Sentences with phrase «black people in»

Chelsea Bond, Senior Lecturer in Aboriginal and Torres Strait Islander Studies Unit (ATSIS Unit) at the University of Queensland wrote at The Conversation that Leak's cartoon was a reminder of the need interrogate and scrutinise «what white men are saying and doing to black Australia (men, women and children) and the lived consequences of these commentaries, caricatures and policies on the lives of black people in this country».

«I'm sorry that an interview I did about a minority, black people in this country, and gun rights was used as a weapon against you guys,» he said.

Unfair auto insurance rates are just a small example of the many inequalities that plague black people in the United States.

According to the Consumer Federation of America, it appears that just having black people in your neighborhood could spell trouble for your auto insurance rates.

2002: The Star publishes a report that shows black people in certain circumstances are treated more harshly, prompting a libel lawsuit by the Toronto Police Association that was eventually dismissed by the Supreme Court of Canada.

Because today's society faces such conflicting messages, it is especially important for younger generations of Americans (and Canadians — let's not forget the recent cross-burning in Nova Scotia) to be educated on the full history of black people in America.

This report investigated the disproportionality and disparities experienced by Indigenous and Black people in child welfare, confirmed and validated the concerns -LSB-...]

Adding insult to injury, he said, is that the society displays photographs of him on its Facebook page from various functions where he is one of the few black people in attendance.

Prior told NBC that he posted the sign because he «had some problems with black people in the past and needed to make a policy against them.»

To this end, I have been working recently to develop an event at BLP called «Underrepresentation of black people in law: Your route to success».

Al Gore's «Fertility Management» Pitch, in a Nutshell: A wealthy white Western politician is telling the world that there are going to be far too many black people in Africa.

Don't forget that the tobacco industry has also invested in the «DDT is harmless and environmentalists banned it because they want to kill poor black people in Africa» scam.

His complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land - and seascapes synthesize different traditions and genres, while seeking to counter stereotypical representations of black people in society.

In his work, Marshall investigates the visibility of black people in society and the connotations associated with darkness.

All the small black people in my paintings are my response to all the strangers I've encountered in my life.»

Catlett, three of whose grandparents worked as slaves, explained that her purpose was «to present black people in their beauty and dignity for ourselves and others to understand and enjoy and to exhibit my work where black people can visit and find art to which they can relate.»

Fifteen years ago, Ligon wandered around the Givens Collection of African American Literature at the University of Minnesota and it soon became clear to him that «one could trace a history of black people in the United States simply by examining how we were represented on book covers.»

Mixing realism, abstraction and Pop, Mr. Hendricks's life - size paintings of beautiful black people in extravagantly fashionable outfits against flat, single - color backgrounds captured a period sensibility with uncanny acuity.

She has also painted over parts of newspaper pages to show how they «used black people in a very subtle way which could be said to undermine their identity.»

Early iterations and attempts at this could be seen in Hodge's 2014 solo exhibition Robert Hodge: Destroy and Rebuild at the Contemporary Arts Museum Houston, in which Hodge put representations of black people in direct confrontation with one another.

Throughout his complex and compelling practice, Marshall combines a wide range of pictorial traditions to counter stereotypical representations of black people in society.

Kehinde Wiley is a former cover artist of Juxtapoz (January 2010,) and Amy Sherald is an established figurative painter, both artists centering on black people in bold contemporary styles.

So I put these black people in the same frames.

Inspired by the reverence bestowed upon cows in India, Hutchins» latest series of collage and mixed media work — Sacred Cows — offers unique commentary on the treatment of Black people in America.

These movements grew out of the struggle of the black people in many African countries for independence from their European colonizers.

(Rio de Janeiro, Brazil) This weekend, the catalogue of the exhibition «Tronco» by Afonso Tostes will be released.There will be also at the show a roundtable mediated by curator Bernardo Mosqueira, with the presences of the artist, and also Paulo Herkenhoff — critic and director of MAR — and Alvaro Nascimento — Ph.D. in History from Unicamp, professor at the Federal Rural University and researcher of the struggle of black people in the port area of Rio.

