Sentences with phrase «body art collection»

Male model body art collection from Dylan Rosser.

Not exact matches

Pedestrian - friendly, Old Town Temecula is home to a noteworthy collection of 60 + independently owned stores with something for everyone - from art and antiques; home, garden, and décor; art, antiques, and collectibles; crafts; fashions and accessories; and other specialties like Temecula Lavender Co.'s locally grown and produced lavender candles, and signature bath and body products, and the unique and educational toys for kids at Pennypickle's Workshop.

Associa o Alberto Santos Dumont para Apoio Pesquisa (AASDAP) and S rio - Liban s Hospital Field and laboratory work, including initial screening of the volunteers, execution of a nutritional, food habit and health survey, taste psychophysics testing, and collection of body fluid samples is conducted by AASDAP in a 2,000 sq. ft. state - of - the art neuroscience laboratory located in the S rio - Liban s Hospital, the largest private hospital in Brazil.

Here we present a collection of body art, which honors the diversity of the many yoga lineages and the masterful and artful creativity of the modern yogi.

At the Urban Decay booth, they had all of their recent Holiday collections out and were doing eye looks for girls with glasses or a glitter tattoo with their new Starlight Glitter Body Art kit.

Based on Ray Bradbury's eponymous short story collection, The Illustrated Man casts Rod Steiger as Carl - a mysterious, tattooed figure who encounters a drifter (Robert Drivas) while searching for the woman responsible for his body art.

Douglas Blain gets his hands on a rare alloy - bodied example in Great Leap Forward with photographs by Stefan Marjoram / In this months Auto - biography Jonathan Rishton meets Delwyn Mallett, the former art director who spent his career in the advertising industry whilst amassing an enviable collection of exotic machinery / In A beginner's guide to Rétromobile Stefan Marjoram doesn't know which way to look on his first visit to the unmissable Parisian old - car show / Scott Barrett remembers how a Riley Nine was the first light car to complete the Athens to Monte Carlo route of the famous rally, whilst Gordon McAllan shares his diary of the Classique re-run, in Monte Carlo or Bust / Ivan Margolius explains his theory of how Tatra car seating inspired an influential Modernist chair design in Cars, Furniture, Architecture / In his article Bellanger: the international car, Michael Worthington - Williams tells the story of the bull - nosed cars built in Neuilly - sur - Seine from 1912 - 1925 / In this months Sicilian snapshots, Simon Moore continues his trawl through a family album, this time sharing some pictures of the exotic road cars they owned / In the latest of his Back on the Road series, Michael Ware reports on a rare Austin 10hp van.

Based in art and proven modern science, the 25 Principles are a priceless collection of universal values, methods, and techniques that will greatly improve the mind and body of both horse and rider.

• Fresh flower lei greeting at arrival • Relaxing, seated check - in service with refreshments • Lobby hostesses to assist and escort you to your room • Welcome gifts just for keiki • In your room... - Nightly turn - down service - Private lanai - Built - in entertainment center with large flat screen TV, media hub for internet access, iPod, movies on demand and more - Bedside iPod clock - radio - Mini refrigerators stocked with bottled water replenished daily - Coffee maker and Kona Blend coffee service - Safe for valuables - Robes and slippers - Iron and ironing board, hair dryer - Luxurious L'Occitane bath amenities: shampoo, conditioner, soaps, body lotion - Writing materials and a selection of popular magazines and visitor information - The Art of Mauna Kea, a beautiful coffee - table book about Mr. Rockefeller's art collection, to enjoy during your stay • Complimentary use of the Fitness Center • Enhanced beach services: thick orange towels, padded chaise lounges, cabanas, umbrellas, new water sports and activities • Valet and self - parking available (daily fees appArt of Mauna Kea, a beautiful coffee - table book about Mr. Rockefeller's art collection, to enjoy during your stay • Complimentary use of the Fitness Center • Enhanced beach services: thick orange towels, padded chaise lounges, cabanas, umbrellas, new water sports and activities • Valet and self - parking available (daily fees appart collection, to enjoy during your stay • Complimentary use of the Fitness Center • Enhanced beach services: thick orange towels, padded chaise lounges, cabanas, umbrellas, new water sports and activities • Valet and self - parking available (daily fees apply)

This is our first sighting of a body of work that could hold its own in the collections of the Whitney Museum of American Art or the Museum of Modern Art and in the history of American abstract painting.

Featuring work by Huma Bhabha, Tony Cragg and Sarah Lucas, Bumped Bodies is the final chapter in the ISelf Collection displays, a private collection of contemporary art which focuses on personal identity and the human condition.

Drawing from the National Museum of Women in the Arts collection, this show features photography and video works by 17 artists focusing their camera on the female body as a vital medium for storytelling, expressing identity and reflecting individual and collective experience.

Her collection is housed at the Center for Feminist Art and challenges the ways that the black female body has been exoticized and colonized.

Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).

The Albright - Knox's Archives include the official records of the museum's governing body, The Buffalo Fine Arts Academy, as well as special collections of archival material, including the Natalie and Irving Forman Papers and Clyfford Still Photo - Documentation.

