Sentences with phrase «black political power in»

Campaign operatives said Mr. Rangel, an African - American who presided over the base of black political power in America, was always reluctant to discuss his Puerto Rican heritage.

But in the race for Mr. Rangel's Harlem seat, for years a center of black political power in New York, he stands out...

Though Wright has not conceded the race, his allies began to signal they will accept unofficial primary results, which show their chief rival, Espaillat, had won and in all likelihood will go on to represent the district that includes Harlem, a historic base of black political power in America.

Not exact matches

This profound alienation of the ghetto poor from mainstream American life has continued to grow worse in the years since the triumphs of the civil rights movement, even as the success of that movement has provided the basis for an impressive expansion of economic and political power for the black middle class.

Long a center of African - American political power, the district is now majority Latino, but the black Mr. Rangel held off two furious challenges from a Latino lawmaker and could sway the race in 2016 if he endorses Mr. Wright.

Black Westchester Magazine presents People Before Politics Radio Episode 91 With Damon K. Jones and AJ Woodson Guests: Lorraine Lopez, Hector Santiago, Samuel L. Rivers and Helena Edwards Topic: «Black and Brown Political Power», why we don't have it in our communities in Westchester County and how do we get it.

In the political mathematics of a speakers stakes, he has several major advantages: the chairmanship of a major county, seniority, support from the Black, Puerto Rican, Hispanic and Asian legislative caucus (Heastie is black) and a power base in New York City, whose interests the Assembly has long championed under SilveIn the political mathematics of a speakers stakes, he has several major advantages: the chairmanship of a major county, seniority, support from the Black, Puerto Rican, Hispanic and Asian legislative caucus (Heastie is black) and a power base in New York City, whose interests the Assembly has long championed under SiBlack, Puerto Rican, Hispanic and Asian legislative caucus (Heastie is black) and a power base in New York City, whose interests the Assembly has long championed under Siblack) and a power base in New York City, whose interests the Assembly has long championed under Silvein New York City, whose interests the Assembly has long championed under Silver.

U.S. Rep Charles Rangel held a narrow lead Tuesday night in his bid for a 23rd term in a closely watched Democratic primary race that tested New York City's base of black political power against a rising Latino electorate.

Becoming king also bestows upon the king the powers of the Black Panther, though his threats aren't physical so much as political, having to deal with not only external forces who want to use Wakanda's stash of the worlds hardest and most powerful metal, vibranium, to their advantage, but also within Wakanda, among those who feel that they have a responsibility to share their advancement with the world to help those who desperately need its harnessed powers to heal, or, more extreme, to use their secretive wealth in resources and weapons technology to right centuries of wrongs for people of African descent around the world through a revolution.

The highlight of Coates's writing in Black Panther isn't the way he skillfully laces the comic with broader political themes about power (though he's very good at that); instead, it's his ability to give the book's intimate character relationships a sense of humanity and dignity.

It would be easy to declare political comedy dead in the era of America's parody - proof commander - in - chief, but master satirist Armando Iannucci proves there are still laughs to be extracted from the corridors of power in this jet - black Kremlin - com.

Ironically, this misguided and shortsighted opposition has ensured that the fight for the future of quality educational access (and the production of future black leaders like Obama) will be between African Americans of one generation who found prosperity working in public education and who possess the lion's share of the political power, and the minority students whose futures are sacrificed on the altar of the nation's ossified urban education systems.

As the head of the local N.A.A.C.P. chapter in this almost entirely black city, he has dedicated much of his life to helping African - Americans gain and keep political power.

Beyond the socio - economic benefits, Black teachers held the promise of political power, and they would partner with clergymen, businessmen and parents in the community to raise up a generation of African - American youth who knew their history and affirmed a collective narrative about our Blackness: We are intellectual.

I believe that an increase in Black and Brown political power should usher in unprecedented levels of Black and Brown academic achievement.

And black people should not be placed in positions to defend this political - power - wrecking strategy.

This dissertation explains how, during the onslaught of racial violence and disenfranchisement in the late nineteenth - century South, black men and women used public black colleges to retain limited access to political power and to train future leaders.

Although I strongly believe in the need for more representation and more political action, unfortunately, too often, having black people in positions of power — especially politicians — does not necessarily further the educational causes of black children in America.

In a 2002 New York Times article, «Why Blacks Support Vouchers,» Michael Leo Owens stated that black students» achievement in schools should have a strong and direct positive correlation with the increase in black political poweIn a 2002 New York Times article, «Why Blacks Support Vouchers,» Michael Leo Owens stated that black students» achievement in schools should have a strong and direct positive correlation with the increase in black political powein schools should have a strong and direct positive correlation with the increase in black political powein black political power.

To the indignation of the press and certain elements among our fellow citizens, Black leaders have been calling for a buildup of political power, based in localities where Black voters constitute a majority or at least a sizable bloc.

The exhibition presents approximately 140 works by thirty - two artists active during this historical period, exploring the rising strength of the black community in Los Angeles as well as the increasing political, social, and economic power of African Americans across the nation.

As artists respond to the possibility of global environmental chaos, Mark Rappolt examines Tomás Saraceno's Aerocene project, one of the artist's most ambitious imaginings yet The Truth about «Cultural Appropriation» With controversies over cultural appropriation regularly in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raquin the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raquin Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».&raquIn an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».»

It's in this same year that Tate Modern's exhibition «Soul of a Nation: Art in the Age of Black Power (1963 — 1983)» begins its story of the radical, brilliant and hugely varied art made by African American artists in the political and cultural landscape of Civil Rights, Black Panthers, Blaxploitation, and other manifestations of the fight for equality in education, jobs and representation.

presents approximately 140 works by 32 artists, exploring the rising strength of the black community in Los Angeles as well as the increasing political, social, and economic power of African Americans across the nation.

Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.

In the 1970s, Nengudi worked in Los Angeles as part of an emerging community of African American artists that engaged with multiple radical political movements underway in the United States and around the globe, including the Black Power movement and the feminist movemenIn the 1970s, Nengudi worked in Los Angeles as part of an emerging community of African American artists that engaged with multiple radical political movements underway in the United States and around the globe, including the Black Power movement and the feminist movemenin Los Angeles as part of an emerging community of African American artists that engaged with multiple radical political movements underway in the United States and around the globe, including the Black Power movement and the feminist movemenin the United States and around the globe, including the Black Power movement and the feminist movement.