Sentences with phrase «black shapes painted»

The work of 108, sublime black shapes painted on walls are a trademark from the artist.

Not exact matches

Hand painted in a mod black palette, the subtly textured, wood - based Mid-Century Ceramic Table Lamp's organic silhouette, elegant taper shape and geometric pattern is inspired by 1950s and»60s design.

The triangles are painted with geometric shapes in red yellow black and orange and the smaller triangles have a row of small round black beads hanging below them.

decorative wall painting ideas for bedroom paint ideas for teenage girl bedroom white chevron pattern accent wall decor white black pillows colors house shape custom bookshelf white gloss rectangle de.

The C7 Vette rocks as a convertible: its wide, low, angular shape looks even leaner — positively exotic — with the roof down, the body - color «waterfall» spilling off the rear deck and down between the seats, the Jet Black leather and carbon fiber interior (the latter a $ 995 option) aggressively harmonizing with the black exterior accents and optional black - painted aluminum wheels ($ 495), the dual black - trimmed «pontoons» behind the seats all but screaming «race car.&rBlack leather and carbon fiber interior (the latter a $ 995 option) aggressively harmonizing with the black exterior accents and optional black - painted aluminum wheels ($ 495), the dual black - trimmed «pontoons» behind the seats all but screaming «race car.&rblack exterior accents and optional black - painted aluminum wheels ($ 495), the dual black - trimmed «pontoons» behind the seats all but screaming «race car.&rblack - painted aluminum wheels ($ 495), the dual black - trimmed «pontoons» behind the seats all but screaming «race car.&rblack - trimmed «pontoons» behind the seats all but screaming «race car.»

Visually, the new R18 features redesigned, L - shaped headlights, along with a red - accented black paint job.

The grille is completely blacked out, except for the egg - shaped Acura logo that shimmers in aqua - blue - metallic paint.

Opt for the SE and Titanium Sport Appearance Package and get black - painted accents and sporty V - shaped partial leather - trimmed seats.

In front, three very large air intakes shape the front bumper section of the Golf R where louvres on the intakes are painted in high - gloss black, and standard LED strips that serve as daytime running lights are integrated in the two outer air intakes.

For example, the rear fascia of the Talon featured a bumper cap with a dip in the middle to allow for a high - mounted rear license plate; rear light clusters incorporating amber turn signals (the Eclipse used red turn signals); reverse lights as part of the main rear tail light clusters (the Eclipse's reverse lights were mounted separately and lower around the mid-mounted license plate); and a sickle - shaped rear spoiler for the TSi and TSi AWD version mounted at the base of the rear window that was painted black regardless of body color (the Eclipse used a body colored, conventional «basket handle» spoiler mounted on the rear deck).

It was also distinguished by the 14» disc shaped alloy wheels, black grille and trim treatment, rear deck spoiler and lower body two - tone paint.

Hence the AVANTGARDE line features a front bumper with a sporty design, which looks wider and more athletic than that of the ELEGANCE line on account of the large lower air intake boasting a black painted grille with diamond - shaped perforations typical of a sports car.

5 - double - spoke light - alloy wheels painted titanium grey with a high - sheen finish, tyres of size 225/40 R 19 on 7.5 x 19 rims (front) and 255/35 R 19 on 8.5 x 19 (rear) 5 - double - spoke light - alloy wheels painted high - gloss black with a high - sheen finish, tyres of size 225/40 R 19 on 7.5 x 19 rims (front) and 255/35 R 19 on 8.5 x 19 (rear) Multi-spoke light - alloy wheels painted titanium grey with a high - sheen finish, tyres of size 225/40 R 19 on 7.5 x 19 rims (front) and 255/35 R 19 on 8.5 x 19 (rear) Multi-spoke light - alloy wheels painted high - gloss black with a high - sheen finish, tyres of size 225/40 R 19 on 7.5 x 19 rims (front) and 255/35 R 19 on 8.5 x 19 (rear) Performance seats (lower seating position, more contoured seat shape for enhanced lateral support with integral head restraints and AMG badges) designo leather seat upholstery Lugano leather seat upholstery Carbon - fibre / aluminium trim with light - tone longitudinal - grain

MBM's booster features the Bendix - style trapezoidal nose shape, accepts four - stud master cylinders and is painted black.

Our designer also added C - shaped LED lights on the big, black - painted air vents on each side of the lower grille and a heavily sculpted engine hood.

