Her process of coupling microsampled sound pieces spliced from avant - garde
black jazz musicians with sculpted or painted visual abstraction that directly references the work of her white, male, Modernist influences elucidates the innovations of her predecessors, while creating a radical, new space for the reading of Modernism.
The black jazz musicians were the ones who really opened the door.
In 1948, Rawlins debuts in Devil in a Blue Dress, in which he accepts a $ 100 offer to locate a missing white woman who keeps the company of
black jazz musicians in South Central Los Angeles.
Not exact matches
He also traces the history of Islam among African - Americans by tying together such key developments as the formation of
black fraternal lodges in the 18th and 19th centuries; Noble Drew Ali's 1913 organization of the Moorish Science Temple in Newark, New Jersey; the growth of various Islamic missionary and revivalist movements beginning in the 19th and continuing throughout the 20th centuries; and the conversion to Islam of be-bop
jazz musicians who helped raise the faith's profile in the African - American community.
Other
blacks, some of them
musicians who worked
jazz up from the South, would feel the touch of fame, or once in a while have the thought that their names meant something to people outside their own.
(Mostly
black, exclusively male, and played by young top - tier
musicians, the Studio Band brings a spit - valve - clearing, floor - tom - tuning authenticity that grounds the film in
jazz's social and physical reality.)
In this stunningly researched novel, Nicole Mones not only tells the forgotten story of
black musicians in the Chinese
jazz age, but also weaves in a startling true tale of Holocaust heroism little - known in the West.
Harlan leads a fairly routine life as a young
black musician in
Jazz Age Harlem; then he and his close friend are invited to perform in Paris, where they get entangled with the Third Reich's brutality.
Much like
jazz musicians, the artists of this tradition reflect the rich, symbolic world of the
black rural South through highly charged works that address a wide range of revelatory social and political subjects.
Part of a group of pioneering artists and
jazz musicians ensconced in LA's
black arts scene, Hammons soon began transitioning to New York where the urban surround bolstered his concepts and performances.
Saint Phalle chose prominent and inspiring members of the African American community related to sports or music to highlight in the
Black Heroes series, such as
jazz musicians Miles Davis and Louis Armstrong, performer Josephine Baker, and athletes Michael Jordan, Tiger Woods, and Tony Gwynn.
BLACK AND BLUR — writings by Fred Moten on artists and
musicians, including Charles Mingus, David Hammons, and Glenn Gould — is the first volume of CONSENT NOT TO BE A SINGLE BEING, a trilogy of essays published in the fifteen years since In the Break (2003), Moten's landmark investigation of
jazz, sexual identity, and radical -LSB-...]
Like
jazz musicians, the artists of the Harlem Renaissance era travelled and interacted, and their art was cosmopolitan, inspired by European modernism as well as the cultural groundswell of
black America.
The mosaic - tile painting is part of Whitten's series of
Black Monolith works paying tribute to African American visionaries — intellectuals,
jazz musicians, and visual artists.
American artist Lucas Ajemian, along with his brother Jason, a
jazz musician and composer, assembled a ten - piece classical orchestra for their performance of the legendary rock song, «Into the Void» by the heavy metal band
Black Sabbath.
There, from the late 1960s to mid-1970s, he was part of a group of pioneering artists and
jazz musicians ensconced in LA's
black arts scene.
Gates's construction also serves as a contemplative space meant to inspire dialogue across philosophical and cultural boundaries on topics ranging from politics and religion to culture, food, and art as well as a performative space for the
Black Monks of Mississippi, a group of Baptist - Buddhist
musicians who mix slave spirituals, monastic chants, and
jazz to create a singular sonorous experience.
Accordingly, Jones looks at bebop, a
jazz practice pioneered by avant - garde
black musicians, as her artistic precedent.