As glimpses of Sachs's signature style blossom into a new - age sanctuary — fitted with bricolage works (crafted predominately from plywood, Con Ed barriers, and powder -
blue foam core) set against Isamu Noguchi's basalt and limestone sculptures — it becomes clear that Hart has a point.
«Ebb Tide» has broad waves of aquatic color,
foam - like splashes of white and orange, and receding atmospheric planes, while «Sancere» sends effervescent bubbles into
blue fluidity from a gyrating
core.
The abstract collages, paintings, and sculptures on view, made of neutral - colored, plain materials (brown and
blue carpets painted in white, beige scraps of paper, clear tape and light brown masking tape, white
foam core, discarded aluminum, plywood) echoed long - established tendencies in abstraction, such as Robert Rauschenberg's experiments with nontraditional materials and Richard Tuttle's casual approach to art making.