Not exact matches
Sofa — Home Center
Gallery wall frames and big frames — Ikea Wall Shelf — Home Box Curtain — Ikea Office Desk — Ikea (but I bought it from someone on Dubizzle) Corner Shelf — Home box Mustard yellow throw pillow cover — Home Box Black and Big Black & White throw pillow cover — Ikea
Smaller Striped Black & White throw pillow cover — Gift from a Client Lamp Stand — Home Box Rug — Dragon Mart White office chair and Mustard Yellow chairs — Dragon Mart Flower Vase and life plants — Ikea Fake Plants and other vases — Discount Center in Ajman White
board — Day to Day White fur Rug — Ikea Wall Papers — Discount Center Sharjah (You can also find them in Day to Day)
Taking advantage of an ancient optical principle that a ray of light entering through a
small hole into a dark room will project an upside - down view of the outside world, Leonard covered one of the Whitney's distinctive «eyebrow» windows with a lens
board, throwing a ghostly, inverted image of the street onto the walls, floor and ceiling of an unlit
gallery.
Special Thanks: The Art21
Board of Trustees; 900/910 Lake Shore Drive Condominium Association; Michael Aglion; Ellen Hartwell Alderman; Adam Baumgold
Gallery; Naomi Beckwith; Biba Bell; Stefania Bortolami; Kate Bowen; Pat Casteel; Chicago Embassy Church; Coachman Antique Mall; Maria J. Coltharp; John Corbett; Department of Theatre & Dance, Wayne State University; Detroit School of Arts; Christina Faist; Bob Faust; Martina Feurstein; Julie Fracker; William Gill; Graham Foundation; Jen Grygiel; Sarah Herda; Jennon Bell Hoffmann; Sheree Hovsepian; Institute of Contemporary Art at the University of Pennsylvania; Istanbul Biennial; Nicola Jeffs; Jenette Kahn; Jill Katz; Alex Klein; Kunsthaus Bregenz; Jon Lowe; Sheila Lynch; Mana Contemporary Chicago; Christine Messineo; Laura Mott; Deborah Payne; Bishop Ed Peecher; Lisa Pooler; Rebuild Foundation; Diana Salier; Tim Samuelson; Amy Schachman; Zeynep Seyhun; Keith Shapiro; Alexandra
Small; Jacqueline Stewart; Hamza Walker; Clara Ware; Marnie Ware; & Steve Wylie.
VCP is operated entirely upon a
small army of volunteer members of our
Board of Directors as well as our
Gallery Director.
For her ninth show at Alexandre
Gallery — perhaps her fiftieth show overall — this vision comes across in
small landscapes, oil on
board, that are uniquely felt.1
Here, in a nondescript modern
gallery space, Lovell created a
small rectangular house built of salvaged
boards with various colors of peeling paint.