In the»80s, complaints in Münster resulted in the dismantling of Sol LeWitt's cinder
block Black Form (Dedicated to the Missing Jews), which was considered too ominous.
Not exact matches
Sprinkle some
black pepper on them, since it has a compound known as piperine, which is known to
block the
forming of new fat tissue.
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In districts across the country — even ones in cities with some
form of limited movement for kids — poor parents, typically those who are
black or Hispanic, are forced to enroll their kids in underperforming schools when there are good ones nearby, sometimes just
blocks away.
Bunikyte's large paper sculpture, Zero Point Field (2015), is a remarkable piece that speaks to the meditative process by which it was created: it features tiny, hand - drawn markings to
form overlapping
blocks of color — red, blue, and
black, of course.
The
black and white works are also telling of the artists initial gestures and intent, these works in there simple
form are the building
blocks of the paintings yet are able to stand alone.
Sometimes compared to Richard Diebenkorn and Philip Guston, Peters populates his canvases with muted and saturated color
blocks, geometric or architectonic
forms, and white or
black lines, creating textured and sensuous surfaces.
In Ryan Gander's I've Got the Money If You've Got the Time, 2011, eighteen lithographs
form a
block of white pages framed by thick
black lines.
This is seen in works such as Untitled (Burnt Wood)(1988), where rectangular sections of various charred woods
form a monochromatic composition and Untitled (1989), which combines
blocks of burnt wood and salt on lead to
form a striking
black and white abstract arrangement.
As early as the Biennial's opening day, protesters had
formed a human chain to
block museum - goers from viewing the painting, writing «no lynch mob» and «
black death spectacle» on their shirts.
Freestanding sculptures include a minimalist grid configuration by Carl Andre, a towering column of staggered concrete
blocks by Adrian Paules, a sleek
black triangular pillar made of resin by John McCracken, and a carved refrigerator by Josh Callaghan; wall mounted pieces include plaster bone
forms arranged into letters by Nathan Mabry, Light and Space artist Peter Alexander's colorful grouping of shimmering resin bars, and an annulus finished with silver leaf by Peter Shelton — each work displays a skilled proficiency in construction and intent.
Their shapes — some swooping curves, others masses of
black in various
blocks of
form — are so powerful in the room that the Nasher's own seminal sculpture by Serra almost recedes from our visual world.»
For the 1987 Skulptur Projekte Münster, Germany, he realized
Black Form: Memorial to the Missing Jews, a rectangular wall of black concrete blocks for the center of a plaza in front of an elegant, white Neoclassical government building; it is now installed at Altona Town Hall, Ham
Black Form: Memorial to the Missing Jews, a rectangular wall of
black concrete blocks for the center of a plaza in front of an elegant, white Neoclassical government building; it is now installed at Altona Town Hall, Ham
black concrete
blocks for the center of a plaza in front of an elegant, white Neoclassical government building; it is now installed at Altona Town Hall, Hamburg.
The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in
black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material
form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 -
block grid proposed for downtown Minneapolis.
«Personal racism no longer comes in the
form of white southern sheriffs and governors
blocking black children from schoolhouse doors.