Sentences with phrase «black room then»

Amidst the grandiosity there were highlights: grand Sigmar Polke paintings that I couldn't imagine seeing anywhere else, Mike Kelley's Kandors that looked better here in a pitch - black room then they did at the Carnegie International, and Maurizio Cattelan's marble sculptures seemed cramped but striking.

Not exact matches

On October 2, 2006, Charlie Roberts - then Monville's husband - burst into a one - room Amish schoolhouse in Nickel Mines, Pennsylvania, with a handgun, a 12 - gauge shotgun, a rifle, cans of black powder, a stun gun, two knives, a toolbox and restraint devices.

It is then seasoned with either crushed chillies, fennel or black pepper and left to mature in a cool room for 45 - 50 days.

My cousin David and I would hide under the dining room table until the salad was put out, then emerge and steal all the black olives off the top of it and stuff our faces with them.

INGREDIENTS for the miso butter: 1/2 stick (4 tablespoons) of butter, room temperature 2 tablespoons of white miso 2 tablespoons of minced wild garlic (or chives, or green onions) for the asparagus + favas: about 2 dozen asparagus spears, trimmed 10 fava bean pods, beans removed and peeled, and then roughly chopped olive oil black pepper METHOD Make the miso butter:

Then they drove back to the hotel and assembled again in the St. Louis Room, where Bell began hitting them with the questions he had dug out of his black book on the plane.

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You walk in the room all innocent and cute in your little black dress and then you turn around and boom!

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Then Mango Room might be what the doctor ordered for your next black dating spot.

Another — delicately handled — involves a young black hooker who changes clothes in the rest room and then hangs around the corner all day lonely and lost.

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

(Leo McCarey, 1958) Reel 30b01 — Positano (Pierre Clémenti, 1969) Right Now, Wrong Then (Hong Sangsoo, 2015) Rio das Mortes (R. W. Fassbinder, 1971) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Sag es mir Dienstag (Astrid Ofner, 2007) Shrimp Boat Log (2006 - 2010), So Sure of Nowhere Buying Times to Come (2010), David Gatten Schwitzkasten (John Cook, 1978) Shift (1972 - 1974), Still (1969 - 1971), Ernie Gehr Sisters (1973), Raising Cain (1992), Brian de Palma Smorgasbord (Jerry Lewis, 1983) Spain (Beryl Sokoloff, 1962) Spin (Hannes Schüpbach, 2001) Stella Dallas (King Vidor, 1937) Still Light (1970/2001), Sotiros (1976-1978/1996), Robert Beavers Suspicion (1941), Rope (1948), Alfred Hitchcock The Black Cat (Edgar G. Ulmer, 1934) The Effect of Gamma Rays on Man - in - the - Moon Marigolds (Paul Newman, 1972) Outer Space (2000), The Exquisite Corpus (2015), Peter Tscherkassky The Seventh Victim (Mark Robson, 1943) The Thoughts That Once We Had (Thom Andersen, 2015) The Throw 1 (2006), Eye Eclipse (2007), Fried Egg (2008), The Initiate (2008), Fruit Polyhedron (2009), Hand, Smaller than Hand (2009), The Soup (2009), Cassowary (2010), Pot Smaller than Pot (2010), Spaghetti Tornado (2010), Benguelino putting a spell on the camera (2011), Bread, Tea and Bao Game (2011), Donkey (2011), Dream of a Ray Fish (2011), Getting into bed (2011), The horse of the prophet (2011), The Unparticled Man (2011), Under a Car (2011), Wave (2011), Wheels (2011), Darwin's Apple, Newton's Monkey (2012), Placing the Fisheye (2012), Those animals that, at a distance, resemble flies (2012), Triangles and Squares (2013), Water Mill (2012), Proboscis (2013), João Maria Gusmão & Pedro Paiva Thorndon (1975), Napkins (1975), Aberhart's House (1976), Johana Margaret Paul Three Films from the Room (Peter Todd, 2015) Tortured Dust (Stan Brakhage, 1984) Trixi (Stephen Dwoskin, 1969) Twin Peaks (1990), Fire, Walk with Me (1992), David Lynch Viaggio in Italia (Roberto Rossellini, 1954) Vivir para vivir (Laida Lertxundi, 2015) Yolanda and the Thief (1945), An American in Paris (1951), The Bad and the Beautiful (1952), The Cobweb (1955), The Courtship of Eddie's Father (1963), The Sandpiper (1965), Vincente Minnelli Zanj Revolution (Tariq Teguia, 2013)

But what is certain about Three Billboards is that if this many people saw Dixon's arc as redemptive — and if we take the most charitable view, that it wasn't intended to trivialize the experiences of abused and tortured black characters in order to humanize a white character — then the problem is in the film itself, which allowed room for a reading that was counter to its intentions.

