Sentences with phrase «black protagonist of»

This homage to Ezra Jack Keats takes the form of a biographical poem, telling of his creation of Peter, the young, black protagonist of The Snowy Day, and Keats» impact on children's literature.

Though it would no doubt be an over-simplification, one can see Justices Clarence Thomas and Thurgood Marshall as direct intellectual descendants of these two great black protagonists of nearly a century ago.

Not exact matches

Most of the programming featured white men as protagonists; women and black men were, by and large, secondary characters.

The film enters difficult territory when we realise our two white protagonists are trying to throw out the only black member of the city council.

The film's essence is a montage of past interviews with the three protagonists of the iconic black power salute photograph: Tommie Smith (gold, USA), Peter Norman (silver, Australia), and John Carlos (bronze, USA).

Its protagonists were a group of British and Australian Muslims sitting in front of a black flag while talking about the virtues of jihad and martyrdom, and urging their «brothers back home» to join them.

Color black wasn't the only protagonist; short clothing was the other element that dominated the runway: short pants, dresses and bodies, all of them with an upper thigh height.

A peach pink, white and black are the colours protagonist of the collection.

The story charts the emotional development of the protagonist, Elizabeth Utah - based filmmaker Andrew Black makes his feature debut with Pride & Prejudice: A Latter - Day Comedy.

It is also The Void that creates Michael B. Jordan's Erik Killmonger, the antagonist of Black Panther, cousin to Chadwick Boseman's protagonist King T'Challa and a comic - book villain so transcendent that he is almost out of place in a film about a superhero who dresses as a cat.

Black Panther is among the first films by the house of Marvel Studios which predominantly has a black cast and also shows a number of strong women of substance who work as the protagonist T'Challa's alBlack Panther is among the first films by the house of Marvel Studios which predominantly has a black cast and also shows a number of strong women of substance who work as the protagonist T'Challa's alblack cast and also shows a number of strong women of substance who work as the protagonist T'Challa's allies.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

The voice acting in the game, especially Claudia Black and Laura Bailey really get into the psyche of each their characters and more importantly, the banter between the two protagonists not only feels real but there's some priceless banter as well.

On making the leap from indie films, the rarity of black female protagonists in YA, and addressing criticism about how her new movie portrays disability.

Jackie does feel, at times, like a companion piece to Black Swan, in that it matches its protagonist's sense of growing hysteria with a suitable visual and editing style.

Shot (with one exception) in black and white by Florian Ballhaus (son of Michael), the film is set to a score that is more industrial sound than music; yet, it is the combination of the clinically clean black - and - white cinematography, the disturbing score, and the narrative's single - minded focus on the protagonist's actions (there is no moment when the film seeks to psychologise him) by which the film manages to simultaneously solicit, on the one hand, our fascination with and, increasingly, horror about the events depicted — even long after Herold has proven how scarily easy it is for him to order mass murder (and, whenever necessary, to set an example by killing himself)-- and, on the other hand, to ensure that we keep some intellectual distance from the diegetic events.

Cristi Puiu «s black comedy started the buzz on what everyone considers the Romanian New Wave, and echoes of this film are still felt in its bleak, oppressive worldview, comically overwhelmed protagonist, and exceedingly flawed mortality.

The Men in Black reboot, directed by Straight Outta Compton, Friday and Fate of the Furious director F. Gary Gray, will feature brand new Agents as opposed to series protagonists J and K. Unlike the first three films, which were set in and around New York, the spinoff will be much more global, and more of an ensemble piece.

In the latest blow for gender equality in fictional entertainment, a female agent will be one of the new protagonists of the fourth Men in Black film, according to producer Laurie MacDonald.

In a brilliant critique of Three Billboards in BuzzFeed's Reader, Alison Willmore articulates the elephant in the room: «It forces you, as a viewer, to decide whether its desultory treatment of the black characters on the movie's sidelines is worth tolerating in exchange for the satisfaction of its protagonist's burn - it - all - to - the - ground fury.»

The first video installment features acclaimed writer Ta - Nehisi Coates laying out the motivations of various characters — including protagonist T'Challa (the Black Panther)-- and surveying the looming threats in the advanced nation of Wakanda.

The opening moments document the tortured mental state of our protagonist, a professional golfer named Luke Chisholm (Lucas Black).

«[Black Panther] serves as an incredibly important cultural message arriving at a crucial time, complete with stunning visuals, unforgettable and epic action - sequences, an inspirational arc for both the protagonist and antagonist, and it introduces a slew of new characters who may be a bit underused this time around but will have us crying out for a sequel.»

Where The Rider gives us a protagonist ensnared by his responsibility to a dream — Brady can no more shake the memory of being on horseback than he can abandon his town or his loved ones — The Black Stallion paints a picture of animal kinship as the ultimate escape: from the vagaries of the human world, from one's own tragic backstory, from the limitations of one's youth.

While Latifah, long the film's shepherd, has expressed gratitude at the opportunity to grow as an actress before officially taking on the role, it's hard to imagine — given the destinations of «Candelabra» and «Normal Heart» — that a film unwilling to shy away from its black female protagonist's bisexuality would have ever seen the light of day on the big screen.

«And it's amazing that Blumhouse, QC Entertainment and Universal have empowered Jordan [Peele] to tell his side of the story, to have a black protagonist... it doesn't mean you have to compromise cinematic technique.»

Or maybe the joke is that McDormand, the righteously angry white protagonist, has a black friend (one of two black people we see in the town) but still thinks provoking a joke about niggers is funny.

