Sentences with phrase «bodied women in the video»

The three immensely able - bodied women in the video, dressed in Easter colors and stuck in homely cubicles, are completely unruffled as they transform manicured pink fingernails into equally manicured red maraschino -LSB-.....]

Not exact matches

As a nation watches in sorrow and horror videos showing the dismemberment of the human body inherent in abortion, I relive the physical loss of my daughter with every woman who has miscarried a child as I have, or held a stillborn, or had an abortion — and I mourn.

Before a pregnant woman gives birth, the demonstration videos and simple exercises in the Natural Breastfeeding program make its concepts clear and integrate its moves into her body memory.

The people watching the videos rated the women in them as being more stressed when they were exposed to the «stressed» body odors than when they were exposed to a mild neutral fragrance or to body odor samples collected from volunteers who'd been exercising.

«Normal - weight women usually have less adaptive mechanisms in their body, compared to overweight and obese women, when they [are] exposed to... the hazardous effects of weight cycling,» he said in a video on the American Heart Association website.

In a similar behind - the - scenes video last year, she spoke about the importance of featuring women with diverse body types in the mediIn a similar behind - the - scenes video last year, she spoke about the importance of featuring women with diverse body types in the mediin the media.

In this video, we're rounding up six times the South African beauty set a healthy, body - positive, and feminist example for women everywhere.

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Now, this video shows you exactly what's happening in a Woman's body that's making it harder to lose weight.

Ex-Lesbian Talks Leaving Behind «Super Wild» Lifestyle With Women, Turning to Jesus in Viral Video View pictures of the hottest celebrity bodies, and keep up with the latest trends in celebrity workouts, diets, and fitness on Us Weekly.

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We discuss our feelings about mythical queer babes, women's bodies in video games, making collectible figurines for women, as well as griefing in MMORPGs.

This totally free supplemental add - on content pack for our Women as Reward video examines how women's bodies are used not just as a reward for in - game actions but -LSBWomen as Reward video examines how women's bodies are used not just as a reward for in - game actions but -LSBwomen's bodies are used not just as a reward for in - game actions but -LSB-...]

It occurs when women (or more often women's bodies) are employed as rewards for player actions in video games.

In the newest Tropes vs. Women in Video Games video Feminist Frequency takes on the lack of body diversity we see in playable female characterIn the newest Tropes vs. Women in Video Games video Feminist Frequency takes on the lack of body diversity we see in playable female characterin Video Games video Feminist Frequency takes on the lack of body diversity we see in playable female characVideo Games video Feminist Frequency takes on the lack of body diversity we see in playable female characvideo Feminist Frequency takes on the lack of body diversity we see in playable female characterin playable female characters.

In the sixth video of the Feminist Frequency Tropes Vs. Women in Video Games series, Anita Sarkeesian expands upon the ideas from her last video — «Woman as Background Decoration» — and remarks on how female bodies are often seen both as sexual objects and as victims of male violencIn the sixth video of the Feminist Frequency Tropes Vs. Women in Video Games series, Anita Sarkeesian expands upon the ideas from her last video — «Woman as Background Decoration» — and remarks on how female bodies are often seen both as sexual objects and as victims of male violvideo of the Feminist Frequency Tropes Vs. Women in Video Games series, Anita Sarkeesian expands upon the ideas from her last video — «Woman as Background Decoration» — and remarks on how female bodies are often seen both as sexual objects and as victims of male violencin Video Games series, Anita Sarkeesian expands upon the ideas from her last video — «Woman as Background Decoration» — and remarks on how female bodies are often seen both as sexual objects and as victims of male violVideo Games series, Anita Sarkeesian expands upon the ideas from her last video — «Woman as Background Decoration» — and remarks on how female bodies are often seen both as sexual objects and as victims of male violvideo — «Woman as Background Decoration» — and remarks on how female bodies are often seen both as sexual objects and as victims of male violence.

Drawing from the National Museum of Women in the Arts collection, this show features photography and video works by 17 artists focusing their camera on the female body as a vital medium for storytelling, expressing identity and reflecting individual and collective experience.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstIn the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Tate Modern, London 14 March — 5 August In the 1970s, Joan Jonas (along with Marina Abramovic and many other women) was using bodies, mirrors and rituals to pioneer performance and video art in the US and beyonIn the 1970s, Joan Jonas (along with Marina Abramovic and many other women) was using bodies, mirrors and rituals to pioneer performance and video art in the US and beyonin the US and beyond.

