In the watercolors of Amaranth Ehrenhalt,
lozenges and disks of
blue aquamarine and lilac intersect wet into wet with bands of saturated yellows and orange, a busily crowded space that has many of the characteristics of a Paul Klee.
In Prototypen, four silk screens — a green triangle, a gray
lozenge, a
blue isosceles triangle and a small black square — represent Palermo's brand.