Sentences with phrase «black paint brought»

Not exact matches

I LOVE chalkboard paint and the great black matte finish it brings to a space.

We see black occupying a great space at creative designer-less Dior up to painting the models» lips with black; at Zuhair Murad black lace and velvet are in abundance; black is the main color at Givenchy fall 2016 runway show as well with some brown and taupe in between and with a smattering of red to bring vibrancy around, while at Alexander McQueen black oversized coats are embellished with fuchsia embroidery for pretty contrast.

Whereas in many crime dramas the difference between the good guy and the bad guy is painted in black and white, writer and director Cedric Jimenez brings the more complex nature of both sides in the emotionally gripping movie The Connection.

The brakes are a strong point, however, with massive six - piston, black - painted brake calipers that provide excellent feel and bring the big LS to a stop with little drama and a lot of confidence.

Our example was further tinseled with the Blacktop appearance package, which brings black - painted wheels and exterior accents, a Technology group that includes forward collision warning, adaptive cruise control, and blind spot detection, and for rear seat passengers, second - row captain's chairs and a DVD player.

Matte Black finished wheels made by Rohana bring along a nice touch to the Grigio Thalasso paint color.

More aggressive bumpers, black - painted kidney grille insets, wider wheel arches and rear spoiler in addition to the aforementioned 20 - inch wheels and lower stance bring a bit more visual pop than the standard i3.

The Dusk Edition brings all the same black accents and the sports bar but allows customers to choose any of the eight other paint colors available on the standard Colorado ZR2.

We are proud to bring to you this beautiful two owner clean Carfax 2015 Rolls Royce Ghost Series II with Diamond Black exterior paint with Cream Light interior.

Meanwhile, the standard Blue Edition brings exclusive Electric Blue exterior paint, contrasting black details for the grille, rear wing, diffuser, mirror caps and fog - light surrounds.

Thus began a restoration project that brought the historic Corvette back to its glory days — complete with the purple paint job with white coves, a white circle on each side and hood with black numbers, as well as original graphics and designs.

Seeing him draw, she tells him of a cursed 200 year old painting using the blackest ink ever known from a 1000 year old tree the painter had brought down without approval from the Emperor who had him executed for doing so.

From the east, a few lonely stars dragged their black paint behind them, covering the blues, pinks and oranges that the long - lingering sunset had brought.

At this point I started to introduce contrast in tone, adding areas of more concentrated black paint with a smaller brush, to define the eyes and features I wanted to bring forward.

Lewis (1909 - 1979) filled the painting with bold, gestural strokes of black on white to create a flickering pattern that brings to mind a conflagration in a dark forest.

That said, a quick google image search of Antonio Gramsci brings us to a black and white photograph of him from a Wikipedia page that can easily be attributed to your painting of «Exodus».

Her paintings, like Franz Kline's work best within the drama of black and white paint, leaving color like a blind date who brought their best friend along.

Butzer's solo exhibition at Metro Pictures introduces his exploration of abstraction in a committed and meditative approach, bringing together a series of oil on canvas paintings in which the arresting and potent impact of the color black prevails the surface.

Torkwase Dyson's abstract wall painting «Strange Fruit (Dignity in Hand)» (2015) brings the question of violence and the black body to the forefront in a title inspired by one of Billie Holiday's signature songs, which describes the «strange fruit» of lynching victims hung from trees («blood on the leaves and blood at the root»).

Robert Motherwell (1915 - 1991) brought light to his paintings through the dualism of his monumental black ovoid forms set against a painted white plane in his Elegies to the Spanish Republic series for which he is most well - known.

The exhibition brings draws together approximately 20 of Nevelson's iconic black and white painted wood sculptures, wall reliefs, and installations from the late 1950s through the late 1980s.

In addition to painting, notable sculpture artists like David Ellis and Libby Black bring their best to the exhibition.

It was at this time that he made a deliberate decision to move away from the defining «drip» technique that had brought him critical acclaim and to experiment instead with a new «pour» in treacly black paint.

While Hammons continues to imbue the street into his work, bringing with it its poor materials and concomitant sociocultural issues, the exhibition at White Cube sides closer with issues of market value — heightened by the need for a dedicated invigilator guarding The New Black and the nearby Untitled (2007), a fur tarnished with streaks of paint.

The exhibition brings together 20 of Nevelson's iconic black and white painted wood sculptures, wall reliefs, and installations from the late 1950s through the late 1980s.

MacConnel was a leader in the 1970s Pattern and Decoration movement, and since then has been using colorful fabrics, found materials, garishly bright paint, and black humor to bring light to much more than just decoration.

For Joe Goode, these nearly metaphysical, black paintings also contain violent slashes through the canvas that brings attention to the surface of the painting while adding a sense of painterly depth as the shadow cast behind the canvas becomes blacker than the painting itself.

At a time when race and identity became major issues in music, sport and literature, brought to public attention by iconic figures like Aretha Franklin, Muhammad Ali and Toni Morrison, «Black Art» was being defined and debated across the country in vibrant paintings, photographs, prints and sculptures.

