Sentences with phrase «black youths who»

A 2011 study by the Berkeley public policy professor Rucker C. Johnson concludes that black youths who spent five years in desegregated schools have earned 25 percent more than those who never had that opportunity.

Not exact matches

One officer is notorious for harassing local black residents, to the point where he has been given a street nickname of «Bro Stupid,» said Burnell Williams, who works with at - risk youth and ex-prisoners for the nonprofit group Against All Odds.

There is a glide and panache to Mr. Draghi, who favors hand - cut black suits and has the assured pace of the basketball player he was in his youth, that set him apart from the general frumpiness of his fellow central bankers.

«In fact, black youth, who've been passionately advocating for gun control measures, have been demonized, obfuscated, and overlooked.

The plan calls upon churches to, among other things, «adopt» street gangs and allow troubled youths to use church properties as safe havens; intercede for youth in the juvenile court system; provide vocational training to inner - city residents; organize capital for micro-enterprises; develop educational curricula heralding the achievements of blacks and Latinos; initiate neighborhood crime watch groups; and establish counseling programs for battered women and the men who abuse them.

«All I want is a group of youth who may one day grow up to resemble John Black.»

We saw murderously rampaging mobs of black youths, openly incited by Sharpton and others, who through this rampage precisely gained status and prestige for themselves as brokers of the peace.

Simultaneously there arose in my mind the image of an epileptic patient whom I had seen in the asylum, a black - haired youth with greenish skin, entirely idiotic, who used to sit all day on one of the benches, or rather shelves against the wall, with his knees drawn up against his chin, and the coarse gray undershirt, which was his only garment, drawn over them inclosing his entire figure.

We have seen how the American success ideal has taken its toll on women, on youth, on all groups who do not approximate the Anglo - Saxon Protestant ideal of character — above all on blacks.

Turn around again and you're the coach of a gold - medal - winning Southern white youth who chooses the look and style of a black youth as he sprints right through what's left of the barriers because he never even sees any barriers.

Until the likes of Tavecchio leave the game, and Arigo Sacchi who recently said there were too many black players at youth level in Italy, things can't change.

Nothing much has changed from my youth in Cardiff when I saw signs saying no blacks, black toilets down the back, white only, when a white women who had a black boyfriend life was at risk.

Black, who is the SNP's youth campaign co-ordinator for the Scottish Parliament election, added: «It's troubling to see the latest polls showing that young people are much less likely to be certain to vote in the election than other age groups.

Participants will include «Rev. Kevin McCall, Crisis Director, National Action Network; Minister Kirsten John Foy, NE Regional Director of National Action Network; Mercedes Liriano Clarke, Teacher who was told she could not teach Black History at MS 224; National Action Network Youth Huddle; Parents and students at MS 224.

A Cleveland grand jury declined to bring charges in the death of Tamir Rice, a black youth with a toy gun who was shot by a white police officer 13 months ago.

Seventy - seven percent of black doctors in America are Nigerians, mostly youths who were frustrated out of Nigeria due to inept leadership of the likes of Buhari.

The five honorees were Judge Nichelle Johnson Muhammad, the first Muslim appointed to the Mount Vernon City Court, who went on to win the Democratic Primary and ran uncontested in the General Election on Tuesday, selected by Councilwoman Roberta Apuzzo, Nesta Felix of NewFlex Youth Programs, Inc. selected by Councilman J. Yuhanna Edwards, Chanese Coleman of Coleman & Coleman selected by Councilman André Wallace, Jamie Pessin selected by Councilwoman Lisa Copeland and Black Westchester Magazine's Editor - In - Chief AJ Woodson selected by Council President Marcus Griffith.

The Committee is also expected to investigate the management of the team and events in their camp during the tournament as well as Ghana's treatment of Ghanaian football fans who were sent to support the Black Stars by the Ministry of Youth and Sports.

Furthermore, say the researchers, youth who have been diagnosed with depression are six times more likely to commit suicide than their peers, and Black youth have a much higher suicide rate than their White peers.

Two years later, he could be seen in another high - profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe - winning HBO movie Lackawanna Blues, a life - affirming film about a selfless black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Borrowing the form of the Maysles» Gim me Shelter that documented the Rolling Stones» tragic Altamont concert, Altamont Now presents a unique reversioning of 1960s rock - sploitation films, Black Panther - style revolutionary rhetoric, and cinema verité to portray and eerily emblematic group of youth who have nothing worth rebelling for.

Powerful drama starring Edward Norton as Derek Vinyard, a violent neo-Nazi who's given a three - year sentence for attacking and killing a black youth.

The Manhattan Institute's John McWhorter, for example, contrasts African American youth culture with that of immigrants (including blacks from the Caribbean and Africa) who «haven't sabotaged themselves through victimology.»

Additionally, while it is important to talk about what we are doing in schools that criminalizes our black and brown youth, it is equally important to talk about what is happening in the schools of those who took their lives.

«This is important to me as a black lesbian who wants to support these kids,» says Mundy - Shephard, who Massachusetts Governor Deval Patrick recently swore in to the state Commission on GLBT Youth.

