Bomberg's The Mud Bath (1914, Tate Modern, London) is a typical example of the group's style, with lots of straight lines,
blocks of flat colour which gives a feeling of movement and dynamism.
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«And the reason is that they are so damn
flattering — those great splashes
of block colour, the elegant proportion.
Working in series, the artist produced canvases depicting
flat, monochromatic forms, their
blocks of vibrant
colour cut with fine lines and sharp edges.
By the mid-1950s, Calderara began to move away from figurative painting to embrace a more geometric approach, radically reducing both the scale and the compositional elements
of his paintings through use
of simple forms and
flat blocks of nebulous and subtle
colour.
Her paintings recall the rust oranges
of canyons and the
flat sky blue that hangs over Wile E. Coyote and Roadrunner's desert battlegrounds; their flatness however becomes streaked and abstracted, with a withered hand poking into the crook
of another
block of colour as in the painting «Shade» (2010).
He works from photographs and drawings, creating collage - like compositions, and then experiments with different ways
of drawing out the aspects that interest him — whether highlighting the surface detail or distant object, or by painting a version
of the image as a
blocked - out negative
of flat colour.
Harman's new series, 1 Pixel Portraits, are printed
blocks of pure,
flat colour which record the compressed data taken from found images
of portraits.
Currently residing in South London, he passes his time by drawing and collaging anything that can be rendered in
flat blocks of colour or tone.
The textures occasionally present appear
flat — just 2D
blocks of colour.
With their large,
flat blocks of colour and seductive shimmer, Gary Hume RA's paintings have a graphic simplicity that translates terrifically well into silkscreen and linocut — printmaking techniques that are known for their density
of pigment and even distribution
of ink.
Instead
of distinguishing foreground and background, now he was painting forms as solid
blocks of colour against an equally
flat expanse
of white.
Through portraiture, landscapes and still lifes, Calderara depicted the people, scenes and objects
of his native Italy — all suffused by a delicate, misty light inspired by the atmospheric glow
of Lake Orta in Vacciago, where the artist moved in 1934 with his wife Carmela, and where he would work for most
of his life.By the mid-1950s, Calderara began to move away from figurative painting to embrace a more geometric approach, radically reducing both the scale and the compositional elements
of his paintings through use
of simple forms and
flat blocks of nebulous and subtle
colour.
Then the abstract piece is a very structural motif, almost mathematical, that is made up
of a grid overlaid with layers
of flat colour in
block like shapes and is playing off the structure and
colour in the other small painting.
Blend
block colours of different textures — such as
flat painted surfaces, denim - like upholstery and herringbone weaves — with mini hand -
block designs and graphic repeat - patterns for a sophisticated style fusion.
Golden ticket A little subtle pattern can add impact when set against
flat blocks of colour.