foundation for PERFORMA 13; Brooklyn Museum Open House, 2005; The Kitchen NYC, 2010; The Bearden Project at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, Londoproject commissioned by the Calder Foundation for PERFORMA 13; Brooklyn Museum Open House, 2005; The Kitchen NYC, 2010; The Bearden Project at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, LondoProject at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, London, 2013

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

Preus founded Dilettante Studios in 2010, cofounded SHoP with Laura Shaeffer (2011), and Material Exchange with Sara Black (2005), and was the creative director of the Rebuild Foundation shop until 2012, and project lead for Theaster Gates» 12 Ballads for Huguenot House, at Documenta 13.

This includes Angela House's Whole and Healthy Program (transitional housing and support for women immediately following incarceration), Project Row Houses Young Mothers Residency Program (a residency for low - income single mothers in the historically black neighborhood of Houston's Third Ward), and Project Row Houses Young Mothers Employment Placement Program (a job training program for low - income single mothers).

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The score will be created in part with the kinds of information gathered by the Image of the Black in Western Art Research Project and Photo Archive housed at the W.E.B. Du Bois Institute for African and African American Research at Harvard University.

His recent exhibitions include: «Can't Help It» (solo) at Black Tower Projects, London 2017; «Pre-Fix», Unofficial Northern Ireland Pavilion, Sella Del Giardini, Venice 2017; «Swimming with Sharks» (solo), Galeria Breve, Mexico City 2017; «On Becoming Fluid», Hardwick Gallery, Cheltenham 2017; «Wysing Polyphonic», Wysing Arts Centre, Cambridge 2016; «Sticky Enough», Chalton Gallery, London 2016;» Salon Sebastian Monteux», Glasgow International 2016; «Deep Inside» (solo), Galeria Breve, Mexico City 2016; FUSO & Carpe Diem, Lisbon 2015; «Post-Terminal & Ex-Ultimate», West, Den Haag 2016; «Center Point» (solo), House of St. Barnabas, London 2015; «Let's build our own tomb», Matt's Gallery, London 2015; «Neutral», TULCA Festival of Visual Art, Galway 2014; «London Dust», Chandelier Projects, London 2014; «Stone Dreams» ORGY PARK, New York 2014.

In addition Felicia developed and facilitated the Youth Film Club at Theaster Gates» Black Cinema House, and served as Project Manager for the Museum of Science and Industry's 2014 Black Creativity Juried Art Exhibition.

The installation housed performances by Gates and his music project The Black Monks of Mississippi.

there's cathryn davis and neeley house's documentary fully awake: black mountain college and the black mountain college project.

10/25 Kerry James Marshall, «Mastry» Through 1/29, the Met Breuer A painter of historical mysteries and the «African - American vernacular,» Marshall will showcase his huge graphic masterpieces of jet - black men, women, and children in housing projects, on streets, at play in the fields of the American Dream.

His recent exhibitions include Theaster Gates: The Minor Arts, National Gallery of Art, Washington D.C. (March 5 — September 4, 2017); But To Be A Poor Race, Regen Projects, Los Angeles (2017); Theaster Gates: How to Build a House Museum, Art Gallery of Ontario, Toronto, Canada (2016); «Theaster Gates: True Value,» Fondazione Prada, Milan, Italy (2016); and Theaster Gates: Black Archive, Kunsthaus Bregenz, Bregenz, Austria (2016).

Before joining Wysing in 2016, John was an editor at Black Dog Publishing alongside which he worked as a freelance curator, developing exhibitions and projects for Arcadia Missa, Flat Time House, MOT International and Tate.

Solo exhibitions include: Please believe these days will pass, Art Gallery of Ontario, Toronto, 2012; Ends Thou, Focal Point Gallery (offsite project), Southend; Be not Content, Upstream Gallery, Amsterdam, 2012; New Art Gallery, Walsall, 2011; Motto, Art House Foundation, London, 2009; The Age of Happiness, Hellenic American Union, Athens, 2009; Plateau Aurora Borealis, Peres Projects, Berlin, 2008; Run, Black River, Run, BALTIC, Gateshead, 2008; The Eye Don't See Itself, Vilma Gold, London, 2007; IT IS YOU, Arnolfini, Bristol, 2006.