The collection of the National Museum of Women in the Arts (NMWA), Washington, D.C., is rich in photography, a field in which women have been pioneers since the medium's inception in the nineteenth century. www.whitechapelgallery.org/exhibitions/terrains-of-the - body

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

Announcing highlights from Whitechapel Gallery's Spring / Summer 2017 programme: A major retrospective of Eduardo Paolozzi; «Terrains of the Body», a display drawn from collection of the National Museum of Women in the Arts; plus archive displays, commissions and special events

Firelei Báez, Sans - Souci (This threshold between a dematerialized and a historicized body), 2015, collection Pérez Art Museum Miami, museum purchase with funds provided by Leslie and Greg Ferrero and Rose Ellen Meyerhoff Greene, photo by Oriol Tarridas Photography.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

Classic bodies of work from his fifty - year career have been extensively published in monographs and are included in major public and private fine art collections around the world, including the Museum of Modern Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.art collections around the world, including the Museum of Modern Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.Art Museum in Washington, D.C..

Irene Shum Allen (Curator and Collections Manager, The Glass House) provides us with an introduction to Philip Johnson as an art patron, and presents three major works on display at The Glass House: an outdoor sculpture by Donald Judd (Untitled, 1971), which is believed to be Judd's first outdoor site - specific installation; the painting Averroes (1960) by Frank Stella; and Bruce Nauman's neon sculpture Neon Templates of the Left Half of My Body Taken at Ten Inch Intervals from 1966.

titled «heavenly bodies», the show features a dialogue between religious, and religion - influenced clothing, and masterworks of medieval art from the museum's collection.

The collection has been helped substantially by bodies such as the Contemporary Irish Arts Society and the friends of the National Collections along with a number of generous individuals who have donated many fine works to the collection.

Bournigault's installation at 18th Street Arts Center, Substance, presents a collection of recent works in which the artist considers the role of the body in painting from a number of directions.

The Arts Council collection was established in 1946 «to promote and enrich knowledge of modern and contemporary art» and is the UK's most widely seen body of art of its type.

Falkenstein's diverse body of artwork is currently represented in public collections worldwide, including the Tate Modern in London; Centre Pompidou in Paris; Smithsonian American Art Museum in Washington, D.C.; Los Angeles County Museum of Art; and the Museum of Modern Art and Solomon R. Guggenheim Museum, both in New York.

This significant body of Frankenthaler's work represents an important period in American art history, and we are thrilled to be working with the Helen Frankenthaler Foundation and museum collections from around the country to make the exhibition a reality.»

According to Kristina Van Dyke, former curator for collections and research at the Menil Collection and now the director of The Pulitzer Foundation for the Arts, one of the points of origin of the three - part exhibition - and the inspiration for its title - is a body of sculptural installations by Stephen Friedman Gallery artist Yinka Shonibare (born 1962) based on paintings by Jean - Honoré Fragonard.

AWAD Members visited Terrains of the Body at the Whitechapel Gallery, an exhibition drawn from the National Museum of Women in the Arts (Washington, U.S.), this collection display showcases photography and video work by seventeen contemporary artists from around the world.

Drawing chiefly from the permanent collection at the Speed Art Museum, Breaking the Mold explores depictions of gender identity through the body, dress, objects, and history.

Classic bodies of work from his fifty - year career have been extensively published in monographs and are included in major public and private fine art collections around the world, including the Museum of Modern Art, International Center of Photography in New York, and Smithsonian American Art Museum in Washington, art collections around the world, including the Museum of Modern Art, International Center of Photography in New York, and Smithsonian American Art Museum in Washington, Art, International Center of Photography in New York, and Smithsonian American Art Museum in Washington, Art Museum in Washington, DC.

A Tyler School of Art alumnus, Hancock has created a new set of dolls based on these two collections and on a cast of characters who reappear throughout his body of work, which includes intricate collaged paintings, prints, and installations.

The Chrysler puts a new perspective on this critically acclaimed exhibition with a dramatic, interwoven installation that focuses on six intriguing themes — Street Aesthetics, Aspects of the Body, Performing Identity, Material Messages, Art and Language, and Toward a Post-Black Art — and incorporates work from our own outstanding collection.

As part of theRenew scheme, York Art Gallery was awarded # 100,000 to create a collection of contemporary fine art with a focus on flesh and artists» responses to the human body, inspired by and providing a contemporary feel to their excellent collection of works by William EtArt Gallery was awarded # 100,000 to create a collection of contemporary fine art with a focus on flesh and artists» responses to the human body, inspired by and providing a contemporary feel to their excellent collection of works by William Etart with a focus on flesh and artists» responses to the human body, inspired by and providing a contemporary feel to their excellent collection of works by William Etty.

This unique display draws attention to York's growing collection of art that examines artistic responses to the body and flesh, from William Etty to the present day.

His body of work is widely appreciated around the world and his work can be found in many prominent international art collections.

Disobedient Bodies is shaped by a long - standing passion for contemporary art, and the underlying questions of gender and identity that are posed by his own fashion collections.

