Sentences with phrase «black masculinity as»

Abdi Osman Abdi Osman is a Toronto - based Somali - Canadian multidisciplinary artist whose work focuses on questions of black masculinity as it intersects with Muslim and queer identities.

Not exact matches

For lower socioeconomic women and often black women, yes, a marriageable man is one who has a job, but drug use and trafficking, under - or unemployment, the high rates of men in jail and the higher mortality rates for black men in their community put them at marital disadvantage — there are fewer men in their dating pool (And as I addressed previously, strong black women are often seen as being a detriment to black men's masculinity.)

I would style it with my black biker style jeans and boots as the femininity of the jumper would offset the masculinity of the rest of the outfit.

As a Black man, Chris's masculinity is challenged at the hands of law enforcement who criminalize him before he has the opportunity to speak and / or defend himself if need be.

His latest role as Erik Killmonger in the groundbreaking Marvel film, which premiered nationwide on Friday, offers a rare depiction of Black masculinity.

As the first black curator of the Whitney Museum, she organized landmark shows, such as «Black Male: Representations of Masculinity in Contemporary American Art» in 1994, that now seem strikingly prescienAs the first black curator of the Whitney Museum, she organized landmark shows, such as «Black Male: Representations of Masculinity in Contemporary American Art» in 1994, that now seem strikingly prescblack curator of the Whitney Museum, she organized landmark shows, such as «Black Male: Representations of Masculinity in Contemporary American Art» in 1994, that now seem strikingly prescienas «Black Male: Representations of Masculinity in Contemporary American Art» in 1994, that now seem strikingly prescBlack Male: Representations of Masculinity in Contemporary American Art» in 1994, that now seem strikingly prescient.

She served on the curatorial team of the Whitney Museum from 1988 - 2000, where her groundbreaking exhibitions included «Black Male: Representations of Masculinity in American Art,» and where she served as Director of the Whitney Museum at Phillip Morris.

Dandyism, with its emphasis on dress and flamboyance, is examined as radical personal politics and a provocative counter to stereotypical representations and physical objectification of black masculinity.

The Photographers» Gallery presents Made You Look: Dandyism and Black Masculinity, a group exhibition exploring the identity of the black dandy as performed in studio and street photographs from London to New York to BaBlack Masculinity, a group exhibition exploring the identity of the black dandy as performed in studio and street photographs from London to New York to Bablack dandy as performed in studio and street photographs from London to New York to Bamako.

15 Jul - 25 Sep 2016 The Photographers» Gallery presents Made You Look: Dandyism and Black Masculinity, a group exhibition exploring the identity of the black dandy as performed Black Masculinity, a group exhibition exploring the identity of the black dandy as performed black dandy as performed in...

Growing up in Nairobi in the 1970s and 1980s, Mutu noted that representations of people in film and television during her childhood primarily consisted of white men and women, and when they were black, they didn't resemble urban African people.2 Likewise, referencing the colonialism and masculinity dominating historical and mythological narrative, Mutu has articulated that the nguva in African folklore was a cunning temptress, said to come out of the sea and masquerade as a human to «trick people,» namely persuadable men, in order to «utilize [her] power to drown people, to drag them into the ocean.»

Notably known for exhibitions such as «Black Male: Representations of Masculinity in Contemporary American Art» (2014) and the 1993 edition of the Whitney Biennial, Thelma Golden will join the artist and the curator of the show «True Value» to discuss art and its capacity to transform institutions, history re-writing and social practice.

Wiley's larger - than - life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men.

Benjamin, a multidisciplinary artist whose installations are a meditation on the color black as an entry point into discussions of identity, race and masculinity and the exploration of the complexities of racial identity, received a $ 25,000 cash award and a two - week residency at The Hambidge Center for Creative Arts and Sciences.

In a decade at the Whitney, she was a member of the curatorial team for the 1993 Biennial, organized numerous groundbreaking exhibitions including 1994's Black Male: Representations of Masculinity in American Art, and served as Director of the Whitney Museum at Phillip Morris.

Photographer Collier Schorr has said, «I want to show the whole temperature of masculinity because — and I can only approach it as a woman — from the outside, masculinity has been depicted in very black - and - white terms.»

Just as a young man hanging out at the mall performs black masculinity through his look, walk and speech, artists like Kerry James Marshall, Wangechi Mutu and Yinka Shonibare are cast in the role of «black contemporary artist» — a role they pilot with dexterity and finesse.

He first gained notoriety in the 1993 Whitney Biennial as well as in Thelma Golden's landmark 1994 exhibition Black Male: Representations of Masculinity in Contemporary American Art.

Paul Stephen Benjamin (American, b. 1966) is a conceptual artist whose work is a meditation on the color black, specifically as an entry point into discussions of identity, race, and masculinity.

In 1988 she moved to the Whitney Museum of American Art, where she made her name by organizing exhibitions such as «Black Male: Representations of Masculinity in Contemporary American Art.»

«Grav • i • ty» troubles dominant ideologies around Black masculinity, especially as these ideas often use a vocabulary that images Black manhood in despair and disrepair.

Another 1970s black feminist instigator is Adrian Piper, whose Mythic Being (1973) fused questions of Blackness, masculinity, and public space as she impersonated a black man in patrician Cambridge, Massachusetts.

Ligon is one of the most important American artists working today, with work spanning painting, sculpture, photography, and film, and exhibitions throughout the United States and Europe, including the 1991 and 1993 Whitney Biennials; Black Male: Representations of Masculinity in Contemporary Art and The American Century: Art and Culture 1900 — 2000, both at the Whitney; solo exhibitions at the Studio Museum in Harlem; the Kunstverein München, Germany; the Walker Art Center, Minneapolis; St. Louis Art Museum, Missouri; ICA in Philadelphia; and SFMOMA; as well as the 1997 Venice Biennale and Documenta II.

An Atlanta - based multidisciplinary artist, Benjamin's «installations are a meditation on the color black as an entry point into discussions of identity, race and masculinity and the exploration of the complexities of racial identity.»

The sculptural hoodies give presence to the additional layer of black masculinity associated with black men in the media as often wearing baggy clothing, and hooded sweatshirts in particular.

Her portraits of black males, exploring their masculinity in urban and domestic settings, some nudes are painted in a lurid hues of reds and greens as she explores their raw sexuality and bold attitude.