Sentences with phrase «black paper figures»

Not exact matches

It's just a bunch of paper sheets with black figures on it called a «book».

The graphs below, a modified version of Figure 1 from the paper, shows the total contributions that will be made into the pension plan over a teacher's working career (the solid black line) versus the actual benefit teachers would receive at a given stage of their career (the black dotted line).

The subjects in the Black Paintings and their related works - on - paper are lovers, mothers and children, and amorphous, looming creatures — figures allusive of existential oppositions and emotional turmoil.

In works like Darkytown Rebellion (2000), the artist uses overhead projectors to throw colored light onto the ceiling, walls, and floor of the exhibition space; the lights cast a shadow of the viewer's body onto the walls, where it mingles with Walker's black - paper figures and landscapes.

1991 The Nude: Drawings of the Figure by New York School Artists, Twining Gallery, New York, NY Aspects of Collage, Guild Hall Museum, East Hampton, NY On Paper, Of Paper, Benton Gallery, Southampton, NY Black and White, Renee Fotouhi Fine Arts East, East Hampton, NY Biomorphic and Surreal: 1930 - 1960.

Wooded Landscape with Horseman, Figures, and Bridge, ca. 1780, black chalk with smudging, opaque lead white, on laid paper, purchased by Pierpont Morgan (1837 - 1913) in 1909, The Morgan Library & Museum.

Rarely was there a situation where a student is capable of attracting so much attention with her piece as was the case with Kara and her mouthful of a mural — it wasn't just the theme of the piece that caught the notice of critics, but its notorious form of placing black paper silhouette figures against a white wall.

This selection of works on paper explores ideas of celebration, highlighting the Black figure in the context of contemporary culture and leisure.

48 ceramic figures, mixed - media, leather, feathers, black board paint, chalk, distressed paper Dimensions variable

In the work on paper, black figures slide down stripper poles and hold their hands up, as military men aim rifles at their bodies.

Lynn Hershman Leeson's black - and - white images from the 1980s and»90s, included here amongst a large and perhaps purposely slightly cluttered installation of other works on paper by fellow California artists like Bruce Conner, are yet another example of portraiture and the image of the figure, popping its head (pun intended) into the mass of shapes and images that cover the various booths at Untitled.

In these little known works on paper, black outlines of figures are filled in with blocks of color like stained - glass windows.

May 18th — Jun 24th 2016: Culture Club is a solo project of large - scale works on paper exploring ideas of celebration, highlighting the Black figure in the context of contemporary culture and leisure.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

A few steps later, you realise that the figure is also facing a long black stage, which is covered with a collection of other creepy objects: an immensely long stuffed man, drooping miserably across a large, badly painted canvas of two more nasty figures; a paper human head shape containing thoughts of a shit - smeared builder, and below, his bared bottom; a gathering of toy babies; a cartoonish painting of a little boy hitting a drum.

This 1950 charcoal on paper figure drawing in black and white is by Santa Fe artist Seymour Tubis (1919 - 1993).

In this exhibition therefore we come upon a version of Sainte Sébastienne once again (drypoint in black and white on paper, 1992), as well as the Tryptych for the Red Rooms (1994) which offers an interpretation of the arch of hysteria, a figure that represents a physical and psychological state where pain and pleasure blend to produce feelings of arousal expressed through an erotic impulse.

Also examined is Haring's activity in public spaces, including the anonymous works that first drew him to the attention of the public, figures drawn in chalk on pieces of black paper used to cover old advertisements on the walls of New York City subway stations.

As illustrated in Figure 1 above from the 2011 paper Atmospheric Blocking and Atlantic Multidecadal Ocean Variability, the answer would be there has been no trend in Greenland blocking days (estimates in black and dark blue).

When I covered the countertops with black paper, it looked great, go figure...