1969 351ci Windsor V8 Engine 650 CFM Carb Toploader 4 - Speed Manual Transmission Ford 9» Rear End 3.50:1 Ratio Posi Trac Front Independent Suspension New Ball Joints New Radius Bushings Core Support Looks Great, Not Beat Up Shock Towers are Solid w / Tag Rear Leaf Spring Suspension New Shocks New Dual Exhaust w / Jet Coated Headers Front and Rear Drum Brakes Billet Distributor Rebuilt Alternator Newer Radiator New Gas Tank Parking Brake Is Enabled RARE: Only 1 of 351 Sold w / this Color Combination Hood is Flat Black Like From Factory Hood is Flush w / Fenders Hood Scoop Hood Pins Front Chin Spoiler Gold «Mach 1» Tape Stripe Down Side Door Lips and Jambs Look Great Original Door Tag Replaced Weather Stripping All Around Rear Window Louvers Rear Trunk Spoiler Original Trunk Floors and Paneling Chrome and Stainless are in Great Condition Undercarriage Looks Great ORIGINAL Red Oxide Painted Underbody Has Been Freshened Up (we have pics) Drop Downs are in Great Condition Super Straight Frame w / No Jack Damage New Floor Plugs 14» Style Steel Wheels Front Tires: BFG Radial T / A 215 / 70R14 Rear Tires: BFG Radial T / A 225 / 70R14 Factory Appearing White Interior is Astounding Bucket Seats w / Fold Down Rear Seat Center Console Floor Shifter Seat belts w / Shoulder Belts Headliner is Tight Dash Pad is in Great Shape Gauges are Nice and Clear Original Steering Wheel recently restored A restored Mach 1 with a Ford 351CI Windsor V8 and a 4 speed top loader.

The silver metallic paint and chrome trim are in excellent shape and the black leather interior is in great shape with a minor bit of wear on the seats.

But the sunlight that couldn't be stopped shone on the red bread - box and on the bottle - green icebox and on the blue, marble - painted crock containing cucumber pickles and on the polished black enameled woodstove and on the pale blue safe with the pink floribunda roses painted on the two doors, and he watched all these take their true colors back to themselves and the faces of the men and Mrs. Parker take on the colors and shapes that they carried through daytime that were different from their faces at night under even the brightest light, somehow more supple and creased and softer really than at night, even if they looked more battered and old.

They also make all - natural paints from the local red, white and black volcanic rocks; they spin their works on a manual pottery wheel, shaping each piece with dried gourd shells and corncobs; and then dry their pottery alternately in the sun and in a wood - fired oven.

SPACE MARSHALL: The finished game for your PC with your top of the line RSI Constellation spaceship ready to fly + 20,000 Galactic Credits + Exclusive access to the Alpha and Beta + Spaceship shaped USB stick of game and all digital elements + CD of game soundtrack + Fold up glossy full color map of the game universe + Set of 5 Ship Blueprints + 8 - inch painted model of your in - game ship + Hardcover copy of «The Making of Star Citizen» including loads of behind the scenes images and info, prelim concept art, development stories + Spend half a day with Chris Roberts and get into the details of the development + Black Citizens Card

«Any kind of formal invention in the work of black artists was seen as, if not second rate, then something done the second time around,» says Odita, noting that Clark laid claim to making the first shaped painting — before Frank Stella — and that the king - making art critic Clement Greenberg regularly visited Bowling's studio but never took the opportunity to write one word in support of his work.

Sultan writes: «used the elements of cartooning ---- bold colors, simple shapes, black outlines ---- to create vivid and inventive abstract paintings.

I have recently started a series of large scale rubbings on shaped paper — circle, arch, ovals — they are strongly related to my recent paintings, but are monochromatic — greys and blacks — and shift between being voids and objects.

The extension of a black band of textured tape (crushed glass added grit) across the edge where the painting ends and the wall begins shows a disdain for boundaries comparable to Frank Stella's treatment of the shaped canvas.

Trevor Sutton's beautiful paintings here are separated in time by twenty years, Rue Jacob, a circular painting with a central two tone irregular hexad shape situated within a field of fluctuating brown / grey hues, being painted in 1992, and Raindance, a vertical rectangular grid with four columns and sixteen rows in reds, pinks, greys, browns and blacks, having been painted only last year.

At first glance, it seems like any other black - and - white painting but more carefully observed, there are traces of yellow and pale salmon that adorn severity of dark shapes, giving the sense of warmth.

These pieces include a pair of paintings by Nak - Beom Kho, depicting closely cropped, chiseled male faces of mannequins, and black - and - white photographs of Nakamura's sculptural works such as Car Cover (1991), which show two forms that each resemble the shape of a car — one rounded and the other square - edged.

Throughout Resonating, viewers will note Green's various uses of a fan shape: in early works such as For All & None (1978), the fan acts as an essential symbol, suggestive of deeper spiritual meaning; in Taxes (1993), one of her later black and white paintings, the fan shape becomes a central formal element that unifies the composition; in She Dreams (1996), the fan shapes create a complex formal variation which co-exists with other images.

