Sentences with phrase «black musician films»

Just as the girls are close to landing a record deal from an important producer (Curtis Armstrong, adding to his legacy of black musician films in an apparent effort to further shed his reputation as «Booger from Revenge of the Nerds»), Sister's troubled situation costs them their big break.

Not exact matches

Year in, year out, moreover, the popular heroes of our culture — athletes, musicians, entertainers, and film stars, the aristocracy of talent adored, emulated, and worshipped as only royalties were in the past — are now significantly black as well.
Hi I'm 5» 7 169 pounds black hair brown eyes average build i smoke and i drink occasionally I'm a Gemini i.like being black and surrounded by color I'm a portrait artist a sculpter and musician (industrial Gothic rock) short films special effects poet writer love British.comedies avidity horror...
Many real life musicians of the genre plays roles in this film, most notably Zakk Wylde of Black Label Society, Jeff Pilson Of Dokken and Ratt and Jason Bonham the son of the late John Bonham, phenomenal drummer of Led Zeppelin.
Taking place in 1950s Poland, Berlin, Yugoslavia, and Paris, and shot in Academy ratio black and white, the well - reviewed film follows two mismatched musicians, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) through their up - and - down romance.
(Mostly black, exclusively male, and played by young top - tier musicians, the Studio Band brings a spit - valve - clearing, floor - tom - tuning authenticity that grounds the film in jazz's social and physical reality.)
Not to be confused with Samuel L. Jackson's other snake movie, «Black Snake Moan» is the sophomore effort from writer / director Craig Brewer, whose debut film «Hustle & Flow» (another movie about a Southern musician battling his inner demons) earned the director critical acclaim in 2005 as one of the generation's most promising young talents.
Limited Edition 2 Disc DVD set & Blu - Ray Extras: 36 minute Black Metal short film of deleted scenes, Alternate ending, Outtakes, The Cutting Room with musicians not in the film including: Enslaved, Ted «Nocturno Cutlo» Skjellum from Darkthrone, and Jørn «Necrobutcher» from Mayhem, plus more with Ulver, Immortal, Jan Axel «Hellhammer» Blomberg, Gylve» Fenriz» Nagell and Kjetil «Frost» Haraldstad, 46 more minutes of Varg Vikernes and a 45 minute class on the history of black metal with FBlack Metal short film of deleted scenes, Alternate ending, Outtakes, The Cutting Room with musicians not in the film including: Enslaved, Ted «Nocturno Cutlo» Skjellum from Darkthrone, and Jørn «Necrobutcher» from Mayhem, plus more with Ulver, Immortal, Jan Axel «Hellhammer» Blomberg, Gylve» Fenriz» Nagell and Kjetil «Frost» Haraldstad, 46 more minutes of Varg Vikernes and a 45 minute class on the history of black metal with Fblack metal with Fenriz
It's more conventional than it seems at first, opening with swipes at the phoniness of birth - to - death musician biopics — via a black - and - white film - within - the - film — before indulging in some phoniness of its own.
Pop and Lydon aren't the only musicians set to appear in the film, as Malick has also recruited Arcade Fire, Alan Palomo, Iron & Wine, Fleet Foxes and The Black Lips, who were all filmed at an Austin City Limits Music Festival from a number of years ago.
Occupying most of the screen, the trio of country musicians performs among real live llamas and children (a song which is thankfully not in the film); at the bottom, a little (proportionately speaking) man in black dances around with some instructions for you to follow along.
In the musician's debut gallery work, commissioned for the Whitney Biennial, an ascendant musical score accompanies a film montage (directed by A. G. Rojas) that pays homage to themes of family and spirituality in black and Chicanx communities.
Anton Corbijn is a Dutch photographer, music video director, and film director, best known for his black and white photographs of actors, musicians and artists.
In response to the Blue Black exhibition, artists, writers, musicians, and educators have selected books, albums, films, and other media to compose an interdisciplinary library.
Vertical roll, black, neon and strobe light; dancers, musicians, computer language, television broadcast and satellite transmission form the visual and aural vernacular of his tapes and films, recently gathered under the title, Channel Mix.
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