7 Such independence and neutrality are foregrounded in the prominent brushstrokes that occur at the top of Collection's three panels: the light blue - green scumble at the left, the compact
blue paint stroke in the center, and the mixture of blue and white at the far right.
«Mountains II» is a field of crystalline
blue paint strokes that still shimmer with clarity.
Not exact matches
It reminds of an impressionistic
painting in bold
strokes: lilac and purple flowers fly across the cornflower
blue sky.
Then, using pale
blue on one side of the brush and dark
blue paint on the other side, create the petal
strokes so that the dark
paint is towards the inside.
Mucus from a woman's nose, portrayed in exaggerated
strokes of yellow, green, and
blue paint ¬, has sprayed several inches before ricocheting off her open palms.
Abstract
Painting, Navy
Blue, Watercolour Wall Art Print, Brush
Stroke, Printable Digital Download, Large Poster, Ink, Modern Minimalist
Parrot (1976), on the other hand, is one of the
paintings that introduced Bolduc's signature style, and intimated his deeper ambitions: a yellow and white line of pure pigment atop a yellow and red base, situated in the midst of a roiling jungle of green,
blue, and red
strokes.
Instead of Dingle's typical palette of
blue, sepia and grey, these compositions are rendered in a sugar sweet mélange of pastel yellows, ochres, greens and blues in a fanciful layering of both thin washes and sweeping, buttery
strokes of oil
paint à la Wayne Thiebaud.
Here Bickerton's merging of figuration and abstraction comes to new levels: in m - DNA eve 3, for example, he has nearly obscured the image of the figure with impasto
strokes of vibrant green,
blue and yellow
paint, blending the foreground and background until the model's bulging, exaggerated features seemingly emerge from the camouflage.
Biscuity sand, cerulean
blue, sun - bleached and sunburned strips frame a chaotic smudge of
strokes and movement at the
painting's center, huddled around some illegible summer scene.»
Gechtoff's
painting Angel (1960), a vaguely female form (the artist says it's a self - portrait) in a crucifixionlike pose, energetically composed of shards of bright hues, dominantly pink and sky
blue, lit the front room at Nolan; in the back was a large (61 - by -40-inch), radically abstract Gechtoff drawing from 1956 — 57 in which an entity made of long graphite
strokes appears to traverse the otherwise empty page.
The background,
painted in animated
strokes, operates as a goopy
blue halo around the sitter's head.
It's much harder to say, however, what I learned about making a
painting, because the entire
painting is there before me — canvas, pencil lines,
strokes of
blue paint — and the entire act of its making can apparently be deciphered.
In between the penciled horizontal lines dark violet -
blue is
painted in repeated
strokes with a small brush from one side to the other; the
blue line is brushed horizontally as far as the
paint the brush can carry lasts, and then the brush is loaded with more
paint to continue the line across.
Painted on a wood panel, this abstract piece has great movement marked by
blue strokes in an arc.
Each horizontal band of
blue paint spanning the
painting, then, isn't completely continuous: you can see places in each band where the
stroke starts, stops, and continues.
«Richter has taken to flaying the
painted skin of his canvases with a spatula in broad
strokes or long, wavering stripes leaving behind abraded, shimmering surfaces that at their sheerest and most luminous look like the Aurora Borealis suspended above various red, orange, yellow, green,
blue or violet planets.»
2016 - May 4 - May 8 -
Stroke Art Fair, Munich, Germany with Schwalbe & Schwalbe Artfair 2016 - January 9 - February 15 - Penumbra Studio, Loures, Portugal «8x8» group show 2016 - January 29 - January 31 - Golden State Tattoo Expo, California «the draw16» Groupshow curated by MICHAEL HUSSAR 2016 - February 13 - March 13 - Penumbra Studio, Loures, Portugal «The Dark One» group show 2016 - March 5 - March 26 - Alexi Era Gallery, Mascoutah, IL «Empathic» group show 2016 - March 19 - Gristle Art Gallery, Brooklyn, NY «Dystopian Forest» group show 2016 - April 2 - May 29 Art at the Hall, Aberdeen Scotland «Enchanted» group show 2016 - April 2 - April 20 Alexi Era Gallery, Mascoutah, IL «Gypsy» group show 2016 - April 16 - May 13 Penumbra Studio, Loures, Portugal «Perrault's fairy tales» Bad Apple Artist Collective group show 2016 - May Arch Enemy Arts, Philadelphia, PA «For the First Time group show 2016 - June 3 - Arch Enemy Arts, Philadelphia, PA «As Above, so Below» group show 2016 - June 4 - June 25 Avantgarde Tattoo and Art Gallery, Milano, Italy «PostcArt Show» group show 2016 - June 11 - Cactus Gallery, LA «Symphony of Wings» group show 2016 - June 11 - Modern Eden Gallery, San Francisco «Annual Portrait Exhibition» group show 2016 - July 8 - Arch Enemy Arts, Philadelphia, PA «Invisible Threads» group show 2016 - August 5 - Alexi Era Gallery, Eugene OR «Lowbrow Tarot Project II» group show 2016 - August 6 - Haven Gallery, Northport, NY «The Tempest» group show 2016 - August 13 - September 24 - Ars Memoria Gallery, Chicago, IL «RED» group show 2016 - August 13 - September 1 - Cactus Gallery, LA «Water» Groupshow 2016 - August 27/28 - Future Gallery, Lake Orion, MI «Pocked Size
Paintings # 3» group show 2016 - October 29 - November 17 - Penumbra Studio, Loures, Portugal «All Hallows Eve» group show 2016 - October - Art at the Hall, Aberdeen Scotland «El Gato» group show 2016 - October - Haven Gallery, Northport, NY «Mission
Blue» group show curated by Christina Ridgeway 2016 - December 3 - Future Gallery, Lake Orion, MI «Winter Gallery # 4» group show 2016 - December 10 - Modern Eden Gallery, San Francisco «Wanderlust 4» group show
In the exhibition Vice and Reflection — An Old
Painting, New Paintings and Animations, David Reed's exhibition at the Perez Art Museum Miami (November 29 - May 21, 2017) Reed investigates his painting, # 212 (Vice), 1984 - 85 a long horizontal work made of multiple strokes of a manganese blue that has a kind of inky transparent presence that curves and divides his
Painting, New
Paintings and Animations, David Reed's exhibition at the Perez Art Museum Miami (November 29 - May 21, 2017) Reed investigates his
painting, # 212 (Vice), 1984 - 85 a long horizontal work made of multiple strokes of a manganese blue that has a kind of inky transparent presence that curves and divides his
painting, # 212 (Vice), 1984 - 85 a long horizontal work made of multiple
strokes of a manganese
blue that has a kind of inky transparent presence that curves and divides his canvas.
The way she seals off that bluish - white (almost skim milk - colored) horizontal wipe by a hardedged midnight
blue stroke, though still allows the top portion to evaporate together, emphasizes Belag's skill in
paint application.
I added a fun tassel and
painted some pale
blue brush
strokes on my white lamp.