And certainly, as far as stories about a dystopian future go, it can't get much
bleaker than director Ridley Scott's imagining of Los Angeles in the (then) far future of 2019.
Working from a tight, uncompromisingly
bleak script by Jonathan Bernstein (The Spy Next Door) and James Greer (Just My Luck), the
director follows up last summer's Logan Lucky with another genre - bending, self - financed effort that has more going on just underneath the surface
than initially meets the eye.