Sentences with phrase «black identity -lsb-»

This paper reviews current research on the mixed ancestry experience and proposes a mixed ancestry racial / ethnic identity development model that incorporates Rockquemore and Brunsma's (2002) work on mixed ancestry identity types, Cross and Fhagen - Smith's (1996, 2001) life - span model of Black identity development, Cross's (1991) Nigrescence theory, Phinney's (1989) Ethnic Identity Development Model and Erikson's (1968) and Marcia's (1980) work on ego identity development.

Black identity in biracial Black / White people: A comparison of Jacqueline who refuses to be exclusively black and Adolphus who wishes he were.

The 63 - year - old Zanzibar - born artist — whose work deals with race and black identity — grew up in London and lives in the northern city of Preston.

This spring in Harvard Square, Cambridge, MA, the Ethelbert Cooper Gallery of African & African American Art is putting on a show - stopping performance with Art of Jazz: Form / Performance / Notes, an exhibition that delves as deep into jazz and art as it does into questions of jazz and black identity, jazz and myth, or jazz and place.

The exhibition (1 October - 3 December 2016) examines evolving perspectives of Black identity in American culture and history from 1912 to 2016 through rare historical printed media shown in dialogue with contemporary works of art.

Titles often freight Hlobo's work with themes of loss, tradition, and gay black identity — but, to understand them, you'd need to consult a Xhosa dictionary.

Paralleling the growth of black identity in the arts throughout the late 1960s, the Studio Museum in Harlem was established in September, 1968, pledged to give the newly discovered — and in some cases rediscovered — poets, painters and filmmakers badly needed public exposure.

Her use of digital tools and material, ranging from blue screen technology and 3D avatars to found footage from the internet, reflects on these modes of representation and the abstraction of black identity in art and media.

Each work attempts to add specificity to an aspect of black identity, using history, political circumstance, and narratives that have shaped personal constructions of black identity.

There are also Glenn Ligon's small paintings of text taken from «Invisible Man,» Ralph Ellison's 1952 novel, that reflect notions of black identity; Nikki S. Lee's photographs of herself made - up and dressed to fit into different communities — hip - hop, punk, rural white; and Catherine Opie's portraits of lesbian, gays, bisexuals and transgender people in Los Angeles.

Next week, Cooper Union opens its doors for a three - day exploration of black identity.

NEW YORK — Just south of Canal Street, a refreshing new show explores 21st century black identity.

12 January 30 April 2011 Lubaina Himid explores provocative issues around black identity, and for this show, she has researched and selected pieces from the gallery's West African textile collection.

Their debut on March 7 will be on a distinguished international stage — nothing less than the 2014 Whitney Museum Biennial — with a digital film about how race haunts black identity, told in operatic form.

The Cooper Union (7 East 7th Street) hosts «Drawing Lines: The Black American Experience,» a series of talks about black identity, on May 11,12 & 13.

Through special handling of time and space, Julien reflects on Black identity in a global culture.

These artists participated in ongoing dialogues about art, black identity, and individual rights that engaged American society in the twentieth century.

«I am interested in using what's available to me,» she tells me, and in «building portraits of the landscape that are also telling stories about Black identity.»

Thomas explores the remnants of American slave culture by pressuring the intersections of marketing, consumption, and black identity.

The motif of black activism is communicated in the silver gelatin print, The New Negro Escapist Social and Athletic Club (Kiss), though the theme of black identity and notions of African «otherness» underlies most works in the exhibition, which provides a unified result.

Rather than being confined to a vertical column on the inside flap, the book's cogent description, written by Walker, is laid out horizontally and incorporated into the entire dust jacket, which unfolds into a poster - size sheet that on the reverse features a detail of one of her works, ``... (And Modern Black Identity).»

From left, Page 102: ``... (And Modern Black Identity),» 2010 (unique ink transfer on paper); Page 103: «Kiss,» 2010 (graphite and pastel on paper).

This group of multicultural, cross-generational painters, colored pencil, and mixed - media artists present diverse visions of Black identity, while expressing the social and political progress that defined the past half - century.