One half is colored by the burnished, bronzed glow of»70s American childhood; the other, without dialogue and shot in black - and - white, evokes its era's cinema as well as the silent world of its young protagonist.

And since it simultaneously serves up a compelling storyline and does a decent job of character development, it's worth checking out just based on the rarity of a movie with an empathetic black protagonist even being made about the Congo.

As previously reported, the weekend of March 9 marked the first time in recent memory, and possibly ever, that films by African - American directors have claimed the No. 1 and No. 2 spots on the same weekend, with Coogler's «Black Panther» again topping the box office, while Ava DuVernay's adaptation «A Wrinkle in Time,» which boasts a black female protagonist in Storm Reid as young heroine Meg Murry, opened in the second - place Black Panther» again topping the box office, while Ava DuVernay's adaptation «A Wrinkle in Time,» which boasts a black female protagonist in Storm Reid as young heroine Meg Murry, opened in the second - place black female protagonist in Storm Reid as young heroine Meg Murry, opened in the second - place spot.

But the Dutch director is also responsible for some radically empowered female performances: Sharon Stone's vaguely amused man - eater in Basic Instinct, Carice van Houten's unscrupulous World War II survivor in Black Book and now the protagonist of his latest movie, played by the frosty, effortlessly commanding Isabelle Huppert.

Along with Hidden Figures, Girl's Trip and of course Black Panther, it showed that the old beliefs about films with non-white protagonists not selling at the box office are bigoted nonsense.

He's chosen the durable formula of the protagonist who slowly realizes he's stumbled into a coven, cult, or den of vampires, and adds the novel element of racial paranoia — the story grows from Peele's own fears of being a black man in a white world.

The film's opening pulls us right into the protagonist's perspective: We hear whispered snippets of pillow talk between James (Stevens) and his wife, Sam (Billions star Malin Akerman, underplaying beautifully), but see only blurry shapes and white spots floating across a black screen.

Its protagonist, King T'Challa — who fights in defense of his nation as the Black Panther, equipped with a bulletproof suit and imbued with enhanced strength, speed, and agility — is played with both regal confidence and real vulnerability by the versatile Chadwick Boseman.

Risen does give us a Jesus in Cliff Curtis, but he remains a beatific cypher, and the takeaway is that, in the same distancing manner as those black - themed pictures told through the eyes of white protagonists, here's a Biblical yarn related not through Christ Himself but an individual late to the party.

In this Black Mirror title, though, the potentially interesting plot is undermined by a disappointing cast of characters, which includes the protagonist David himself.

But Coogler and Jordan nonetheless create a protagonist of color who avoids the stereotypes of many of Hollywood's black heroes while still being celebrated as one.

At the press of a button, your little white protagonist on a black backdrop falls through the floor to become a black character on a white background.

by Walter Chaw I believe the title is meant to indicate the arrested protagonist more than it is the baby he tries to sell on the black market, thus The Child (L'Enfant)-- another of Belgian filmmakers Jean - Pierre and Luc Dardenne's mild, allegorical subversions of Robert Bresson and incrementally more violent subversions of the French New Wave — takes on Pickpocket via Breathless.

It's a film of many firsts: «Black Panther's» protagonist T'Challa (Chadwick Boseman), the king of a secretive African nation, is the first black character to lead a Marvel cinematic universe film, while Ryan Coogler is the first black director of a Marvel Black Panther's» protagonist T'Challa (Chadwick Boseman), the king of a secretive African nation, is the first black character to lead a Marvel cinematic universe film, while Ryan Coogler is the first black director of a Marvel black character to lead a Marvel cinematic universe film, while Ryan Coogler is the first black director of a Marvel black director of a Marvel film.

Blood of the Dead brings back the protagonists from the Zombies mode featured in the original Call of Duty: Black Ops.

After a chilling black and white scene, where the unseen Bill shoots the Bride in the head, we jump forward in time to our unnamed protagonist stalking one of her old comrades, Copperhead, and brutally fight and kill her in her own kitchen.

There's little to distinguish Black Rock from a typical direct - to - video thriller beyond its female protagonists and the prestige of the over-qualified, underserved cast, though Aselton has only herself to blame for the film's sub-mediocrity.

It's self - flattery without risk: The survival of Get Out's black protagonist, Chris (Daniel Kaluuya), avoids the pain of Ben's fate but cheats the audience by appealing to its vanity and inexperience.

The formula that Black continues to use emerges from the subgenre known as buddy cop: from Lethal Weapon to his most recent film, The Nice Guys, the protagonists are a pair of unusual detectives, who are instantly a peculiarity among the unfolding crime story of the film.

In The Black Witch, Laurie Forest introduces her readers to an immersive fantasy world where protagonist, Ren, is forced out of her sheltered life and into the far more diverse landscape of her school, Verpax University.

The Ballad of Black Tom by Victor LaValle Lavalle, an African - American writer, has placed the black protagonist in the heart of a classic Lovecraft novBlack Tom by Victor LaValle Lavalle, an African - American writer, has placed the black protagonist in the heart of a classic Lovecraft novblack protagonist in the heart of a classic Lovecraft novella.

Readers who insist that characters must be «likable» for them to enjoy a story had best steer clear of Alissa Nutting's debut novel, Tampa, a black comedy whose protagonist's soul is as dark as a thunderstorm at midnight.

The real - life protagonist of The Black Count, General Alex Dumas, is a man almost unknown today yet with a story that is strikingly familiar, because his son, the novelist Alexandre Dumas, used it to create some of the best loved heroes of literature.