A Room of One's Own, clearly a nod to Virginia Woolf, shows videos and photographs depicting women melding into their surroundings or using their bodies as architecture — as seen in the works of Francesca Woodman and Zanele Muholi.

AWAD Members visited Terrains of the Body at the Whitechapel Gallery, an exhibition drawn from the National Museum of Women in the Arts (Washington, U.S.), this collection display showcases photography and video work by seventeen contemporary artists from around the world.

Opening concurrently in the exhibition space above The Visitors is «Auto Body,» an exhibition of more than 40 women artists working in video and performance who use the body and performativity as platforms to address political and economic inequalities in the art world and beyBody,» an exhibition of more than 40 women artists working in video and performance who use the body and performativity as platforms to address political and economic inequalities in the art world and beybody and performativity as platforms to address political and economic inequalities in the art world and beyond.

Identifiable perspectives range from the kind of curious objectivity Liu's incoming aliens might take — in Tao Hui's video Talk about body (2013), the artist, disguised as a young Muslim woman, describes his physical self in anthropological terms to an assembled audience — to possibilities spanning both fantasy and reality.

Ragnar Kjartansson's First Exhibition in Argentina and «Auto Body,» an International Platform for Women Artists Working in Video and Performance

Terrains of the Body, on view at London's Whitechapel Gallery, consists of photographs and a video work on loan from the National Museum of Women in the Arts.

German Leather Museum, Offenbach, Germany Farewell Ruins, Inman Gallery, Houston, Texas 2Q13 Women Artists Women Collectors, Marcelle Josephs Projects: Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College, Ramapo, NY Borders, Staycation Museum, Berlin, Germany 2012 Collection Gottfried Hafemann, Kunsthalle, Wiesbaden, Germany Mortal Stillness, Moss Bureau, New York, NY Hermaphrodite video, Opera Povera: To Valerie Solanas and Marylyn Monroe in Recognition of Their Desperation, performed at: RedCat, Los Angeles, CA.

Known for videos depicting women engaging in elaborate systems of production that often harvest their own body...

Working in video, installation and sculpture, her video works often feature women with unconventional bodies, who perform physical acts that reflect the human condition in post-modern times.

As a classically - trained violinist and Icelandic woman living in New York City in the avant - garde days of the late 1960s, Steina initiated an utterly singular trajectory through art, technology, and video that she has maintained ever since, but her singular body of work has suffered from the Balkanization of the art world.

Specializing in photography, video and performance art, some of her notable exhibitions include Body Talk: Feminism, Sexuality and the Body in the Work of Six African Women Artists (2015) and Precarious Imaging: Visibility and Media Surrounding African Queerness (2014).

«The Headless Woman or the Belly Dance» of 1974, regarded as the first video exhibited in Turkey by the Paris based artist Nil Yalter, highlights orientalist fantasies that have evolved around the female body.

Known for videos depicting women engaging in elaborate systems of production that often harvest their own body, Mika shows us the set of her latest piece (and Biennial installation), «Cheese» and tells us the backstory of making the video.

Minter has long had her finger on the pulse of human appetites, particularly when it comes to beauty and sex, which she taps into in luscious, inescapably close - up paintings, photographs, and slow - motion videos of bare - skinned women and their body parts — often dripping with paint and smeared with mud, gobs of glittering makeup, or sparkling candy.

It includes five victims not shown in the first video: a woman on the first floor landing and four bodies on the very dusty street, more or less in the doorway of the building.

The opening scene of this video was in the second floor hallway, with a bearded man in a dark blue hat grieving over the body of the woman in light purple, located under the red - white striped blanket.

And do you really want him to think that the bodies that he sees in porn are «normal» for men and women, or that the sexual script that plays out in porn videos is how real life relationships actually work (i.e., plumber arrives, clothes are torn off followed by extensive oral sex, pizza deliveryman arrives followed by tag team intercourse and gratuitous money shots, etc.)?