Looks like a good ol fashion
body horror flick.
Not exact matches
This edition of Now Stream This brings you a highly underrated and very recent Todd Haynes movie, a new Netflix
horror flick, a gloriously over-the-top action movie, a cynical noir loaded with snappy dialogue, the first Hannibal Lecter film, a romantic
horror movie, a Steven Spielberg adventure, a cringe - inducing social media comedy, and some good old fashioned
body horror.
Instead, she borrows from other directors (Jennifer's
Body pays tribute to many
horror flicks, including Carrie, The Silence of the Lambs, Thelma & Louise, and Halloween).
Sure, diehard supporters are going to love the incredible attention to detail, not to mention the fantastic visuals (including a scene where a woman gets the skin ripped off her
body by some evil dude with a biggie - sized butcher's knife), but as a
horror flick, «Silent Hill» bombs on multiple levels.
Stage Fright (R for profanity, sexual references and graphic violence) High
body - count
horror flick set at a snobby drama camp terrorized by a bloodthirsty slasher who hates musical theater.
Instead, the off button is
flicked on the whole
body horror aspect with such flagrant disregard for anything that had come before it that there is no hope of tonal consistency, no dream for quality as the movie runs itself into the ground.
Truth or Dare (PG - 13 for violence, sexuality, alcohol abuse, profanity, mature themes and disturbing content) High -
body count
horror flick revolving around a teen party game that turns deadly when prevaricating players get picked off one - by - one.
It begins as a sci - fi, but has elements of
body terror, jump scares and clichés from average
horror flicks that are slowly mixed in.
Ava's Possessions (R for profanity, sexuality and graphic images) Louisa Krause plays the title character in this
horror flick as a woman who has her demons exorcised by a priest (John Ventimiglia) only to have them try to reenter her
body.
More underground than overt adolescent emo rock - star / rapist fantasies like vampirism, the
flicks of this type that work — such as Sam Raimi's Spider - Man trilogy, or the third and fifth Harry Potters, or The Passion of the Christ — incorporate the uncertainty and
body horror of growing up with hero / martyr fantasies and, ultimately, the melancholy of childhood's end.
It truly makes me angry to see these young actresses sell themselves short of brilliance so they can star in mainstream romantic comedies (Dear John, Letters to Juliet), silly fairy tale films (Red Riding Hood), underwhelming musicals (Mamma Mia), stupid
horror flicks (Jennifer's
Body) or want to be action movies (In Time).