Sentences with phrase «black ink marks»

Not exact matches

Brown and Clark also found that the black ink contains carbon, which would not produce the telltale yellow lines that mark medieval inks made of iron gallotannate.

In this art done with cover pencils by Sal Velluto and inks by Mark Mckenna, we see that this Black Panther fights with a shield and a spear.

The vast majority of exam papers are scanned and marked onscreen, which can lead to issues if answers are not clearly written or if pupils do not use black ink as instructed.

«The sheer beauty of ink on paper, the call and response quality of one person's awkward blue ink question and another reader's response in elegant black script on the same page, the odd illustrative / doodle marks people leave on the page that seem to capture a state of mind, the mark left in anger that tears into the paper.»

Executed in charcoal, ink and often ballpoint pen, her self portraits and images of her brothers and others are usually set against dark backgrounds, the subject's skin depicted in black hues defined by pattern, texture and mark making.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

In contrast, Mark Tobey used black and white to evoke the lyrical brushwork of Japanese calligraphy, in the form of a serenely organic ink painting.

For years, using pen and ink, she drew black figures usually set against dark backgrounds, the subject's black - hued skin defined by pattern, texture and mark making.

Layering black on black marks with ink, charcoal, pastel, and marker, Nigerian - born, New York — based artist Toyin Odutola (b. 1985) creates portraits that illuminate the notion of depth often neglected in perceptions of blackness.

The lateral thin and thick bands of black ink of the present work and their placement in relation to the edges are mirrored in the canvases, with subsequent works on paper advancing this proposition by manipulating the number and width of the markings.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iblack 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iBlack ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Collaborating with assistants, Boetti used four standard ink colors (blue, black, red and green) to mark small repetitive strokes, often covering the entire sheet.

In «Five» (1973), for example, Pindell writes sets of five tally marks in black ink, over and over again, on top of graph paper.

This film charts the progress of the Tate conservation team's work on Black on Maroon, the 1958 Mark Rothko painting damaged by grafftti ink in 2012

A rogue artist, Mark Bridger, walked into the gallery one day and poured a tin of black ink into the tank and re-titled the work «Black Sheep&rablack ink into the tank and re-titled the work «Black Sheep&raBlack Sheep».

Apart from collages, Bloch has also been working with China ink on paper since 1971, confronting black and white through marks, spots and squirts.

Four comparatively small works on view in Goodman's tiny third - floor space, each of them only about three by four feet, harbor traces of color — pinks, oranges, greens — and quick, varying marks of black ink.

A variation of marks will be on view including single marks, multiple marks and Chang's attempts at covering entire sheets of inkjet paper with matte black ink.

The linear mark - making and layering of Chu's work reflects the dynamic rhythm of his running script calligraphy, and his ink washes are predominately executed in black but are highlighted by the occasional use of red or green.

[14] The painting Vanescere (2007), a black - and - white composition that depicts what appears to be a maelstrom of ink and acrylic marks, some of which are sanded away on the surface of the linen support, was a catalyst picture for this series.

RUSTIC GARDEN TABLE Provenance Antiques ORGANIC STONEWARE SCULPTURE David Katz through Belvedere INK AND PENCIL STUDIES T. Botero Galleries RUG Tai Ping Carpets BLACK LACQUER CABINET WITH GOLD DETAIL Coup d'Etat through R Hughes GEODE SPECIMENS Harmonious Living by Tish Mills TESORO CORAL BOXES The Mercantile FLOOR LAMP Holly Hunt through Jerry Pair FRETWORK LOUNGE CHAIR McGuire through Baker ANTIQUE MIRROR Ainsworth - Noah DRAPERY FABRIC Arabel Fabrics DRAPERY HARDWARE Vesta BEDDING Restoration Hardware and West Elm BUDDHIST MONK STATUE August Avery ART Bill Lowe Gallery ALL OTHER RESOURCES Mark Williams Design Associates