The percentages of female, black, and Hispanic youth who go on to college have also increased over the past three decades.

Beyond the socio - economic benefits, Black teachers held the promise of political power, and they would partner with clergymen, businessmen and parents in the community to raise up a generation of African - American youth who knew their history and affirmed a collective narrative about our Blackness: We are intellectual.

His recent work analyzes the social, educational and cultural experiences of Black male K — 12 teachers who have been effective in addressing the academic and social needs of Black male youth, and how the practices and pedagogy translate to all teachers meeting the needs of vulnerable populations of students.

Educators who see transformational results with black youth embrace students» race and culture as central to their identity and as assets to build on.

Story of group of abducted and reconstructed youth from various countries who escapes with help from a kind scientist, and who fights with the evil, international arms trader, Black Ghost.

I» Blondie - «One Way or Another» Bob Dylan - «Tangled Up in Blue» Bon Jovi - «Livin» on a Prayer» Cheap Trick - «Hello There» Devo - «Uncontrollable Urge» Dinosaur Jr. - «Feel the Pain» Disturbed - «Down with the Sickness» Dream Theater - «Panic Attack» Duran Duran - «Hungry Like the Wolf» Elvis Costello - «Pump It Up» Fleetwood Mac - «Go Your Own Way» Foo Fighters - «Everlong» Guns N» Roses - «Shackler's Revenge» Interpol - «PDA» Jane's Addiction - «Mountain Song» Jethro Tull - «Aqualung» Jimmy Eat World - «The Middle» Joan Jett - «Bad Reputation» Journey - «Anyway You Want It» Judas Priest - «Painkiller» Kansas - «Carry On Wayward Son» L7 - «Pretend We're Dead» Lacuna Coil - «Our Truth» Linkin Park - «One Step Closer» Lit - «My Own Worst Enemy» Lush - «De-Luxe» Mastodon - «Colony of Birchmen» Megadeth - «Peace Sells» Metallica - «Battery» Mighty Mighty Bosstones - «Where'd You Go» Modest Mouse - «Float On» Motorhead - «Ace of Spades» Nirvana - «Drain You» Norman Greenbaum - «Spirit in the Sky» Panic at the Disco - «Nine in the Afternoon» Paramore - «That's What You Get» Pearl Jam - «Alive» Presidents of the USA - «Lump» Rage Against the Machine - «Testify» Ratt - «Round & Round» Red Hot Chili Peppers - «Give it Away» Rise Against - «Give it All» Rush - «The Trees» Silversun Pickups - «Lazy Eye» Smashing Pumpkins - «Today» Social Distortion - «I Was Wrong» Sonic Youth - «Teenage Riot» Soundgarden - «Spoonman» Squeeze - «Cool for Cats» Steely Dan - «Bodhitsattva» Steve Miller Band - «Rock»n Me» Survivor - «Eye of the Tiger» System of a Down - «Chop Suey» Talking Heads - «Psycho Killer» Tenacious D - «Master Exploder» Testament - «Souls of Black» The Donnas - «New Kid in School» The Go - Go's - «We Got the Beat» The Grateful Dead - «Alabama Getaway» The Guess Who - «American Woman» The Muffs - «Kids in America» The Offspring - «Come Out & Play (Keep «em Separated)» The Replacements - «Alex Chilton» The Who - «Pinball Wizard»

In both cases, Black youths were described as «men,» their physical and sexual maturity greatly exaggerated, as a means of engendering public sympathy for the White men who committed the acts of killing.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

THE WHITE - SUITED BLACK SUBJECTS are rendered with varying degrees of realism: There is the chalky brown man at left, who possesses all the charm of a department store mannequin; the androgynous youth at right, with unfurled scarf and ghostly tinted glasses; and, of course, the woman at the center of the work, whose adjacent nude double seems to both teasingly recede into and forcefully protrude beyond the group.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

At the time, he recalls, «There was a lot of concern and upset around the death of Stephen Lawrence [the black teenager who was murdered by white youths in London] and what all that meant.

The works» title is a double adaptation: Jaar took the title from James Baldwin's seminal 1963 publication (containing two essays which highlighted the state and nature of interracial politics and relations in the United States during the early 60's, as well as the attitude of black Christian youths in Harlem who were exposed to Islamic principles), while Baldwin drew his title from a Negro spiritual, «God gave Noah the rainbow sign, no more water but fire next time.»

In 1997, a black judge acquitted a black boy who was arrested by a white police officer for allegedly interfering with the arrest of another youth.

The front of the handset is black, with a white back featuring Boost's logo, and comes with a Boost icon with quick links to download Boost's own app, Twitter, SnapChat, SoundCloud, Instagram, Vine, Tumble and MessageMe, all apps aimed at the youth market who love and use these apps to most, although anyone of any adult age could make use of any of them.

As shown by Fischer and Shaw (1999), African American youth who receive negative racial socialization messages or messages that devalue or overlook the positive characteristics related to being African American (e.g., «learning about Black history is not that important») are more prone to evidence poorer psychological adjustment and academic outcomes.