Commemorating the 50th anniversary of this city's riots, this exhibition presents about 25 paintings, sculptures, installations and photographs made by African - American artist collectives of the 1960s and»70s that were intent on stressing black identity and civil rights.

Through artful composition, these portraits poignantly contrast Frazier with her matriarchs, her family with portrayals of Black identity in the media, and their bodies with the town of Braddock.

«Black identity is very confusing to be a part of, and I want to understand that.»

David Hammons» Untitled (African American Flag)(1991/2015), a cutting statement on black identity, which debuted at the Studio Museum in Harlem in the last millennium, is currently flying above PS1's courtyard — a fair enough warning that the past is afoot.

At a time when America is grappling with deep - rooted, seemingly intractable racial issues, it's time for a frank conversation about black identity.

Modern and contemporary figurative works dominate, and they are often mounted in ways that contest or question the notion of a monolithic black identity.

This exhibition examines evolving perspectives of Black identity in American culture and history from 1912 to 2016 through contemporary works of art and rare historical printed media.

THE BLACK POWER MOVEMENT was about strength, community, black identity and self determination.

He paints images that make reference to religious iconography and at the same time repeat the familiar details of black identity culture.

Her work investigates the histories, symbols, and images that construct notions of Black identity within black personhood.

Named after Jochen Zeitz, the former CEO of sportswear brand PUMA SE, whose art collection is on a twenty - year loan, the museum's eleven inaugural exhibitions survey a broad range of contemporary artistic practices, many inventively using the camera to assert black identity and record performative engagements with social issues.

All throughout my undergrad I worked with issues around black identity and culture, and when I came to OCAD to do my Masters I started reading a bunch of different texts, and then really focused on black masculinity.

Hank Willis Thomas, Zero Hour An acclaimed young artist, Hank Willis Thomas often appropriates mass media images and texts, which he manipulates to explore tacit assumptions and attitudes about black identity.

Using painting, sculptural installations, collage, video and photograph, Kerry James Marshall comments on the story of black identity both in the United States and in Wester Art.

CULTURE TYPE: The title of the exhibition Blackness in Abstraction naturally conjures the concept of black identity and representing it in abstraction, but that is not necessarily what you are trying to do.

Writings by David Bindman, Henry Louis Gates Jr., Richard J. Powell, Deborah Willis, Ruth Fine and others, consider black activism, black identity and post-black art.

A new sculptural installation by Tau Lewis, who creates simulations of living organisms to investigate black identity politics and the African diaspora (Cooper Cole, Toronto)

The New Jersey - born artist's first major European exhibition is a reckoning of dehumanized black identity, as asset and digital phantasm.

Simultaneously visceral and abstract, the installation explores black identity in relation to capitalism and colonialism through an uncanny superimposition of the histories of these two systems upon the present day.

Together they produced experimental films that explored black identity and political issues such as the racial tensions that led to riots in the UK during the early and mid-1980s.

Much of the subject matter of these works centers on black identity, fertility, and how landscape both informs and provides a backdrop to these themes.

examines evolving perspectives of Black identity in American culture and history from 1912 to 2016 through contemporary works of art and rare historical printed media.

Now in its 4th edition of the exhibit, it is dedicated to showing work of artists who identify as being of African decent to explore the infinite expressions of Afrofuturism, Black speculative fiction, Afro - Surrealism and other expansive themes like Black identity, culture and existence in the future, real or imagined.

For Baldwin, black identity in America is therefore characterized by an anxiety over these shifting perimeters.

Nontsikelelo «Lolo» Veleko (born in 19 August 1977 in Bodibe, North West Province) is a South African photographer most notably recognised for her depiction of black identity, urbanisation and fashion in post-apartheid South Africa.

Lorraine O'Grady Crossing disciplines including performance, criticism, photography and video, Lorraine O'Grady's meditations on Black identity and women's representation have positioned her as a fore - bearer of conceptual and activist practice.

Nontsikelelo «Lolo» Veleko Nontsikelelo «Lolo» Veleko is a South African photographer most notably recognised for her depictions of black identity, urbanisation, and fashion in post-apartheid South Africa.