Theaster Gates reconfigures forlorn materials and taps into untold histories in projects such as the Black Cinema House.

Gates's non-profit, Rebuild Foundation, manages the many projects in his Chicago hometown — including the Stony Island Arts Bank, Black Cinema House, Dorchester Art and Housing Collaborative, Archive House, and Listening House — while extending its support to cities throughout the American Midwest.

As part of the project, Monosov and Kamudzengerere actually married each other (in a real ceremony), built a house, and lived together, documenting the whole thing in beautiful black - and - white photos.

2009 Landscape Revisited, Park Avenue Armory, New York, NY Extended Family: Contemporary Connections, Brooklyn Museum, Brooklyn, NY Posing Beauty, New York University Tisch School of the Arts, New York, NY Dress Codes: The Third ICP Triennial of Photography and Video, The International Center of Photography, New York, NY Creating Identity: Portraits Today, 21C Museum, Louisville, KY Black Is, Black Ain't, The Artspace at the Kansas City Art Institute, Kansas City, MO Undercover: Performing and Transforming Black Female Identities, The Spelman College Museum of Fine Art, Atlanta, GA First Look: An Exhibition of Emerging Artists from Los Angeles Galleries, House of Campari, Los Angeles, CA Remix, Catharine Clark Gallery, San Francisco, CA The Female Gaze: Women Looking At Women, Cheim and Read, New York, NY Crash Proof, The Scholar and Feminist Online, Barnard Center for Research on Women, online exhibition Elsewhere, Saltworks, Atlanta, GA The Glamour Project, Lehmann Maupin, New York, NY CAN & DID — Graphics, Art, and Photography from the Obama Campaign, Danziger Projects, New York, NY

Tagged as: AIDS, Alicia Grullon, Antonio Lopez, Arturo Vega, Bannerette, Ben Davis, Ben Pinder, Björn Meyer - Ebrecht, Black and White / Project Space, BRIC, BRIC TV, Brittany M. Powell, Brooklyn Hi - Art Machine, Bushwick, Buzz Slutzky, Carl Siciliano, Christian Lord, Christopher Stout Gallery, coco fusco, Daniel Bejar, David Gleeson, david lynch, El Museo Del Barrio, Emily Greenberg, Eraserhead, Eric Gottshall, Erin Donnelly, Esteban del Valle, gentrification, Greg Sholette, Guy Ben - Ari, Hot Summer Nights, Housing Works, IFC Center, Isabella Cruz - Cong, Jeremy D. Olson, John Holmstrom, K8 Hardy, Kate Sopko, Kenyon Farrow, Kiara St. James, Lauren Frances Adams, Leah Wolff, LGBTQ Civil Rights, los ojos, Martha Rosler, martha wilson, Mary Mihelic, Meredith Talusan, Mildred Beltre, Nadia Rossi, Neil Goldberg, Oasa DuVerney, Peggy Diggs, Pride, Pride 20/20, Professor Katherine Franke, PUNK Magazine, queens museum, queer, Rachel Stern, Ritchie Torres, Roberta Bayley, Ruby Pester, Sandra Schulman, Sean Capone, Sheryl Oring, Smack Mellon, Stephen Squibb, Strap - On Projects, Studio 10, t.Rutt, Ted Riederer, The Ramones, Thomas McCarty, vincent tiley

The five paintings reimagine public housing projects in Chicago and Los Angeles (where Marshall grew up with his family in Nickerson Gardens), casting black figures at the center of romanticized pastoral scenes inspired by Italian Renaissance paintings.

Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!

She engages in research, organizing projects, curatorial practices that attend to the lived experiences of the black Diaspora — centering the experiences of black women most vulnerable to the violence of poverty, carcerality, polluting environments, reproductive legislation, economic exploitation, and housing discrimination.

Designed in Hackney: this week's first iconic project designed in the London borough of Hackney is Dirty House, a black - painted art studio and apartment building in Shoreditch with a brightly illuminated roof completed by architect David Adjaye in 2002.

The solo exhibition Due Date by Brian Adam Douglas (interviewed) opened on Thursday 9 March to a full house at London's Black Rat Projects.