Sentences with phrase «black performance in»

This program is a part of Radical Presence: Black Performance in Contemporary Art.

Installation view of Radical Presence: Black Performance in Contemporary Art Photo: Adam Reich

2013 Americana, Perez Art Museum Miami, Miami, FL Tête a Tête, curated by Mickalene Thomas, QF Gallery, East Hampton, NY Radical Presence: Black Performance in Contemporary At, The Studio Museum in Harlem, New York, NY Radical Presence: Black Performance in Contemporary Art, Grey Art Gallery, New York University, New York, NY Pivot Points: 15 Years and Counting, MoCA North Miami, North Miami, FL Un-Drawn, Philadelphia Photo Arts Center, Philadelphia, PA

The Studio Museum in Harlem presentation of Radical Presence: Black Performance in Contemporary Art is organized by Thomas J. Lax, Assistant Curator.

Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s through present - day practices, Radical Presence: Black Performance in Contemporary Art chronicles the emergence and development of black performance art over three generations, presenting a rich and complex look at this important facet of contemporary art.

Three Duets, Seven Variations, a special series for the Performa 13 biennial, pairing six intergenerational artists for seven programs, is presented as part of Radical Presence: Black Performance in Contemporary Art.

Radical Presence: Black Performance in Contemporay Art at Yerba Buena Center for the Arts.

at Yale School of Art, New Haven and IPCNY in New York (2016); Radical Presence: Black Performance in Contemporary Art at Walker Art Center, Minneapolis, CAM Houston, and Studio Museum in New York (2014); Claim at Littman Gallery, Portland State University, Portland, OR (2014); Cage Unrequited at Performa, New York (2013); Forlesen at The Renaissance Society, University of Chicago, Chicago (2013); and A Long White Cloud, Te Tuhi, Auckland, New Zealand (2013).

On August 19, 2015, the artist and writer Coco Fusco performed Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist to a packed house at Yerba Buena Center for the Arts in San Francisco.1 The performance was part of the exhibition Radical Presence: Black Performance in Contemporary Art, on view at YBCA through October 11, 2015, and curated by Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston.

Radical Presence: Black Performance in Contemporary Art is organized by the Contemporary Arts Museum Houston.

Fionn Meade is an curator and writer who has previously worked at the Walker Art Center where exhibitions included Less ThanOne and Andrea Büttner, Radical Presence: Black Performance in Contemporary Art, and Question the Wall Itself, which presents a range of works conceived as rooms and interior architecture, and includes major installations by Tom Burr, Nina Beier, Cerith Wyn Evans, Lucy McKenzie, Akram Zaatari, Paul Sietsema, Jonathas de Andrade, Walid Raad, and Marc Camille Chaimowicz, among others; as well as Merce Cunningham: Common Time, a retrospective survey of Merce Cunningham's dynamic artistic collaborations, including work from more than seventy artists working across disciplines.

The Influence of Cartoons in Contemporary Art (2003); the acclaimed Double Consciousness: Black Conceptual Art Since 1970 (2005); Black Light / White Noise: Sound and Light in Contemporary Art (2007); Cinema Remixed and Reloaded: Black Women Artists and the Moving Image with Dr. Andrea Barnwell Brownlee (2009); and Radical Presence: Black Performance in Contemporary Art (2012 — 15); among others.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum Houston November 17, 2012 through February 15, 2013

Tagged as: angry birds, black performance in contemporary art, coco fusco, Contemporary Arts Museum Houston, criticism sure, dalston, Damien Hirst, dr. zira, freezing my bum, harlem, jonathan jones, london, lux, marlise munoz, mit press, planet of the apes, playstation, Polar vortex, radical presence, studio museum, the bruce high quality foundation, The New York Times, video games, west side story, yvonne rainer

It's been exhibited as a series of photographs in recent years, in places ranging from Art Basel Miami Beach to the touring museum survey «Radical Presence: Black Performance in Contemporary Art,» now at the Yerba Buena Center for the Arts in San Francisco.

