Sentences with phrase «blue cyanotypes»

Cubist photography, three - dimensional wall decorations vis à vis the dark blue cyanotypes, street art not far from Picasso apologists and Basquiat successors.
September 2014: I meet Walead Beshty at London's Barbican Centre, where he is working on his commission for the Curve gallery, an installation of over 12,000 blue cyanotype photograms titled A Partial Disassembling of an Invention Without a Future: Helter - Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench.

Not exact matches

Images: Mary Kate Steinmiller via Refinery29, cyanotype, Dior gown with tulips, Isabel Marant Beverly dress, handmade leather bucket bag, blue and white sleeve detail by Adolfo Dominguez
On view is a recent body of work in which Lambrecht explores the evolution of perception using the cyanotype process, an early photographic technique dating to the mid-19th century and named for its Prussian blue hue.
Celebrating Catherine Jansen's groundbreaking cyanotype installation The Blue Room and works from Photography into Sculpture artist Bea Nettles from the Michener Art Museum collection, this exhibit surveys regional contemporaries continuing to diversify the forms photography now embodies.
While their blue palette suggests photographic cyanotypes, these paintings effectively veer into narrative and metaphoric territory.
The emerging blue tones of the cyanotype delicately bleed into the white of the original unexposed paper creating spontaneous compositions.
I want to explore how the color blue, as well as the historical connotations of the cyanotype process, play a role in transforming how the images» content is perceived.
Good thing, because the series of large, blue abstract cyanotypes on muslin, and, elsewhere, delicate cutaways made directly in raw, stretched canvas required some contemplative space.
Cyanotype is a photographic printing process that gives a cyan - blue print.
One of the oldest techniques in photography, the cyanotype or blueprint process uses light - sensitive iron salts rather than traditional silver - based chemistry to achieve its rich, deep blue tones.
Organization with an operating budget under $ 2 million Awardee PAMELA S. WALL, Curator of Exhibitions, Gibbes Museum of Art for The Things We Carry: Contemporary Art in the South at the Gibbes Museum of Art Organization with an operating budget of $ 2 - $ 6 million Awardee STACY C. HOLLANDER, Deputy Director for Curatorial Affairs, Chief Curator, Director of Exhibitions, American Folk Art Museum for Securing the Shadow: Posthumous Portraiture in America at the American Folk Art Museum Organization with an operating budget of $ 6 - $ 15 million Awardees NANCY KATHRYN BURNS, Assistant Curator of Prints, Drawings & Photographs, Worcester Art Museum KRISTINA WILSON, Associate Professor of Art History, & Chair, Department of Visual & Performing Arts, Clark University Both for Cyanotypes: Photography's Blue Period at the Worcester Art Museum Organization with an operating budget of $ 15 - $ 30 million Awardees (tie) ANNE - MARIE EZE, Director of Scholarly & Public Programs, Houghton Library, Harvard University NATHANIEL SILVER, Associate Curator, Isabella Stewart Gardner Museum both for Beyond Words: Italian Renaissance Books at the Isabella Stewart Gardner Museum MASSUMEH FARHAD, Chief Curator & Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution SIMON RETTIG, Assistant Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution both for The Art of the Qur» an: Treasures from the Museum of Turkish & Islamic Arts at the Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution Honorable Mention JENS HOFFMANN, Deputy Director, Exhibitions & Public Programs, The Jewish Museum CLAUDIA J. NAHSON, Morris & Eva Feld Curator, The Jewish Museum both for Roberto Burle Marx: Brazilian Modernist at The Jewish Museum Organization with an operating budget over $ 30 million Awardees AL MINER, Assistant Curator of Contemporary Art, Museum of Fine Arts, Boston LAURA WEINSTEIN, Ananda Coomaraswamy Curator of South Asian & Islamic Art & Acting Matsutaro Shoriki Chair, Art of Asia, Museum of Fine Arts, Boston both for Megacities Asia at the Museum of Fine Arts, Boston
Another artist is up on the TOBY project wall at Brooklyn Wayfarers — check out Emily Gui, whose installation «A Big Enough Vessel (Blue Shrine)» features a mix of cyanotypes and ceramics.
Frazier printed many of the images in the show as «cyanotypes, a 19th century photographic process that renders images in shades of blue, referencing an architect's blueprint and the idea of «blue collar» work.»
Organization with an operating budget of $ 6 — $ 15 million: Nancy Kathryn Burns, assistant curator of prints, drawings, and photographs at the Worcester Art Museum, and Kristina Wilson, associate professor of art history and chair of the department of visual and performing arts at Clark University, both for «Cyanotypes: Photography's Blue Period» at the Worcester Art Museum
Introduced in 1842, cyanotypes are characterized by their blue tone, a result of the production of iron salts during the developing process; the heyday of audiocassette tapes was in the 1970s and 1980s.
For her show at Cross Contemporary Art, she introduces a series of cyanotypes (prints created by sunlight) using rare botanical prairie grass samples and mysterious equine imagery whose reverse shadows are suspended in a sky - blue ground.
A Visual History of Economics, Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany Cyanotypes: Photography's Blue Period, Worcester Art Museum, Worcester, MA The Campaign for Art, San Francisco Museum of Modern Art, San Francisco, CA Takashi Murakami's Superflat Collection, Yokohama Museum of Art, Yokohama, Japan Winter 2015: Collected Works, Rennie Museum, Vancouver, Canada
Work by Marco Breuer was featured in the show Cyanotypes: Photography's Blue Period, on view at The Worcester Art Museum from January 16 — April 24, 2016.
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