Not exact matches
Colonialists depicted indigenous tribes as monsters;
slave traders depicted
blacks as apes, in Rwanda, the Hutu depicted the Tutsi as cockroaches.
The wounded Maximus collapses and is captured by a passing
slave trader, who sells him and a
black man named Juba (Djimon Hounsou) to Proximo (Oliver Reed, unfortunately sharing no screen time with fellow hell - raiser Harris) who trains both men as gladiators.
This time, with Django Unchained, he lines up
slave traders so a
black man can blow their fool heads off.
Get Out managed to strike a deep nerve with the zeitgeist, resonating with themes of
black excellence and white subjugation, exploring how American racial relations tick all the way back to the days of the
slave traders and the traded.