IDRIS KHAN The State of the Viewer, 2016 3 stamped glass sheets, aluminum,
black ink mounted: 61 7/16 x 55 1/8 x 7 1/16 inches (156.1 x 140 x 17.9 cm) unique IK - 87
Not exact matches
Acorn, Athens, Bates, Big Fork,
Black Fork, Board Camp, Boles, Cove, Dallas, Dierks, Gillham, Grannis, Harvey, Hatfield, Hatton, Hodgen, Hopper,
Ink, Langley, Mena,
Mount Ida, Mountain Fork, Muse, Newhope, Norman, Octavia, Oden, Parks, Pencil Bluff, Pine Ridge, Potter, Potter Junction, Rocky, Sims, Smithville, Umpire, Vandervoort, Waldron, Watson, Wickes view all states»
Acorn, Belleville, Big Fork,
Black Fork, Blue Mountain, Bluffton, Board Camp, Boles, Booneville, Branch, Briggsville, Caddo Gap, Corinth, Dallas, Danville, Gravelly, Havana, Hopper, Huntington,
Ink, Joplin, Magazine, Mansfield, Mena,
Mount Ida, Norman, Nunley, Oden, Paris, Parks, Pencil Bluff, Pine Ridge, Plainview, Ratcliff, Rover, Sims, Story, Subiaco, Waldron, Waveland view all states»
Acorn, Athens, Bates, Big Fork,
Black Fork, Boles, Caddo Gap, Cove, Dallas, Dierks, Gillham, Grannis, Harvey, Hatfield, Hatton, Hopper,
Ink, Kirby, Langley, Mena,
Mount Ida, Mountain Fork, Newhope, Norman, Nunley, Octavia, Oden, Parks, Pencil Bluff, Pine Ridge, Potter, Potter Junction, Rocky, Sims, Smithville, Umpire, Vandervoort, Waldron, Watson, Wickes view all states»
Acorn, Alpine, Amity, Antoine, Athens, Big Fork,
Black Fork, Board Camp, Bonnerdale, Caddo Gap, Dallas, Delight, Dierks, Gillham, Glenwood, Grannis, Hatton, Hopper,
Ink, Joplin, Kirby, Lockesburg, McCaskill, Mena, Mineral Springs,
Mount Ida, Murfreesboro, Nashville, Newhope, Norman, Nunley, Oden, Pencil Bluff, Pine Ridge, Potter Junction, Rosboro, Sims, Umpire, Vandervoort, Wickes view all states»
Identified on a label affixed to the back of the
mount inscribed «Negative in file of D.L.» in
black ink and typed with Lange's Berkeley, California, address.
Stamped «MAN RAY PARIS» in
black ink on the reverse of the
mount u.c. Gelatin silver print, image / sheet size 7 7/8 x 4 7/8 in.
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of
ink - covered church pews
mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with
ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull
mounted on security gates and surrounded by a border of
ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found
black and white cards from the 1960s used for teaching young children, which Ward has altered using
ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
Stamped «NEGATIVE / BY / EDWARD WESTON / PRINT / BY» in
black ink and signed «Cole Weston» in pencil on the reverse of the
mount at center, titled and dated in pencil on the reverse of the
mount u.r. Gelatin silver print, image / sheet size 5 7/8 x 9 3/8 in., framed.
Stamped «MAN RAY / PARIS» in
black ink on the reverse of the
mount u.c. Gelatin silver print
mounted to board, image / sheet size 4 3/4 x 5 1/2 in.
Zarina Pillar, 2014 BFK light paper printed with
black ink and collaged with 22 - karat gold leaf paper
mounted on Somerset white paper Unique Sheet size: 25 1/2 x 19 1/2 inches (65.8 x 49.5 cm)
Vito Acconci, Step Piece, 1970, five gelatin silver prints and four sheets of typewritten paper,
mounted on board with annotations in
black ink, National Gallery of Art, Washington, Dorothy and Herbert Vogel Collection 1994.17.1
Silver gelatin print, image 4 1/2 x 7 inches (146 x 216 mm), dry -
mounted to a larger sheet, signed, titled and numbered 84 from the edition of 30 in
black ink below image.
Hugh Mesibov, Byzantine Figure, The Barnes Foundation https://collection.barnesfoundation.org/objects/6896/details Hugh Mesibov (American, born 1916) Byzantine Figure, 1945 - 1946, oil pastel over
black ink on cardstock
mounted to multi-ply paperboard (14 x 11 in.)
Thomas Joshua Cooper (b. 1946) The Celtic Sea and The North Atlantic Ocean, Cape Cornwall, Great Britain, Near the Southwest-most point of Mainland Great Britain (Lundy), 2002 Gelatin silver print,
mounted on card, signed «Thomas» in pencil on card recto, signed, titled and editioned 3/3 in
black ink verso, 40.5 x 58 cm (16 x 22 7/8 in) Provenance: Blains Southern, London, Thomas Joshua Cooper (b. 1946), The Celtic Sea and The North Atlantic Ocean, Cape Cornwall, Great Britain, Near the Southwest-most point of Mainland Great Britain (Lundy), 2002, Gelatin silver print,
mounted on card, signed «Thomas» in pencil on card recto, signed, titled and editioned 3/3 in
black ink verso, 40.5 x 58 cm (16 x 22 7/8 in), Provenance: Blains Southern, LondonRead more
William Wegman Drawing Hand, 1975
black Ink on Silver Gelatin Print
mounted size: 22 x 16 Inches Courtesy William Wegman © William Wegman
Stamped «MAN RAY / PARIS» in
black ink on the reverse of the
mount u.c.. Two gelatin silver prints
mounted to a single board, image / sheet sizes to 6 7/16 x 4 5/8 in.
Claude Gellée, called Claude Lorrain (1600 — 1682), The Sermon on the
Mount, 1655, pen and brown
ink and wash over
black chalk.