Radical Presence: Black Performance in Contemporary Art by Valerie Cassel Oliver, et al. (Contemporary Arts Museum Houston, 165 pages).

An interdisciplinary conceptual artist and musician, his work is currently featured in the group show Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem.

Video documentation of At Osiris and Postlude (Corpus Specere), which Adkins and the Lone Wolf Recital Corps performed at The Studio Museum in Harlem during Radical Presence: Black Performance in Contemporary Art, will also be featured in the exhibition.

Fleming's performative work will also included in the upcoming exhibit, Radical Presence: Black Performance in Contemporary Art, the Contemporary Arts Museum in Houston in the fall 2012.

BOOKSHELF Pope.L was featured in the group exhibition «Radical Presence: Black Performance in Contemporary Art,» which was billed as the first comprehensive survey of performance art by black visual artists.

Video documentation of two performances at The Studio Museum in Harlem, on November 13, 2013, in conjunction with Radical Presence: Black Performance in Contemporary Art, an Exhibition organized by Valerie Cassel Oliver.

Radical Presence: Black Performance in Contemporary Art is curated by Valerie Cassel Oliver, CAMH Senior Curator.

Video documentation of two performances at The Studio Museum in Harlem, on November 13, 2013, in conjunction with Radical Presence: Black Performance in Contemporary Art, an exhibition organized by Valerie Cassel Oliver.

Group exhibitions include Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston (2012), and The Studio Museum in Harlem (2013) and Deliverance, Atlanta Contemporary Art Center (2012).

Performance at the Contemporary Arts Museum Houston in conjunction with the group exhibition Radical Presence: Black Performance in Contemporary Art (Nov. 2012 — Feb. 2013).

Radical Presence: Black Performance in Contemporary Art at Grey Art Gallery is the first of a two - part exhibition originating at the Contemporary Arts Museum Houston [the second is at the Studio Museum of Harlem] that addresses the history of black performance art since the 1970s.

In 2012, she mounted the project, Radical Presence: Black Performance in Contemporary Art, currently touring through 2015.

3 — Identity - Politics Curators, Between Adrian Piper pulling out of the show Radical Presence: Black Performance in Contemporary Art and the artists of Jewish descent who declined to participate in the Jew York exhibition at Zach Feuer and Untitled galleries, it looks like curators who want to group or explore artists based on identity have hit hard times.

Radical Presence: Black Performance in Contemporary Art is the first exhibition to survey over fifty years of performance art by visual artists of African descent from the United States and the Caribbean.

Radical Presence: Black Performance in Contemporary Art is supported by generous grants from The Andy Warhol Foundation for the Visual Arts, the National Endowment for the Arts, and the patrons, benefactors, and donors to CAMH's Major Exhibition Fund.

Perspectives 179: Alvin Baltrop: Dreams Into Glass [catalogue unavailable] Your Land / My Land: Election ’12 [catalogue unavailable] Perspectives 180 — Unfinished Country: New Video from China Radical Presence: Black Performance in Contemporary Art

The artist has participated in various group exhibitions including Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston (2012 - 2013, traveling); Blues for Smoke, Museum of Contemporary Art, Los Angeles (2012 - 13, traveling); Now Dig This!

Conceived in dialogue with the exhibition The Shadows Took Shape, this panel discussion will be moderated by Nettrice Gaskins, Ph.D. candidate and researcher at Georgia Tech's Experimental Games Lab (EGL)(part of the Digital Media program at the School of Literature, Communication and Culture), and feature artists Coco Fusco, Jacolby Satterwhite and Saya Woolfalk, whose works are included in the two exhibitions currently on view at the Studio Museum, The Shadows Took Shape and Radical Presence: Black Performance in Contemporary Art.