For the first of Alteria Art?s productions, the founders Alix Janta and Lauren Jones (of Art Barter notoriety) have commissioned a select group of ten artists to bring together a coherent collection of black and white etchings, all of the same size, and elaborated around the designated theme of «The Human Body».

Rebecca Bournigault's installation at 18th Street Arts Center, Substance, presents a collection of recent works in which the artist considers the role of the body in painting from a number of directions.

Fales Library and Special Collections — housed in NYU's Bobst Library down the street from the Grey Art Gallery — will feature the «De-Signs» and «Body Politics» sections.

Well - known for his staged surrealism and exposition of the human body, his photographs are included in numerous museum collections, including Museum of Modern Art (NY), San Francisco Museum of Modern Art, The Metropolitan Museum of Art and The Whitney Museum of American Art.

Art & Selfie is an identity and art tour program that explores sexuality, gender identity, body image and race in art, highlighting artists in the museum's collection such as James Gobel, Cindy Sherman and Robert ColescoArt & Selfie is an identity and art tour program that explores sexuality, gender identity, body image and race in art, highlighting artists in the museum's collection such as James Gobel, Cindy Sherman and Robert Colescoart tour program that explores sexuality, gender identity, body image and race in art, highlighting artists in the museum's collection such as James Gobel, Cindy Sherman and Robert Colescoart, highlighting artists in the museum's collection such as James Gobel, Cindy Sherman and Robert Colescott.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Tate's renowned collection of historic, modern, and contemporary art includes paintings ranging from late 19th century Victorian depictions of classical mythology and history, to present - day politicized representations of the artist's own body.

Their acclaimed Collection of nearly 5000 works is best known for its modern British art — including the largest and most significant body of work by Eric Ravilious (1903 - 1942)-- and a growing collection of international contemporary art.

New York, NY 2003 Triennial of contemporary art and design, Museum of Applied Art and Design, Frankfurt, Germany Corporal Identity, Body Language, Museum of Art and Design, New York, NY 2002 FIT, Schroeder Romero Gallery, Brooklyn, NY Artists to Artists, Ace Gallery, New York, NY Unexpected Selections, Martin Margulies collection, The Art Museum at F. I. U. Miami, FL 2001 Sculpture, Flip Side Gallery, Brooklyn, NY The Grammar of Ornament, Memphis College of Art, Memphis, TN 2000 White, Nikolai Fine Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, art and design, Museum of Applied Art and Design, Frankfurt, Germany Corporal Identity, Body Language, Museum of Art and Design, New York, NY 2002 FIT, Schroeder Romero Gallery, Brooklyn, NY Artists to Artists, Ace Gallery, New York, NY Unexpected Selections, Martin Margulies collection, The Art Museum at F. I. U. Miami, FL 2001 Sculpture, Flip Side Gallery, Brooklyn, NY The Grammar of Ornament, Memphis College of Art, Memphis, TN 2000 White, Nikolai Fine Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, Art and Design, Frankfurt, Germany Corporal Identity, Body Language, Museum of Art and Design, New York, NY 2002 FIT, Schroeder Romero Gallery, Brooklyn, NY Artists to Artists, Ace Gallery, New York, NY Unexpected Selections, Martin Margulies collection, The Art Museum at F. I. U. Miami, FL 2001 Sculpture, Flip Side Gallery, Brooklyn, NY The Grammar of Ornament, Memphis College of Art, Memphis, TN 2000 White, Nikolai Fine Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, Art and Design, New York, NY 2002 FIT, Schroeder Romero Gallery, Brooklyn, NY Artists to Artists, Ace Gallery, New York, NY Unexpected Selections, Martin Margulies collection, The Art Museum at F. I. U. Miami, FL 2001 Sculpture, Flip Side Gallery, Brooklyn, NY The Grammar of Ornament, Memphis College of Art, Memphis, TN 2000 White, Nikolai Fine Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, Art Museum at F. I. U. Miami, FL 2001 Sculpture, Flip Side Gallery, Brooklyn, NY The Grammar of Ornament, Memphis College of Art, Memphis, TN 2000 White, Nikolai Fine Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, Art, Memphis, TN 2000 White, Nikolai Fine Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, NY.

Head to Toe: Impressing the Body, University Museum of Contemporary Art, University of Massachusetts, Amherst, November 6 — December 17, 1999 (Catalogue) The American Century: Art & Culture 1950 — 2000, Whitney Museum of American Art, New York, September 26, 1999 — February 13, 2000 (Catalogue) The Self, Absorbed, Bellevue Art Museum, Washington, September 4 — November 7, 1999 Face to Face to Cyberspace, Fondation Beyeler, Basel, May 30 — September 12, 1999 (Catalogue) Drawn From the Artists» Collections, The Drawing Center, New York, April 24 — June 12, 1999.

Inspired by the organic and geological accessory designs of Jacqueline Popovic, A Human Extension features twenty - eight artists who have adapted the direct designs, production materials or visual spirit of Popovic's celebrated Jankele collection into a body of work that investigates the challenging and curious marriage of fashion and art at the dawn of the 21st century.

His experiences among artworks and art - world luminaries have resulted in a canonized body of criticism, but they have also provided the raw material for many of the poems in his newest collection, Promesse du Bonheur.