Sentences with phrase «black shadow into»

Using a flat brush, apply Blackout at the end of your lash line and stamp the color and then lightly «flick» the black shadow into the rest of the eye look.

Not exact matches

Yes I realize the AFB and everyone else has a formula to balanced budgets, but with corporate taxes a mere shadow of what the were some 20 years ago, it will take a whole pile of growth or it will tax some major tax reform to keep the books out of the red and push into the black.

A child of 5, looking for sand crabs and starfish at low water, works his toes into the wet sand and bends over his little black hunting shadow in an attitude that is timeless, and when a full - grown and city - bred man, pale and desk - ridden, takes off his shoes and walks with the child, his shambling gesture repeats, atavistically, that of the child.

The kids» costumes may be ready and a few bags of candy may be spilled into the bowl, yes, but without a few spooky decorations your house will look like a boring black shadow compared to the rest.

Stocky and tanned at 46, Wells bends over the wheel, breathing in the addictive scent of fish and salt water as he squints into a perfect Florida winter day of warm sun, chilly breezes, and sharp black shadows.

The partial phase will begin at about 7:53 pm making the moon appear red or black depending on atmospheric conditions, as the moon travels into the shadow of Earth.

Then work a medium - brown shadow (for dark skin, use deep brown) into the crease of your lids and add black mascara.

Add a black shadow to your upper lash line, blending it into the rest of the shadow.

6) I then took a tiny amount of black shadow and used a small smudging brush to apply along the lower lash line buffing into the eyeliner applied.

Now blend the brown eye shadow into the black near the crease area, use a blending brush.

The fix: Line your lower lash line with a waterproof eye pencil, and then top it with black shadow to lock it into place.

However, no sooner is T'Challa named King than the country's old enemy, Ulysses Klaue (Andy Serkis), emerges from the shadows, breaks into a British museum, and steals a rare Wakandan artifact made of Vibranium: the strongest metal on earth and the precious mineral that holds the key to Wakanda's many secrets - from the country's advanced technology to Black Panther's impenetrable armor and the rare herb that provides him with his superhuman abilities.

Shot in black and white, The Party's cinematography turns every facial crease into a chasm and every shadow into an abyss.

Also, shadows never get swallowed up into blacks too soon.

Aligning itself with a CIA official (Jessica Chastain) whose decade - long pursuit of bin Laden calls on vast reserves of courage and resolve, Zero Dark Thirty goes deep into the shadow world of «enhanced interrogation» and black sites, details the many leads and red herrings that finally brought investigators to a compound in Abbottabad, and executes the raid itself with stomach - turning verisimilitude.

Genius - level cinematographer Vittorio Storaro receives due treatment from not only Harlin (who implies that the chance to work with Storaro was one of his main reasons for agreeing to do the film), but also the folks in mastering: The 2.36:1 anamorphic widescreen transfer * is incredibly rich from beginning to end, with shadow detail occasionally collapsing into inky pools of black on purpose, if I'm to parse Harlin's notes on the digital grading correctly.

Some scenes are quite dark and muddy, again mostly intentionally, although I think Arrow pushes the black level a bit too far into crush territory, which has a negative effect on shadow detail.

The film's opticals inevitably lead to some visual blemishes (like dirt and some soft shots), but black level is excellent, an important factor for a film that often delves into shadow.

The conflict in «Black Panther» is boldly outlined: Should T'Challa bring Wakanda out of the shadows and into the global arena and use its vibranium - powered energy to unite the world and help heal its ills?

Partly it's the genius of legendary cinematographer Robert Burks, and the French Riviera locations, filmed with an occasional dip into jade green Riviera nights and black expressionist shadows.

Not far into Lynne Ramsay's adaptation of Alan Warner's 1995 cult novel Morvern Callar, the heroine walks down a street at night in black tights and platform shoes, casting a long, fingerlike shadow on the pavement as a cat meows in the darkness.

The only thing moving afar the ground was a single gray moth, batting its way over the mossy earth, bobbing and looping, until finally disappearing into black shadows.

She can just make the crab out, shadowed and distorted, trundling sideways across the rock, and she pursues it, kicking her feet to stay pressed down against the bottom, and then she lays her hands on the cold crisp shell, somersaults in the water, and surges upward into her own plume of hair, up along a passage of black rock, pitted and winding, gaping windows alterately fountaining water or sucking it back, the weeds moving rhythmically in and out with this labored breathing, some trick of the light making the pool's surface into a shifting mirror, and though she should look up and see her grandpa bent over the pool, she can not.

BLACK CATS: The cats are more difficult to place for adoption, some shelter owners say, because they tend to fade into the shadows while more colorful animals stand out, and because their black coats and bright eyes make poor pictures that get passedBLACK CATS: The cats are more difficult to place for adoption, some shelter owners say, because they tend to fade into the shadows while more colorful animals stand out, and because their black coats and bright eyes make poor pictures that get passedblack coats and bright eyes make poor pictures that get passed over

Sneaking his way into the Forsaken Kingdom, Tepeu sets about returning light to the land, freeing it from the inky black clutches of the shadow warriors.

Sticks» journey carved a route across plains, over the lips of craters, down through the bowls - and up out again, naturally - and into valleys permanently trapped in pitch - black shadow.

While fighting underneath a neon sign for the local «Gentleman's establishment», Shank and his enemies quickly turn into shadows as he disburse his revenge with black blood a flyin».

Stephen Curry's paintings explore nature through light and shadow, turning leaves and branches into solid blacks or whites and painting shadows with vibrant colors.

Kara Walker's racially charged gouaches in sepia tinged hues act as a sarcastically delicate counterbalance to Terence Koh's white chocolate monoliths; Tino Sehgal's harmonic narrative «This Is Propaganda,» performed by a female guard, adds an air of the ethereal to an otherwise politically heavy - handed section of the exhibition; artist team Tim Noble and Sue Webster's «Black Narcissus» (2006) draws us back into the corporeal with their penile and phalange inflected shadow - cast portraiture; and Cindy Sherman's work from the early 80s shocks with its carnal ferocity.

Their pure white and dense black ribbons float from wall into mid-air, throwing sharp shadows onto the gallery walls and alluding to the organic and the mystical, like the artist's gentle transcriptions on canvas.

He impressed pebbles into the dark pigment of his Night Blooming paintings (1951); the uninflected White Paintings (1951) became screens for light and shadow, responding to the conditions around them; and newspaper collage formed the ground of the series of black paintings (1951 — 53).

Hammond also produces black - and - white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.

If you're familiar with HDR photography on iPhone, that's what you're getting with HDR video: Instead of whites and blacks that are blown out or clipped off, you can suddenly see into all the highlights and shadows.

And while the image is able to get inky black, it does so at the peril of shadow detail, which is crushed quickly into a flattened void.

To amend the situation, and coax out decent detail in the shadows, we were forced to raise the Brightness past its optimal level, which quickly turns blacks into charcoal grays.