Other important exhibitions include Adventure of the Black Square: Abstract Art and Society 1915 — 2015 (2015), Whitechapel Gallery, London; The Disappearance of the Fireflies, Collection Lambert, Avignon, France, 2014; Love Story - Anne and Wolfgang Titze Collection, 21er Haus and Winter Palace, Vienna, Austria, 2014; Radical Presence: Black Performance in Contemporary Art, Walker Art Center, Minneapolis, 2014; Joan Jonas & Adam Pendleton, Galeria Pedro Cera, Lisbon, 2014; We Love Video This Summer, Pace Gallery, Beijing, China, 2014; Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum, Houston (2013); Ecstatic Alphabets / Heaps of Language, The Museum of Modern Art, New York (2012); Greater New York, P.S. 1 Contemporary Art Center, Long Island City, New York (2010); The Generational: Younger Than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, Institute of Contemporary Art, London (2007); Resistance Is, Whitney Museum of American Art, New York (2007); Frequency, Studio Museum of Harlem, New York (2005 - 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

A conceptual artist who works in performance, photography and video, he participated in the 2014 Whitney Biennial and was also featured in the 2013 group show «Radical Presence: Black Performance in Contemporary Art.»

«Radical presence: black performance in comtemporary art.»

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Walker Art Center, Minneapolis, MN July 24, 2014 — January 4, 2015 Coco Fusco included in Radical Presence: Black Performance in Contemporary Art at the Walker Art Center, organized by the Contemporary Arts Museum Houston, curated by Valerie Cassel Oliver.

Coco Fusco and Lorraine O'Grady featured in the exhibition Radical Presence: Black Performance in Contemporary Art, curated by Valerie Cassel Oliver, at the Contemporary Arts Museum Houston.

The event is organized by Grey Art Gallery, New York University and NYU's Department of Museum Studies, in conjunction with Radical Presence: Black Performance in Contemporary Art, on view at Grey Art Gallery through December 7, 2013.

[9] Her work has since featured in many seminal exhibitions, including: This Will Have Been: Art, Love & Politics in the 1980s; Radical Presence: Black Performance in Contemporary Art, [10] and En Mas»: Carnival and Performance Art of the Caribbean.

Lorraine O'Grady: A Portrait (2012) included in Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem, reviewed by Jillian Steinhauer in Hyperallergic.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Lorraine O'Grady's Mademoiselle Bougeois Noire (1980-83/2009) featured in Radical Presence: Black Performance in Contemporary Art at the Grey Art Gallery, New York University.

Left: a / k / a Mrs. George Gilbert (2004); Right: Sightings photo series (2004) Installation view Radical Presence: Black Performance in Contemporary Art; Contemporary Arts Museum, Houston (2012)

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Coco Fusco's Sightings (2004) photo series and a / k / a Mrs. George Gilbert (2004) video featured in Radical Presence: Black Performance in Contemporary Art at the Grey Art Gallery, New York University.

Coco Fusco and Lorraine O'Grady featured in Radical Presence: Black Performance in Contemporary Art at the Grey Art Gallery, New York University.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Lorraine O'Grady's Mademoiselle Bourgeois Noire (1980-83/2009) featured in Radical Presence: Black Performance in Contemporary Art at the Contemporary Arts Museum, Houston.

The exhibition Radical Presence: Black Performance in Contemporary Art, reviewed in The New York Times by Ken Johnson.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Walker Art Center, Minneapolis, MN July 24, 2014 — January 4, 2015 Lorraine O'Grady included in Radical Presence: Black Performance in Contemporary Art at the Walker Art Center, organized by the Contemporary Arts Museum Houston, curated by Valerie Cassel Oliver.

Coco Fusco's performance Observation of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of the exhibition Radical Presence: Black Performance in Contemporary Art the Yerba Buena Center for the Arts reviewed by Jonathan Curiel in SF Weekly.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art, part two of the exhibition's New York presentation, at the Studio Museum in Harlem.