Sentences with phrase «body horror with»

In just a couple of weeks, you'll be able to see Sequence Break, the festival darling that blends body horror with sci - fi romance.

Blending body horror with the slasher genre, American Mary has cult status written all over it.

Not exact matches

As a nation watches in sorrow and horror videos showing the dismemberment of the human body inherent in abortion, I relive the physical loss of my daughter with every woman who has miscarried a child as I have, or held a stillborn, or had an abortion — and I mourn.

as I behold, come here to shed Their common blood, yon concourse of our kin, My members fail, my tongue dries in my mouth, A shudder thrills my body, and my hair Bristles with horror; from my weak hand slips Gandiv, the goodly bow; a fever burns My skin to parching; hardly may I stand;...

In some cases this means continuing the author's lead in A Sort of Life, which, for instance, presents the horrors of boarding school (on the other side of the «green baize door» from his family quarters) as a season in hell, replete with demonic adversaries among the student body.

«But though by the end of the battle the men felt all the horror of their actions,» he writes, «though they would have been glad to stop, some incomprehensible, mysterious power still went on governing them, and the artillery men, covered with powder and blood, reduced to one in three, though stumbling and gasping from fatigue, kept bringing charges, loaded, aimed, applied the slow match; and the cannonballs, with the same speed and cruelty, flew from both sides and crushed human bodies flat, and the terrible thing continued to be accomplished, which was accomplished not by the will of men, but by the will of Him who governs people and worlds.»

And to be fair, when I say «horror» stories, I say that with full, enthusiastic belief that women should not be shamed for the ways in which their bodies change after having / nursing a baby, and it's a bummer that so many of them are.

If you're a brittle star, the answer turns out to be quite well (for an echinoderm)-- although it's a little complicated.The blunt - spined brittle star (Ophiocoma echinata) looks like a claymation creature from an alien horror movie as it moves its disk - like body along the sea floor with unexpected agility.

With their suction cup mouths filled with concentric circles of pointy teeth that suck the body fluid of unsuspecting victims, lampreys may seem like the stuff of horror movWith their suction cup mouths filled with concentric circles of pointy teeth that suck the body fluid of unsuspecting victims, lampreys may seem like the stuff of horror movwith concentric circles of pointy teeth that suck the body fluid of unsuspecting victims, lampreys may seem like the stuff of horror movies.

With their suction cup mouths and concentric circles of pointy teeth that suck the body fluid of unsuspecting victims, lampreys may seem like the stuff of horror movies.

I was brainwashed into believing that by eating animal flesh I would «absorb» all the horror and emotional trauma the animal went through when it was being slaughtered and that my body would be infested with parasites and what not.

When I found myself sitting on the couch reading Elle magazine drinking coffee at 11 a.m. during the middle of the week with old episodes of American Horror Story playing in the background of an otherwise silent house, I felt my whole body relax.

revitalized the horror world when it came to unprecedented levels of violence and terror, providing a continuation of Lynch's body horror and combining it with the harsh reality of torture and apathy.

Obviously influenced by his dad David's early work but also showing a strong personal style, Brandon Cronenberg's feature debut is a body - horror satire with a point - a needle point.

Critics Consensus: Antiviral is well - crafted body horror, packed with interesting — if not entirely subtle — ideas.

Critic Consensus: Antiviral is well - crafted body horror, packed with interesting — if not entirely subtle — ideas.

Thus, filmmakers frequently lean into the body - horror aspects of the subject, or patronise audiences with movie - of - the - week moralising.

It's a very familiar premise, to the point that horror movie devotees will assume that the supposedly sophisticated people from the city will undoubtedly cross paths with savage country bumpkins, leading to blood flowing freely and bodies piling up.

Her feature - length debut, 2013's «It Felt Like Love,» focused on the bumpy trajectory of an introverted teenage woman exploring her urges with dangerous results; with the markedly similar «Beach Rats,» Hittman brings the same tropes to the plight of a young man in a film that has the precision of a great short story and the uneasiness of body horror.

The film, which clearly shows David Cronenberg's love for body horror running through the family, revolves around a man (Caleb Landry - Jones) working for a company who inject paying customers with the same viruses as famous celebrities.

But intertextuality forms the backbone of this body of work, with each refresh paying homage to a new wave of classical horror tropes via cinematography, music and familiar dialogue from the vaults of Hollywood horror — much to the delight of genre boffins everywhere.

Taking Lives is a socio - political horror film trapped in the body of a game show hostess; smart in spite of itself, it's a statement on a bedazzled culture forever reaching for enlightenment with one hand and distractedly fondling the contents of its corpulent crawlspaces with another.

With its combination of psychological and body horror, The Brood laid the groundwork for many of the director's films to come, but it stands on its own as a personal, singularly scary vision.

Scenes are often hilarious and heartbreaking, like when Marlo defeatedly removes her tattered blouse at the kitchen table, soiled by spilled milk, and her children stare at her bulging gut in horror and beg, «Mommy, what's wrong with your... body?»

Trank plays the transformation of the Fantastic Four from plucky kids to mutants blessed but mostly cursed with superhuman powers from another dimension as Cronenbergian body horror.

