Similarly, the light in «Night, Niccone Valley» behaves variously; a woman's face, close in tone to the sky behind it, gives gradual way to her lightened
body against a darker background, while the table's cast shadow is strong and clear.
Set
against dark backgrounds and located somewhere not of this time, the strongly contoured
bodies are depicted in awkward or sexual poses, distorted or kneeling but equally conveying a sense of vulnerability.