Karver no doubt recalls
the blurry photorealism of Gerhard Richter, spying on spies by Jane and Louise Wilson, or Struth's self - absorbed gazers.
He got professional work at that, in
a blurry photorealism derived from Gerhard Richter.
Not exact matches
Aldrich traffics in
photorealism that looks
blurry on first sight and dissolves entirely as one gets close, as with James White.