This edition of Now Stream This brings you a highly underrated and very recent Todd Haynes movie, a new Netflix horror flick, a gloriously over-the-top action movie, a cynical noir loaded with snappy dialogue, the first Hannibal Lecter film, a romantic horror movie, a Steven Spielberg adventure, a cringe - inducing social media comedy, and some good old fashioned body horror.

Kevin Smith doesn't ever really commit to whether he thinks everything is a joke or not and gets mixed up with some French Canadian humor that falls flat on its face but it's the sharp juxtaposition between the botched attempts at humor and the barbaric visual horror onscreen that makes Smith's body transmogrification so fucking fucked up.

With «The Invitation,» Kusama appears to have gotten her lean - and - mean vision back into focus, one that went astray with 2005's female - driven action flop «Aeon Flux» and 2009's Diablo Cody - ized, flesh - eating cheerleader horror comedy «Jennifer's Body.&raWith «The Invitation,» Kusama appears to have gotten her lean - and - mean vision back into focus, one that went astray with 2005's female - driven action flop «Aeon Flux» and 2009's Diablo Cody - ized, flesh - eating cheerleader horror comedy «Jennifer's Body.&rawith 2005's female - driven action flop «Aeon Flux» and 2009's Diablo Cody - ized, flesh - eating cheerleader horror comedy «Jennifer's Body.»

The younger Cronenberg is clearly following in his father's footsteps here, delivering a nasty, queasy film loaded with social commentary and body horror.

Sure, diehard supporters are going to love the incredible attention to detail, not to mention the fantastic visuals (including a scene where a woman gets the skin ripped off her body by some evil dude with a biggie - sized butcher's knife), but as a horror flick, «Silent Hill» bombs on multiple levels.

It ranks with The Thing and Alien as one of the best sci - fi / body horror mashups of all time.

A high - toned revenge - of - nature horror picture, it's a little depressed, with only gross - out shocks (gushing jugulars, bodies run over by lawnmowers) to relieve the torpor.

The world that Garland has created here, constantly defamiliarised by impossible mutations, is a surreal place, natural seeming yet painted and sculpted with grotesque Dalí-esque flourishes and the odd flash of body horror.

A coming - of - age tale conveyed with deftly handled emotional complexity and chilling thematic subtext, Raw is above all else a gut twisting work of classic body horror.

Obviously influenced by his dad David's early work but also showing a strong personal style, Brandon Cronenberg's feature debut is a body - horror satire with a point — a needle point.

«ParaNorman» is like the nicest horror movie fan you've ever met, with his body covered in tattoos and piercings all over his face.

Since finishing The O.C. in 2007 Brody has gone down the indie film route with roles in Diablo Cody's horror JENNIFER»S BODY and Julian Farino's THE ORANGES.

First time feature writer / director Emiliano Rocha Minter announces his presence with authority — and a lot of body fluids — in this carnal horror show.

Pretty quickly, the film turns into a horror show, with the airborne, microscopic spores from a plant on the planet serving as the way those killer aliens end up in their human hosts (Scott offers a microscope - level shot of the infection entering a crewmember's body through his ear canal, which is simultaneously frightening and deviously amusing).

Horror icon Debbie Rochon makes her directorial debut with this tale of Ginny, a former model cast aside because of her body type.

Examining Chile's relationship with its coastline, Guzmán links poetic observations about the life - giving nature to the horrors of Pinochet's regime, including the dumping of bodies into the surrounding sea.

It is a film with interesting, grand ideas and some of the most stunning manifestations of David Cronenbergian body horror that Ive seen.

Winstead's wide - eyed cringing in the lead doesn't give the film much personality — particularly by comparison with Kurt Russell's shaggy swagger in the 1982 version — and the concepts and visuals that don't come from Carpenter instead come from Ridley Scott's Alien, or David Cronenberg's body - horror films.

The introduction of a mysterious woman (Elizabeth Debicki, always with inappropriately dazzling hair in space) is one of the few strong suits, combining the suspense of this confusing crisis with wince - inducing grotesqueness, which reminisces of the body horror of Tetsuo: The Iron Man or David Cronenberg's eXistenZ.

Warm Bodies (PG - 13 for violence and profanity) Romeo and Juliet re-imagined as a romantic horror comedy set in a devastated, post-apocalyptic America and revolving around a zombie (Nicholas Hoult) who falls in love with the girlfriend (Teresa Palmer) of one of his victims.

King's traumatic accident does go some way towards explaining the body horror of the piece — it is easily King's most scatalogically obsessed work, with explosive bowel parasites (the colourfully - named «shit weasels»), a phallic serpent armed with a vagina dentate, and one hero consumed by cancer and another by alien possession (the revolt of the physical).

It nods in the direction of a number of other films — The Invasion Of The Body Snatchers, Arrival, Alien even — but never leans on them too heavily, creating a story and an environment of its own where exquisite, near - hypnotic beauty exists side by side with gruesome horror.

It's arguably David Cronenberg's finest film: Who knew he could do romantic tragedy as confidently as he could gross us out with his signature body horror?

Having little to do with King's writing, it is nevertheless an effectively nasty slice of body horror, featuring a superb turn from a young Edward Furlong, and worth seeking out.

A year after the release of Get Out, the hit horror - comedy - satire by Jordan Peele, in which Kaluuya plays Chris, a good - natured photographer who finds himself at the mercy of a plot by his white girlfriend and her family to body - snatch African Americans, he is still uncomfortable with the apparatus of fame.