Sentences with phrase «black square drawing»

If the default black square drawing pad is too small and fiddly, you can expand it to full screen by tapping the small arrow next to it.

Not exact matches

This year's national Independence Day celebration saw 1,200 school pupils drawn from selected schools in the Greater Accra Region to mark the anniversary at the Black Star Square in Accra.

Wooden «R» from Michael's — Painted Black / / Pink Floral Painting — Minted / / Black and Beige Floral Drawing — Minted / / Square Paris Shop Drawing — Minted / / Abstract Rose Drawing — Minted / / Pink Posey Painting — Minted / / Poodle Painting — Minted / / Eiffel Tower and Rooftops — my own / / Paris Landmark Drawing — Minted (all Minted artwork is c / o Minted.com)

In Östlund's international breakthrough, Force Majeure, a father's duty to protect his family paled in the face of his impulse for self - preservation, and The Square draws an even more pointed contrast between high - flown ideals and baser instincts, not least via a long and uncomfortable scene where guests at a black - tie dinner party are amused and then menaced by a performance artist all - too - convincingly mimicking a wild ape.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Some of those I'd been most drawn to appeared reduced, hardened and flattened, a little too obvious: the 1973 expanse of white Enamelac on an aluminium base that shows in a thin line down the left - hand side and along the bottom; a row of square pieces from the same year, their fat L - shapes of black (oxidised copper, apparently) set off by smaller white baked - enamel squares; and 1985's Catalyst III, with its steel bolts and thin, intermittent lines of black enamel seeming to divide the aluminium base and contain it in a pointedly incomplete frame.

Each print in Day is one - foot - square, on Japanese paper, and is composed of thin, ruled, grey or black line drawings that form gridded patterns of different sizes, limited colors, and intervals.

With a palette of pink, turquoise, purple, black (and more) drawn from a 1970s abstract painting Murray found at 1stdibs, the 4,100 - square - foot house now teases its sense of style right from the

It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.

A 1933 drawing in Abstract Pioneer with squared - off red, yellow and black shapes calls Mondrian's famous grids to mind, and by 1935, Diller was making work, such as a small ink and watercolor drawing in the show, fully under the spell of Mondrian's philosophy of neo-plasticism, albeit with a «muddier palette,» Williams says.

Hassan Sharif Drawing Squares on the Floor Using a Cube (1982) on view as part of Adventures of the Black Square: Abstract Art and Society 1915 - 2015 at the Whitechapel Gallery, London written about by Ben East in The National.

Floorplan of the untitled event at Black Mountain College (1952), drawn for the author in 1989 by M.C. Richards, showing the audience square and relative positions of the performers.

Yet his work actually encompasses such diverse items as a black - and - white painting based on flickering light on the Seine, gridded paintings with squares of color arranged by chance, weathered steel panels, floor pieces, multi-panel paintings, contour drawings of leaves and collages on postcards.

Chubarov considered himself a heir of the Russian «archaic» culture, drawing a parallel between his technique and the ideas of Malevich's «Black Square»: «In my plastic I am intuitively looking for proportions of relationship between black and white inherent to «Black Square», ratios of curvature of the surfaces and the absolute white, hanging of the structures, occlusions and sudden breakthroughs of white through the thrill of white and black matter.&rBlack Square»: «In my plastic I am intuitively looking for proportions of relationship between black and white inherent to «Black Square», ratios of curvature of the surfaces and the absolute white, hanging of the structures, occlusions and sudden breakthroughs of white through the thrill of white and black matter.&rblack and white inherent to «Black Square», ratios of curvature of the surfaces and the absolute white, hanging of the structures, occlusions and sudden breakthroughs of white through the thrill of white and black matter.&rBlack Square», ratios of curvature of the surfaces and the absolute white, hanging of the structures, occlusions and sudden breakthroughs of white through the thrill of white and black matter.&rblack matter.»

On 16 July, Ahmet Doğu İpek began Days (2016 — 17), an embodiment of lucid muteness: the presentation here extracts 21 of 157 drawings of black squares that the artist made daily, varied in density but realized using a consistent amount of watercolour.

In these crisp black and white photographs of the Great Plains, Deal drew upon 19th century survey photography, but used the horizon line and symmetry of square format to reframe our perception of the landscape as finite.

