Within three large monochromatic works — Blue Prism Painting V, VI and VII — one sees arrangements of solid, cut and polished
blue glass forms, each form creating an ellipse at its apex.
Inspired by the ceramic tile artwork at the temple of the Grand Palace in Bangkok the artisan designs the pendant with squares of cerulean
blue glass forming a symmetrical cross with a multi-colored center of orange white red and yellow glass layered on top of each other.
Not exact matches
«Inside a teardrop of
glass I've
formed a nebula of swirling
blue, green and yellow clouds which spiral down into the centre of the pendant» Such a beautiful description, the process involved in Glenn's work is really fascinating, (not to mention educational).
Then I put the flower into a
glass jar with some water which I had added some
blue liquid food colouring to — I added
blue as from experience I knew that the colours would mix and green J's favourite colour would be
formed before the bright
blue colouring took over.
These
blue light blocking
glasses are available in different
forms.
The SIBO kit comes in a box with 10
glass test tubes, 10 labels, 1 sample collection device (with attached
blue bag and needle holder), 1 packet of lactulose, 2 bubble wrap packing bags, the instructions from the manufacturer, and the Patient Record
form.
Inspired by the ceramic tile artwork at the temple of the Grand Palace in Bangkok the artisan designs the pendant with squares of orange
glass forming a symmetrical cross with a multi-colored center of red white green and
blue glass layered on top of each other.
Inspired by the ceramic tile artwork at the temple of the Grand Palace in Bangkok the artisan designs the pendant with squares of lime green
glass forming a symmetrical cross with a multi-colored center of dark rose white and
blue glass layered on top of each other.
It will consist of cone - like structures of titanium,
blue glass, and stone
forming a tumbling, asymmetrical mountain, a design that Paul Goldberger, the architecture critic and Gehry's biographer, called «perhaps too grandiose.»
My attention was drawn to the spiral staircase, above which dangled a number of
blue glass ornaments (handblown by MIT graduate David Smith) representing human figures in assorted
forms and positions.
The striking
blue glass facade is comprised of 7,300
blue - colored
glass panels,
forming a curtain wall around the tower.
Hand -
formed cut and polished
blue glass, low - iron mirror,
blue architectural sheet
glass, oak, Sumi ink
Acrylic bands of
blue and white curving out from the wall represent water in motion;
glass beads covering a dune - shaped
form create the shimmering effect of light on sand; hundreds of acrylic cubes in varying hues of violet are points of color that capture the light or atmospheric condition of a particular moment.
Form is challenged throughout the exhibition — pieces such as Venn Diagrams (under the spotlight), where slightly overlapping theater lights with red and
blue gels are projected onto the wall, or Eavesdropping, where a series of different colored vintage drinking
glasses are inserted into the wall, as if suspended, are cheeky, playful, and adventurous — going against the expectation of conceptual art as an exclusively stark monochrome, while remaining sparse and poignant.