... For example, even though I have undertaken several research visits to the US, and have been privileged to visit many artist studios, and to collect a significant amount of material on African - American artists, I have yet to see examples of work that in any way deals with the hostile political realities of life for Black people in Britain.

Using a style she called «Super Realism,» Ringgold explored what was happening to black people in the United States and commented upon the Civil Rights movement from a woman's point of view.

Founded by Kameelah Janan Rasheed in 2016, Mapping the Spirit documents the permutations of spiritual life amongst Black people in the United States.

He has twice been featured in the list of the 100 most influential black people in Britain and in 2006 was awarded an MBE, or membership to the Order of the British Empire, for services to the art world.

Its collection of 7,000 works of art, artifacts and ephemera documents nearly the entire history of the literary, artistic, military, enslaved, and free lives of Black people in America and inspires a range of exhibitions and public programs and events.

Mapping the Spirit, a digital archive that maps the permutations and contours of spiritual life amongst Black people in the United States through photographs, video, ephemera, and longform interviews launched in September 2017.

Both artists show mastery over their craft, and focus directly on showing black people in a bold contemporary style with nods to classic masters.

Over the last seven years the V&A has been working with Black Cultural Archives to acquire photographs either by black photographers or which document the lives of black people in Britain.

«And if you keep going to the Louvre and Tate Britain and you don't see black people in those pictures, then you don't think black people belong in those kind of pictures, which belong in a place like that.

The iconic magazine honored the artist for his contributions to marginalized and ignored black people in both the American society and art community, something Kerry achieved through bold and in - your - face narrative paintings.

The mezzanine sticks to politics in the present, with «The Window and the Breaking of the Window» — after a descriptor of black people in text art by William Pope.L.

From South African exiles — most of them artists, writers and musicians (Dumile Feni, Louis Maqhubela, Gavin Jantjes, Louis Moholo, Chris McGregor, Alex la Guma, Pallo Jordan, etc.)-- to the Caribbean community in Handsworth, George Hallett's images stand as a remarkable contribution to the history of Black people in England.

It conceptually and aesthetically ties together the sociopolitical conditions, multiple experiences, creative practices, imaginations and cultural expressions of black people in the United Sates (mainly the south) and throughout the African diaspora.

When asked about his eloquent exploration of «instances where Black aesthetics and modernist aesthetics collide,» Davis noted, «race plays a role in as far as my figures are Black... If I'm making any statement, it's to just show Black people in normal scenarios, where drugs and guns are nothing to do with it.»

Sharifa Rhodes - Pitts, author of the memoir Harlem Is Nowhere, has described the neighborhood as «the most important place for black people in America, if not the world,» and also as a universe unto itself.

Conversant with a wide typology of styles, subjects, and techniques, from abstraction to realism and comics, Marshall synthesizes different traditions and genres in his work while seeking to counter stereotypical depictions of black people in society.

His performances are also addressing real questions of economic inequality and political disenfranchisement affecting black people in the States.

Kerry James Marshall's major monographic retrospective presents a broad range of pictorial traditions to counter stereotypical representations of black people in society and reassert the black figure within the canon of Western painting.

His unique contribution was to visualize and bring to life his own vibrant style, which reflected the hard work and difficult histories of black people in America.

I'm deeply interested in the history of black people in the United States, and I am deeply interested in the history of the United States in general.

«I realized I didn't see many paintings with black people in them,» he once said — and so he depicted them, whether «Hollywood Africans,» jazz great Charlie Parker or the «Undiscovered Genius of the Mississippi Delta.»

I dealt with something like this in Venice, as well; I researched the role of black people in the history of that area.

For over three decades, painter Kerry James Marshall has been addressing the absence of black people in art history, so this survey at the Metropolitan Museum of Art — a keeper of the canon — should be major.

Curated by Adrienne L. Childs, this exhibition explores images of black people in European art in the era spanning 1750 - 1914.