2016 Victory Hall - Drawing - Room — The Big Small Show — Newark, NJ 2016 Chashama Open Studios — Brooklyn, NY 2016 hob» art gallery — Visions, Reveal II and Reveal III, Through the Artist's Eye, Hoboken — NJ 2016 Ceres Gallery — Friends of Ceres — New York, NY 2015 Viridian Gallery — hob» art at Viridian — New York, NY 2015 Chashama Open Studios — Brooklyn, NY 2015 Rogue Space / Chelsea Gallery — Girls — New York, NY 2015 Ceres gallery — First National Square Show — New York, NY 2015 hob» art gallery — Noir — Hoboken, NJ 2015 Pleiades gallery — The Small Works Show — New York, NY 2015 Victory Hall - Drawing Room — The Big Small Show — Newark, NJ 2015 Ryan - Chelsea - Clinton Health Center — Hell's Kitchen Painters Exhibit — New York, NY 2015 Black Rail Coffee — Fresh start — Hoboken, NJ 2014 Chashama — Open Studios — Brooklyn, NY 2014 hob» art gallery — Medium is the message — Hoboken, NJ 2014 Ceres gallery — «Friends of Ceres» — New York, NY 2014 The Group — hob» art gallery — Hoboken, NJ.

Ken Price thru 8/18 Opening 6/19; Sean Scully thru 6/9 / Drawing Center / 35 Wooster Old Black organized by Todd von Ammon / Team / 47 Wooster / thru 7/26 Opening 6/6 Zilia Sanchez thru 6/16; Andre Cadere thru 6/23 / Artists Space / 38 Greene — floor 3 Nadja Frank / Denny / 261 Broome / thru 6/16 Illuminators / OK Harris / 383 West Broadway / 6/1 thru 7/19 Reception 6/5 (5 - 7 PM) A Broken Inheritance: Niki de Saint Phalle; Philippe Perrot; Loredana Sperini / Clifton Benevento / 515 Broadway / thru 8/2 Opening 6/8 John Opera; Hot House: Tisch Abelow; Seth Alverson; Ivin Ballen; Ariel Dill / Longhouse / 285 Spring / thru 6/29 Babs Reingold curated by Midori Yoshimoto / ISE Foundation / 555 Broadway / thru 6/28 Still Life / Waterhouse & Dodd / 104 Greene / thru 6/8 Wang Keping / Zurcher / 33 Bleecker / thru 6/23 Brock Enright / Werble / 83 Van Dam / thru 6/15 Alice Aycock / NYU Grey Art Gallery / 100 Washington Square East / thru 7/13 Ying Li; Eve Ascheim / New York Studio School / 8 E 8 / thru 7/20 Opening 6/6 Dan Colen / Oko / 220 E 10 / thru 6/8 Alia Syed / Talwar / 108 E 16 / thru 6/29?

This fall, expect to see Stella's famed Black Paintings alongside large, colourful sculptures from the 1990s, drawings and prints in the 18,000 - square - foot space.

Other artists in Adventures of the Black Square, the new exhibition at the Whitechapel, might draw straighter lines, disguise their touch and achieve more accurate geometries, but it doesn't make them better.

The use of black is also a recurring trait in Kelly's practice; the artist is drawn to its sense of authority, absolute and its important role in art history, for example in Malevich's experiments with the black square.

[15] Conceived in 1995, Wall Drawing # 792: Black rectangles and squares underscores LeWitt's early interest in the intersections between art and architecture.

People were paid $ 20 a piece — in the form of a number check drawn by the artist — to sit at one of several tables and, using materials provided, paint a black, eight - inch - diameter dot on a white, 12 - inch square canvas.

Woodcuts 10 December 2015 - 30 January 2016 Kate Shepherd Chunks 07 November 2015 - 02 January 2016 Mark Fox Giverny: Journal of an Unseen Garden 03 October 2015 - 05 December 2015 James Siena Typewriter Drawings 12 September 2015 - 31 October 2015 Joseph Havel How to Draw a Circle 01 August 2015 - 26 September 2015 Women Rule 01 August 2015 - 29 August 2015 Drew Bacon 13 June 2015 - 25 July 2015 The Circle and the Square 13 June 2015 - 25 July 2015 Michael Petry AT the Core of the Algorithm 11 April 2015 - 30 May 2015 Brooke Stroud Paintings 07 March 2015 - 25 April 2015 Rirkrit Tiravanija untitled 2008 - 2011 (the map of the land of feeling) I - III 14 February 2015 - 28 March 2015 Steve Dennie & Fred Sandback 17 January 2015 - 28 February 2015 Black and White, Mostly 20 December 2014 - 07 February 2015 Red, Yellow, Blue 20 December 2014 - 07 February 2015

In Karin Schneider's elegant and misleading show — elegant in its sparseness; misleading in that despite this sparseness it was full of material, including paintings, wall diagrams and drawings, film, sculpture, and writing extending over the two floors of Dominique Lévy, the pages of this magazine, a series of related performances, and a dense catalogue — the black square was a

Bakker wants to draw a square box around cognition, with a solid black line, and hopes the cognitive box stays the smallest size possible and the same color, filled only with a perhaps - dynamic set of heuristic tricks et.