With the exception of the few black shapes that made their appearance at the start and the end of her painting life, Martin's palette is airy and light — neither heavy nor dark — and it's no stretch to associate this with the classicism she espoused or with the ideas of perfection and joy and innocence, and so on, which held her rapt.

Russian Suprematist artist Kazimir Malevich furthered this flatness by placing flat colorful shapes on pure white backgrounds in his works, and De Stijl painter Piet Mondrian painted flat grids in red, blue, yellow, white, and black.

The paintings present imagery of the universe like black holes, dark matter, stellar births: phenomena that are being visualized in a variety of different shapes and forms yet have no standardized structure.

He instantly gained notoriety for his Black Paintings, a series of linear shapes and squares in various shades of bBlack Paintings, a series of linear shapes and squares in various shades of blackblack.

«V (planchette)» (2014), whose smooth aluminum surface is painted a chalky black, swerves from wide at its base to slight at its middle and swells again at its top, resembling an hourglass shape when seen from a certain angle, whereas «X» (2013), is just that, in mirrored and polished stainless steel, with its thin, shiny strips arched upwards, criss - crossing parallel to the surface of the ground, each bending under like strange feet or paws to support itself.

It had been only three years since he had begun painting again after his long postgraduate hiatus, and he'd initiated his return to the medium with nonrepresentational works: the «Carat» series, 2005, in which crystalline diamond shapes float on black backgrounds like oversize stars in a darkened sky.

Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential portrait photography (Barack Obama, 2008), Karl Haendel's Theme Time Drawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authenticity.

Riley's black - and - white paintings of the early 1960s, in which space seems to advance and buckle, thanks to her careful calibration of repeated shapes, placed the young artist in the vanguard of Op art.

In the piece, the kitchen is empty; in the nursery, a monster fills the cradle and a giant black spider climbs over an open egg shape; and in the studio, the artist's husband, naked except for his cowboy boots, models for an abstract painting that's a miniature of «Silver Windows» (1967), a grid - based work from the hard - edge period (that's also included in the show).

Always to be counted on for pushing the perimeters of her intensely optical abstract paintings, this show finds Ferris, now 41, experimenting, rethinking, slowing down, mixing marble dust into her oil paint, laying down stenciled polygonal shapes, wiping out areas of canvas, leaving severe spray - painted black lines as structure.

But it was Kazimir Malevich who today is often viewed as the forefather of geometric abstraction, beginning with his seminal 1915 paintings of black shapes — a circle, a square — on a white ground, and his legendary white - square - on - white - canvas 1919 monochrome.

The open stairs, metal - grated horizontal window and cut section of low - hanging roof were shaped and finished — with painted on black mould — to give the impression of an accelerated process of ageing, and the accelerated progress of time.

His esteemed intellect not only undergirded his gorgeous, expressive paintings — frequently featuring bold black shapes against fields of color — but also made Motherwell one of the leading writers, theorists, and advocates of the New York School.

Diverse as ever, McLean's select exhibition contains two mixed media works; presented on the ground floor of the gallery, the Untitled paintings are comprised of dense, black organic shapes that veer to the abstraction on neutral backgrounds, adorned with daubs of coloured paper that on some sides have been hastily cut and others impatiently ripped, a nod to the rebellious humour of McLean who's body of oeuvre comprises witty sculptures made of rubbish and even his own body.

They include a small painting simply titled «# 1» (2000), in which we see a phallic armature moving from gray into light blue; another titled «# 2» (1995), in which a blue crescent bends around to become titanium white; a third, «# 4» (2000 — 1), in which a rising, two - pronged black organic shape ends in a touch of green and ultramarine at either end; and finally «# 5» (1991), in which a red finger - like form passes from black to crimson red.

The exhibition is one of Stella's largest to date, spanning around 100 works and his entire career, from the «Black Paintings» that propelled him into the art historical canon, to his later works, controversially exuberant mash - ups of shapes, gestures, and styles.

In this show, the two black and white paintings and the one with the orange shapes are made up of by cutting up other paintings.

By 1941, he had his first solo exhibition — a group of paintings featuring shapes of color and light encased in black paint — at the Artist's Gallery, a non-profit exhibition space sponsored by Josef Hoffman and Meyer Shapiro, among others.

The artist's large - scale gray - black acrylic forms appear as bold, sturdy shapes that are constructed in one painting session.

The works on view, a selection of oil paintings and works on paper including acrylic and crayon, display a joyful exuberance expressed through sensuous black lines and both geometric and amorphous shapes that are reminiscent of both Miró and Matisse.

mostly pink with hints of black and blue, abstract composition filled with blobs of paint, liquid paint moves around to create organic shapes Born and raised in New York City, Jeanni...

These iconic black and white works - paintings, gouaches and prints - challenge the viewer's sensations and form the foundation of Riley's continued explorations of shape, movement and perception over the following four decades and continued today.