Sentences with phrase «blue oil paintings on canvas»

Not exact matches

David Humphrey's acrylic on canvas Heat Cycle, David Diao's acrylic and collaged on canvas Hammered Black and Blue, 2011, behindDonald Moffett's Untitled, Lot 010804, 2004/2011 oil and aluminum paint on linen with wood panel support with steel tacks, galvanized bucket, concrete, rebard, wood, sheet metal, rusted chains.

Callum Innes Exposed Painting Oriental Blue, 2017 oil on canvas 70 7/8 x 68 7/8 inches (180 x 175 cm) signed and dated by the artist, verso with accompanying signed certificate of authenticity CI - 75.17

Still Life with Four Blue - Green Stripes, Two BB Holes and White Drips / 2015 / oil, acrylic, spray paint, glue, mud with polymer medium, gesso, ink, smoke stains, and floor sweepings on canvas / 84» x 30» / PLS INQ

«No Love Lost» was the first UK exhibition of Hirst's series of oil on canvas works collectively entitled the «Blue Paintings».

Ad Reinhardt, Abstract Painting, Blue, 1952, 18 x 14 in., oil on canvas.

Transposition No. 6 - a warm and joyous abstract painting in browns, grey / blue and red: Mixed media, including oil paint and charcoal on canvas.

Rudolf de Crignis, Painting No. 97 — 23 (Ultramarine Blue, Zinc White, Ruby Lake), 1997 Oil on canvas, 30 x 30 inches May 21 — July 3, 2009 Lawrence Markey presents an exhibition of paintings by Rudolf de Crignis (1948 — 2006), entitled grays and blues.

Blue, gold, ivory resin and oil on canvas painting with mixed media including monofilament and metal.

Mostly Blue, Oil on Canvas, 30 x 30 Inches, is a complex abstraction filled with light and brilliant color painted in a lush and fluid style which is the logical evolution of the artist...

Ruth Pastine, Sighted (Blue Series), 1996 Oil on canvas 24 x 24 inches February 10 — March 26, 2011 Cabana Home, in collaboration with Edward Cella Art + Architecture, presents a solo exhibition of color field paintings by Ojai based artist Ruth Pastine.

Among the works that did well were Lot 140, «Model for T.W.U.,» a maquette for a larger work that was installed on West Broadway in SoHo in 1981 - 2 by Richard Serra (b. 1939), which sold for $ 123,500, more than twice its high estimate; Lot 181, an untitled 1984 work by Keith Haring (1958 - 1990) that sold for $ 101,500 and had had a high estimate of $ 70,000; Lots 119 and 120, both by Christopher Wool (b. 1955), that sold for $ 96,000 and $ 79,500, and which had both carried high estimates of $ 35,000; Lot 131, «Negativert,» a large interesting 1983 work by Sigmar Polke (b. 1941) that sold for $ 96,000, a bit over its high estimate of $ 90,000; Lot 132, «Abstract Painting 816 - 3,» a 22 by 20 1/8 oil on canvas that resembles a melted multi-colored metal red, white and blue flag by Gerhard Richter (b. 1932), that fetched $ 79,500 and had had a high estimate of $ 0,000; and Lot 134, «Dein Ashenes Haar Sulamith,» a very fine 1981 work by Anselm Kiefer (b. 1945), shown at the top of the article, that sold for $ 79,500 and had a high estimate of $ 70,000.

Alongside important early works such as «A Thousand Years» (1990), «With Dead Head» (1991) and «Loving in a World of Desire» (1996), «Requiem» featured the first exhibition of works from Hirst's series of oil on canvas «Blue Paintings», which he had begun in 2006.

Pacita Abad, Glorious blue, 2003, oil, painted cloth, painted tin stitched on canvas, 91 x 128 cm, 36 x 50 in., © Pacita Abad Art Estate

Allan Freelon's Baiting Trawls, 1930 - 35, oil on canvas, sold for $ 37,500; while Palmer Hayden's evocative 1964 watercolor and gouache painting The Blue Nile brought $ 42,500.

Jonathan Allmaier, Blue Point Key Painting, 2011, oil on canvas, 19.875 x 24 inches.

oil on canvas in thin wood frame 18 x 24 inches This horizontal, modern, abstract painting with a crisp light blue, beige, white and grey palette was created by Hudson Valley based artist, Corinne Robbins.

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

Featured image: Saloua Raouda Choucair - Composition in Blue Module (detail), 1947 - 51, Oil paint on canvas, image © Saloua Raouda Choucair Foundation

Composition in Blue Module Artist: Saloua Raouda Choucair 1916 - 2017 Date: 1947 - 51 Classification: painting Medium: Oil paint on canvas Dimensions: support: 595 x 800 mm Purchased with funds provided by the Middle East North Africa Acquisitions Committee 2011 © Saloua Raouda Choucair Foundation

Figurative mixed media painting by Argentinian artist Sol Halabi «Blue Thoughts (Pensamiento Azuces)» Oil and wax painting on canvas 35» x 1» x 43» Signed o...

«Colony Room» presents some of Zak Prekop's new work (Pictured above: Black with Green / Blue, 2014, oil and ink on canvas, 27 x 35 inches) that utilizes a wider range of color than we saw in his 2012 series of white - on - white paintings.

The paintings are executed in oil on canvas, built up with many layers of luminous color, including red, bright yellow, dark blue, pale gray, brown, white, and black.

Marcia Hafif Black Painting: Ultramarine Blue and Burnt Umber II, 1979 - 80 Oil on canvas, 215 x 200 cm February 25 — April 3, 2010 Newman Popiashvili Gallery presents a solo exhibition of Marcia Hafif.

Similarly, in Cricket Painting (Paragrand)(2006 - 12) oil paint is laid on the canvas in acid hues of orange, green and blue, the surface flecked in places with splashes of paint, so that action of the image — a girl lobbing a cricket ball that hangs in the centre of the canvas like a white, full moon towards a boy waiting at a wicket — becomes secondary; a compliment to the dynamism and energy of the colours» relationship.

Fergus, Boy in Blue 1928 oil on canvas Robert Henri born Cincinnati, Ohio 1865 died New York, N.Y. 1929 Museum Purchase 65.214 In this portrait of a village child from Ireland's Achille Island, Robert Henri painted the face without blending the hues on the canvas.

Caitlin Cherry, Mute City, Big Blue, Port Town, 2014, swimming pool (wood, ceramic tiles, plexiglass, water, chlorine) mounted over painting (oil on canvas), 87 x 79.5 x 12 inches.