Sentences with phrase «black ink on»

Anyone else obsessed with the simplicity of black ink on brown kraft paper?

Print the resume with black ink on white or beige paper.

Remember that there are different word - processing applications that you can use to make your resume stylish but nothing works better than black ink on white paper.

• Using fancy fonts or colors in your covering letter may put off an employer; use black ink on white or off - white paper

Use black ink on white paper, a font size of 11 or larger, a font without a serif (eg Arial instead of Times New Roman) and produce each a separate sheet of paper.

They fear that the resume will feel barren without lots of black ink on white paper.

However, what most people would agree on is that resume appearances have evolved, and are no longer restricted to black ink on white, gray or ivory paper.

Unsigned, stamped «ARTHUR ROTHSTEIN / PHOTOGRAPH / from the collection of GRACE ROTHSTEIN» in black ink on the verso l.l. Gelatin silver print, image size 8 7/8 x 12 in.

George Grosz (1893 - 1959) Untitled (The Tryst), c. 1923 Black ink on paper 25 3/4 x 20 3/4 inches sheet size, 24 3/8 x 19 3/4 inches sight size GGzd 1 Signed lower right: Grosz verso stamped: George Grosz Nachlass 3622

For a long time I used black ink on paper, then I discovered coloured markers and that opened up the process because then I could start drawing with colour as a means to create composition and think about how shapes and colours interact on the initial drawing surface.

The female body is sometimes best depicted by curvy lines in black ink on white paper, as Qian Shaowu seems to tell us.

Line etching, spit bite aquatint, open bite etching, and drypoint printed in black ink on Zerkall Bütten paper.

A departure from Held's more recognizably hard - edged, overlapping geometric abstractions, these are spare works consisting of one or two brushstrokes of black ink on waxed paper.

Signed by Dorothy Dehner, Edgar Levy, Esther Gottleib and David Corcos Levy in black ink on the accompanying information sheet (David Corcos Levy is Edgar Levy's son, who was responsible for the plate being printed 31 years after it's creation, three participating artists survived at the time of printing), from the edition of 100.

Joseph Beuys, 3 Tonnen - Edition (3 Ton Edition), 1973 - 1985, screen print printed in black ink on vinyl, oil paint, 18 ⅛ x 17 15/16 in.

Signed, dated, and numbered «Phil Bergerson... 15/25» in black ink on the recto l.r., identified on a label from the More...

lubomir linhart» with a Prague address in black ink on the verso at center, additional pencil annotations on the verso.

Stamped «MAN RAY / PARIS» in black ink on the reverse of the mount u.c.. Two gelatin silver prints mounted to a single board, image / sheet sizes to 6 7/16 x 4 5/8 in.

A large - scale pattern painted with black ink on the rear gallery wall alludes to rhythms and the underlying structures of the universe.

Picasso's «Tete de Mousquetaire» crayon and black ink on board went for $ 4 million at Van De Weghe Fine Art.

Toned gelatin silver print on canvasboard, 14 x 17 1/2 inches (365 x 455 mm), signed by Moon in black ink on image (l.l.) and dated 1906.

William Wegman Drawing Hand, 1975 black Ink on Silver Gelatin Print mounted size: 22 x 16 Inches Courtesy William Wegman © William Wegman

Titled, dated, and signed»... 1976 Joel Meyerowitz» in black ink on the verso l.l. Chromogenic print, image size 7 1/2 x 9 1/2 More...

Titled and dated in black ink on the verso u.c., stamped «PHOTO BY / ANDRÉ KERTÉSZ» in black ink on the verso l.c. Gelatin silver print, image size 7 1/4 x 9 5/8 in.

Hugh Mesibov, Byzantine Figure, The Barnes Foundation https://collection.barnesfoundation.org/objects/6896/details Hugh Mesibov (American, born 1916) Byzantine Figure, 1945 - 1946, oil pastel over black ink on cardstock mounted to multi-ply paperboard (14 x 11 in.)

Smith printed the image in black ink on 36 attached sheets of handmade Thai paper.

Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on...

1922, John Taylor Arms (American, 1887 — 1953), etching with stipple in black ink on laid paper.

1854, Charles Meryon (French, 1821 — 1868), etching with drypoint in black ink on laid paper, fifth of twelve states.

Signed «R. Frank» in black ink on the verso l.r., «COPYRIGHT ©» stamp inscribed «Robert Frank 1979» in ink on the verso l.l., «ROBERT FRANK ARCHIVE» stamp inscribed «2642» in pencil on the verso l.r. Gelatin silver print, image size 9 x 13 1/2 in.

Numbered «3 A.P.» in black ink on a More...

Would» nt you Like to Be Me, 2005, Black ink on manila envelope, 13 1⁄2 × 20 in.

Japanese bound and beautifully printed in deep, dark, black ink on several kinds of paper, this volume documents New York artist Banks Violette's recent solo exhibition at Galerie Thaddaeus Ropac in Salzburg, where he showed recent sculptures and site - specific installations made of metal, neon, varnish and glass.

His recurring stays in Japan since the late 1950s, where he studied traditional culture, pottery, and papermaking, as well as Noh Theater and Buddhist philosophy, hint at two untitled works: large, simple, and rounded forms brushed in black ink on Japanese paper.

Robert Gober Untitled, 1999 black ink on paper 6 x 4 inches RGod 1 Collection of Neal and Graciela Meltzer 8.

This copy is signed «The Property of Fredrick W Hughes» in black ink on the first blank page.

There's also a print by William Ketteridge, Learning the Flute, executed in black ink on 220 pages.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Screenprinted in black ink on 270gsm white paper.

Black ink on paper, 16 3/4 x 13 3/4 inches, signed and dated.

Lot 112, «Untitled,» is a strong and very vibrant and colorful colored pastel and brush and black ink on paper.

Inscription describing subject in pencil on the verso u.c., stamped «PHOTO BY / MARGARET BOURKE - WHITE» in red ink on the verso at center, Life Picture Service reproduction permission stamp in black ink on the verso l.l. Gelatin silver print, image / sheet size 9 7/8 x 13 1/8 in.

With black ink on thick woven paper, the works depict mountainous forms, ships on the water and bodies at rest to explore the multifaceted aspects of nature.

Stamped «MAN RAY / PARIS» in black ink on the reverse of the mount u.c. Gelatin silver print mounted to board, image / sheet size 4 3/4 x 5 1/2 in.

Stamped «PHOTO By / ANDRÉ KERTÉSZ» in black ink on the verso l.c., dated and inscribed «2-4-66 / # 6» in ballpoint pen on the verso l.c. Gelatin silver print, image size 6 3/4 x 9 1/2 in.

Signed in black ink on the publisher's certificate of authenticity, published by the Serpentine Gallery, London

Stamped «PLEASE / CREDIT / FRANCIS BRUGUIERE» in black ink on the verso at center.

The second of the two gallery spaces is given over almost exclusively to works made with black ink on plain paper.

Titled and numbered «16/100» in black ink on the verso l.r., titled, dated, numbered, and signed More...

Original woodcut printed in black ink on Arches wove paper.