Sentences with phrase «black line results»

Not exact matches

Rather, to take this radically dissident line of departure from the orthodoxy of the day is to speak what, for many blacks, is a truth inherited from our ancestors, a truth we know as a result of our awareness of our history coming out of slavery, a truth reflected in the ambiguous but great legacy of Booker T. Washington.

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The results are given for cluster nodes with more than two (black line) or three (red line) cluster members.

Yellow lines show individual results from different climate models, and the black line shows observed temperatures to the present day.

For example, we can see by comparing the two horizontal black lines in each box that this school's overall average results are slightly lower than the national results — but not by that much!

Getting the car off the line is tricky, as dumping the clutch anywhere above tickover seems to result in a black number 11 being drawn on the mile straight.

Different sizes and shapes and construction also have resulted in treads that can help propel a 300 - horsepower machine off the starting line and down the street without slipping, tripping or leaving any black marks on the pavement.

Lines xy, yz (yellow) and wy (blue) increase and angles wyz and xyz decrease c) Cranial base shortening (black arrow); asymmetrical shortening results in an axial tilting of the brain.

Black Guardians 2 offers many improvements, including a better line of sight and casting magic more successfully, which results in more enjoyable battles.

In Hog on Ice, Pinks, and Creamed Onions (1989), John Chamberlain uses black and white lucite relief to form varying lines in abstract forms, evoking the linear patterns that appear as a result of manipulation and exposure in the artist's crushed automobile sculptures.

Painting in 1950, this 18 - by -24-inch Sapolin enamel on paper reflects the artist's decision in the late 1940s to eliminate «color from his palette in order to focus on line, form and imagery» resulting in «the birth of a confident and energetic synthesis of abstraction, biomorphic forms and gestural «action painting»... The black and white abstractions also demonstrate the crucial relationship between drawing and painting in de Kooning's oeuvre.

Likewise, vertical black stripes streaking down the centers of canvases or delimiting their perimeters bring to mind ghosts of Barnett Newman past, though Chirulescu's lines result from the black frames of photographic negatives writ — and reproduced — large.

Hauser & Wirth's recent exhibition included great, large - scale examples from two of her finest bodies of work: the chromatically slight, but physically robust «Black and White Works» — some white with just a line of black, others black in their entirety, with structured and poetic surfaces; and the «Sarrafos» — white paintings with even more uninflected surfaces to which a black wooden bar has been attached, resulting in a physical and spatial experiBlack and White Works» — some white with just a line of black, others black in their entirety, with structured and poetic surfaces; and the «Sarrafos» — white paintings with even more uninflected surfaces to which a black wooden bar has been attached, resulting in a physical and spatial experiblack, others black in their entirety, with structured and poetic surfaces; and the «Sarrafos» — white paintings with even more uninflected surfaces to which a black wooden bar has been attached, resulting in a physical and spatial experiblack in their entirety, with structured and poetic surfaces; and the «Sarrafos» — white paintings with even more uninflected surfaces to which a black wooden bar has been attached, resulting in a physical and spatial experiblack wooden bar has been attached, resulting in a physical and spatial experience.

Rafael - Soto's interest moved towards the visual representation of movement, resulting in works of multiple black lines superimposed on a foundation of pure white.

Each composition begins in one corner and continues slowly, methodically in a single non-overlapping line until the surface is covered, resulting in a series of black and white paintings with a clear beginning and end to the creative process.

It packs a punch, yet there is softness in the lines as a result of the way the paint has gently bled through the masking tape, and a richness of colour that is hidden by the description «black and white».

It's an impressive painting that could have been executed in three sections, and even if it wasn't I perceive it as comprising three informal «panels», each with black and off - white lines in alternating directions, resulting in an overall «N» shape.

Yellow lines show individual results from different climate models, and the black line shows observed temperatures to the present day.

I wonder if it's even possible to draw a firm, black - and - white line between «censoring scientific results» and «suppressing use of a government position as a political soapbox»?

One odd result of note, as can be seen in the solid horizontal black lines in Figure 1, is that Gillett et al. estimate greater net warming from 1851 to 2010 (approximately 0.6 °C) than from 1961 to 2010 (approximately 0.7 °C).

Linear regressions for colonies (gray line) and cover (black line) were highly significant (cover slope = 3.91, intercept = 19.99, df = 212, p < 0.0001, r2 = 0.26; colonies slope = 3.43, intercept = 29.46, df = 304, p < 0.0001, r2 = 0.24) and indicated no difference in slopes, suggesting comparable results.

Note that August and September atmospheric conditions similar to 2007 would result in a September minimum of 3.6 million km2 (thick black line in Figure 1).

The lighter shaded areas depict the change in this uncertainty range, if carbon cycle feedbacks are assumed to be lower or higher than in the medium setting... Global mean temperature results from the SCM for anthropogenic and natural forcing compare favourably with 20th - century observations (black line) as shown in the lower left panel (Folland et al., 2001; Jones et al., 2001; Jones and Moberg, 2003).

The black curve is the result of our analysis, and the grey lines represent our 95 % confidence limits.

42; black line), and the residual anomaly after subtracting model results from observations (red line).

(compare the red and black lines) As a result, precipitation over the ocean in summer is lower than it is in winter, despite the temperature in summer is higher.

The solid black line shows the mean of the 13 models, and dashed black lines show the range of the model results.

Figure 3: Comparison of observed land and ocean temperatures (solid black line) with climate results using only natural forcings (blue bar) and natural + anthropogenic forcings (red bar).

I set up 2011 Black Friday which resulted in company wide changes that resulted in wristbands instead of customers waiting outside in a line.