Rodney McMillian: The Black Show, on view at the Institute of Contemporary Art at the University of Pennsylvania (February 3 — August 14, 2016), brings together a tightly focused selection of new and recent paintings, sculptures, and videos that deal with blackness as subject, form, process, emotion, and politics.

Each work in Witmer's austere Winterbrook (2015 17) series of six small panels brings out a different relational quality between paint and canvas: black wash opens up the flawed pores of the canvas grain; dense, dry paint marks the presence of the wooden stretcher as in a rubbing; carefully applied, grey and white thinly glazed layers make another panel's surface appear taut and tremulous like drumskin.

But this show at Mary Boone has a different context: Everything is a combination of fluorescent as well as black light, so it brings out the fluorescent and the oil paint.

In paintings from the late 1970s, at a gallery that specializes in rediscoveries, Ann Purcell could well be bringing Clyfford Still to Taos, by adapting the black projections that he discovered in New York and the Great Plains to color.

L&M Arts has brought together fifteen Black, Aluminum, and Copper Paintings, including the watershed Delta (1958), considered by the artist to be «the first black painting.&rBlack, Aluminum, and Copper Paintings, including the watershed Delta (1958), considered by the artist to be «the first black painting.&rblack painting.»

The exhibition brings together approximately 20 of Nevelson's iconic black and white painted wood sculptures, wall reliefs, and installations from the late 1950s through the late 1980s.

A culmination of five years of research and production by Suki Seokyeong Kang, the exhibition «Black Mat Oriole» is conceived as an installation that brings together sculpture, painting, and video to engage viewers with the power and politics of space.

To accompany two solo shows of Lubaina Himid's work at Spike Island and Modern Art Oxford, Nottingham Contemporary has brought together works by more than 25 artists associated with the Black Arts Movement in a major survey of painting, sculpture, film and archives.

It also brings the 50th anniversary of Movement in Squares (1961), the break - through black and white painting that marked her out as one of the world's leading abstract painters.

But for one example, a painting by a younger Royal Academician whom Turner was tutoring (the older artist suggested bringing out in greater relief a lamb in the foreground by adding black to the younger artist's epic but rather solidly conventional painting), Turner is shown on his own.

With an eye toward projected demographic trends such as these, the group exhibition The Future of America at the Hudgens Center for the Arts through April 28, brings together work by seven lens - based artists documenting various communities and subcultures among American teenagers and children: black cowboys and cowgirls, boys wearing fatigues and armed with paint guns, adolescent girls in their bedrooms.

Zaatari's two - part contribution to dOCUMENTA (13) similarly challenges the expectations audiences may bring by casting his latest works on archives not in the context of politics, history and memory but rather as a love story for two men played by three actors, in the black and white, 16 mm silent film The End of Time (2012), and as a mentor — apprentice drama in Time Capsule (2012), an extended performance for which the artist buried a concrete - encased collection of small monochromatic paintings — a tribute to an unnamed photographer said to be losing his sight — in a hole in the ground that was dug next to the Fulda River in the Karlsaue Park, with four spokes of rebar marking the spot.

The black pourings were first exhibited at Betty Parsons Gallery, New York, in 1951; a series of black enamel and oils, they have been described by art historian Michael Fried as bringing the artist to «the verge of an entirely new and different kind of painting... of virtually limitless potential.»

On show at the Hôtel Pont Royal in Paris, this exhibition by the French photographer Louise Skira brings together a group of gelatin silver photographic works in black and white on the world of painting and music.

Additionally, the black - leather upholstery compliments the dark areas of the paintings and the contrasting white marble table hightlights the lighter areas of the paintings bringing more light to the interior's overall composition.

Stella's legendary series of 24 somber black paintings, the works he made in 1959 that brought him rapid fame, are reduced here to a pair of decorations flanking a doorway.

Screened in dozens of international festivals; winner of awards from Greenpeace, Woods Hole Film Festival, UFVA, the Black Maria Film Festival, and others; and part of the theatrical release The Animation Show of Shows, this film was made with animated clay - painting, oil - based modeling clay brought to life frame - by - frame.

It brings together nearly half of the semi-figurative Black Paintings from the early 1950s.

This new work brings the letters from his Black Dada paintings into three - dimensional form.

Malcolm Morley: Painting, Paper, Process brings together works that have rarely been seen together and includes such diverse images as idyllic beach scenes; the artist's beloved black and white border collie, Elsa, in play and repose; and knights in armor, WWII flying aces, and their present day inheritors, the sports stars who carry on the legacy of derring do.

After Doyle's inclusion in the Corcoran Gallery of Art's pivotal exhibition «Black Folk Art in America 1930 — 1980» (1982), curated by Jane Livingston, the artist's work brought him notoriety and praise — the late Jean - Michel Basquiat on one occasion traded his own artworks for Doyle's and Ed Ruscha paid postmortem tribute to the artist with his painting «Where Are You Going, Man?

A small, black and moody canvas, «Untitled» (2004)-- all her paintings are untitled — forms the frontispiece to the catalogue and brings to mind early Motherwell, providing some insight into Caivano's thinking.