(Ernst Karel, Véréna Paravel & Lucien Castaing - Taylor, 2015) Vita Brevis (Thierry Knauff, 2014) El abrazo de la serpiente (Embrace of The Serpent, Ciro Guerra, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Intimations (Nathaniel Dorsky, 2015) 88:88 (Isiah Medina, 2015) Francofonia (Aleksandr Sokurov, 2015) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) El botón de nácar (The Pearl Button, Patricio Guzmán, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) Beixi moshuo (Behemoth, Zhao Liang, 2015) Torneranno i prati (Greenery Will Bloom Again, Ermanno Olmi, 2014) Peace to Us in Our Dreams (Sharunas Bartas, 2015) Paul Sharits (François Miron, 2015) João Bénard da Costa — Outros amarão as coisas que eu amei (João Bénard da Costa — Others Will Love the Things I Loved, Manuel Mozos, 2014) Branco sai, preto fica (White Out, Black In, Adirley Queirós, 2014) O Meu Outro País (Solveig Nordlund, 2014) Die Hohlmenschen (Peter Nestler, 2015) Engram of Returning (Daïchi Saïto, 2015) El Movimiento (The Movement, Benjamin Naishtat, 2015) El Club (The Club, Pablo Larraín, 2015) Ta luo (Tharlo, Pema Tseden, 2015) Dead Slow Ahead (Mauro Herce, 2015) Passion (Jean - Claude Rousseau, 2015) Mga Anak ng Unos, Unang Aklat (Storm Children, Book One, Lav Diaz, 2014) Look Love (Yun Ye, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Scrapbook (Mike Hoolboom, 2015) Brat Dejan (Brother Dejan, Bakur Bakuradze, 2015) 11 minut (11 Minutes, Jerzy Skolimowski, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Miliy Hans, Dorogoy Petr (My Good Hans, Alexander Mindadze, 2015) The Knick season 2 (Steven Soderbergh, 2015)

With four black students from Birmingham, the return trip to Dartmouth began with a noontime eviction from a packed, then hushed, Holiday Inn dining room in Athens, Georgia.

The BBC recently featured a number of noted photographer Pablo Bartholomew's stunning black - and - white pictures of Mumbai (then Bombay) from the»70s and»80s, a time long before steel barons and call center magnates began erecting tall glass homes and whole neighborhoods were transformed, making room for the country's burgeoning middle class.

If your budget is a little lower, then you could choose from either the Black Orchid Resort, which offers rooms at around $ 110 per night (plus swimming pool, free parking and restaurant), or the Glover's Atoll Resort for the much lower price of approximately $ 70 per night.

And I went in this room, and this little table, and there was an old TV, a tube TV, and then there was a cardboard box and it had a little black box on it, and they had these two wands.

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

If the black - and - white photographs make the thought of all of those incandescent colour combinations, fresh out of the studio, feel all the more tantalising, then it has to be said that a white room full of paintings looks pretty much as you'd expect it to.

To be in a room of Islamic carpets and bring back a desultory black and white snapshot that you've had printed from a crappy camera and then Xeroxed.

chirps the sign on its posterior), and then the music room, with recent ceramics resembling Matryoshka nesting dolls with black babushkas, reverse Buddhist swastikas and Ramones lyrics.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

A room of black - and - white canvases shows him working with paint as if it were charcoal, drawing then freely erasing, the blackened results presaging abstract expressionism.

In today's museum world, where competition for exhibition space is escalating, emptying two large rooms, painting them black, and then posting a text instructing the viewer on how to perceive a black painting is an ambitious conceptual gesture — one that becomes even more commanding in view of the fact that the exhibition's curator, Stephanie Rosenthal, limited her checklist for the show to just four American male heavyweights who made black paintings between 1945 and 1965.

Hedrick's Black Paintings culminated in 1967 with «War Room» — an installation of a group of four eleven - by - eleven foot black canvases, each filling a wall of the room facing inwards, then arranged into a square in the shape of a room with an entry Black Paintings culminated in 1967 with «War Room» — an installation of a group of four eleven - by - eleven foot black canvases, each filling a wall of the room facing inwards, then arranged into a square in the shape of a room with an entry dRoom» — an installation of a group of four eleven - by - eleven foot black canvases, each filling a wall of the room facing inwards, then arranged into a square in the shape of a room with an entry black canvases, each filling a wall of the room facing inwards, then arranged into a square in the shape of a room with an entry droom facing inwards, then arranged into a square in the shape of a room with an entry droom with an entry door.

A floating red figure standing in the corner of the room then approaches the two, and its black face mask blinks on to reveal none other than Palpatine himself, or at least a droid relaying his last wishes.

It's remarkably easy to set up the system: you unplug the satellite speakers, place them where they're going to sit in your room, plug a small black microphone into the main soundbar, and then run auto - calibration, which will fill your room with short bursts of loud and unpleasant white noise for a brief period.

Then there was the asymmetrical black room — ceiling, floors, walls, all black.

Then she picked the perfect wall color, rearranged our furniture so we had a sitting room and mini library, etc.painted some old but still serviceable bedside tables black and they looked like new again.

If your room has neither windows nor a lot of natural light, then don't paint it black.

The black color of the PB might «match» your dining room better, but if that was a big issue then a can of spray paint could make the Wisteria light black as well (not that I think there's anything wrong with the bronzy - color of the Wisteria light).

Favorite Element: We love the first few steps taken into the apartment — the dramatic entryway experience starting with the stained glass window, the glossy black staircase leading up to the white french doors, and then seeing the expansive living room / dining room.