The svend press is an original exercise that involves pushing a plate away from
your body in a standing position, enabling powerful isometric contractions of the pecs.
Not exact matches
Baby could slip out if you bend because your
body's shape changes from when you put the carrier on
in the
standing position.
While there is an «open and engaged» manner that
body language gurus profess, there is no decree saying that everyone has to
stand straight, with their arms
in an open
position, gazing around the crowd or just slightly above it.
Row:
Stand tall
in an athletic
position with your arms
in front of your
body.
Reverse fly:
Stand tall
in an athletic
position and cross your arms
in front of your
body.
Holding this tight
position, pick up the weight while keeping it as close to your
body as possible, until you are
standing in an upright
position.
In a
standing position place your feet shoulder width apart, and start to lower your
body into the deep squat.
And from
standing, it's also of course possible with practice to change your
body position —
in particular, the length and width of your stance — so your knees are no longer over-challenged.
Begin
in a
standing position, while holding two dumbbells at shoulder height and palms facing the
body.
Begin
in a
standing position dropping your
body down (chest to floor).
Lean away, keeping your
body in a straight line — mimicing a plank
position standing, with your core engaged.
Plank roll - downs: From
standing, roll your
body down toward the ground and walk the hands out so you're
in a plank
position.
At first it will be difficult to perform ab wheel rollouts the right way, i.e. starting and ending
in a
standing position, but once you become capable to use your abs to bring your
body from a
position parallel to the floor back to a
standing position, you'll know that you've developed killer core strength that will greatly improve all of your main lifts.
When you do a workout
in standing position, your
body uses a lot of muscles.
Standing with feet hip width apart, squat down and place hands on ground
in front of you, jump legs back into plank
position, do a push up and then kick one leg out to opposite side underneath
body and as foot comes out reach down with hand on the side closest to it (opposite hand to foot that is kicking) and touch toe as it kicks, bring foot and hand back to plank
position and jump legs back
in and jump up
in the air.
Starting
Position: Begin by simply
standing with dumbbells
in your hands with the back of your hands facing away from your
body.
And what that means is that when you
stand up after you've been sitting or you've been lying down your
body has to work to adjust to that change
in position.
As you start to squat up, the adductors must also contract hard to not only maintain the stabilization of the hips but also to contribute
in moving the
body to the
standing position.
Now bend your
body in the midsection as you bring your arms slowly
in front of you, and then down towards your legs until they are touching, and assume an upright
standing position, with your feet together.
When a person is
in a
standing position, the lower back holds most of the weight of the
body.
Jumping - Stretching Board exercise sequences are composed of full
body, functional exercises, performed
in a variety of
body positions - kneeling,
standing, lying and sitting.
Correspondingly, the five phases that can be described between these
positions are as follows: (1) the first pull happens between the ground and when the bar reaches knee level and is initiated by knee and hip extension; (2) the transition happens when the barbell is between knee level and the power
position and involves a shift
in the
position of the
body relative to the barbell, which involves a brief period of knee flexion and is therefore referred to as the double knee bend (Enoka, 1979; 1988); (3) the second pull is the most powerful phase of the lift and occurs while the barbell is between the power
position and the lifter is
in triple extension; (4) turnover occurs as the lifter quickly drops down under the bar from the triple extension
position to the catch
position,
in a deep front squat; (5) recovery into the
standing position occurs as the lifter
stands from the catch
position to upright.
Stand in a slightly bent over
position and support the
body weight with the unaffected arm on a chair or table.
You'll start
in a
standing position, then bend over and walk your hands out to a plank
position and walk your hand back and slowly roll your
body up one vertebra at a time!
Start at
standing position and jump out legs wide while simultaneously bringing arms kept straight
in a circle motion at side of
body all the way up so hands meet overhead, then simultaneously jump feet back
in close together and bring arms back down reversing the motion.
By challenging the
body in a functional
standing position, we can be incredibly aware of postural imbalance.
This means it should be
in the same
position relative to the
body as when
standing up with good posture, looking straight ahead.
In fact, anatomically, if you track through the deepest core body, recruiting feet down, bent knees, inner thighs up and back to deepen and widen the sitting bones, then articulating the psoas action of moving front sacrum and spine in and up as we gently roll to stack the pelvis and then add in more QL or deep lumbar support from the back is easeful, effective — and actually can mitigate SI issues and back body line tension that can come from overuse of the erectors and hamstrings in yoga — or from coming to a standing position from the back body, which is made more for movement than support anywa
In fact, anatomically, if you track through the deepest core
body, recruiting feet down, bent knees, inner thighs up and back to deepen and widen the sitting bones, then articulating the psoas action of moving front sacrum and spine
in and up as we gently roll to stack the pelvis and then add in more QL or deep lumbar support from the back is easeful, effective — and actually can mitigate SI issues and back body line tension that can come from overuse of the erectors and hamstrings in yoga — or from coming to a standing position from the back body, which is made more for movement than support anywa
in and up as we gently roll to stack the pelvis and then add
in more QL or deep lumbar support from the back is easeful, effective — and actually can mitigate SI issues and back body line tension that can come from overuse of the erectors and hamstrings in yoga — or from coming to a standing position from the back body, which is made more for movement than support anywa
in more QL or deep lumbar support from the back is easeful, effective — and actually can mitigate SI issues and back
body line tension that can come from overuse of the erectors and hamstrings
in yoga — or from coming to a standing position from the back body, which is made more for movement than support anywa
in yoga — or from coming to a
standing position from the back
body, which is made more for movement than support anyway.
Start
standing straight and holding Ugi
in front close to
body, take a step to the right and then squat down so that thighs are parallel with floor and touch Ugi to the ground between feet, come up and simultaneously step back
in to the center (start
position) and lift up high overhead.
Start
in a
standing position with your feet side by side, holding a dumbbell on each hand next to your
body.
Hold your
body erect
in a comfortable
standing position to get an accurate measurement.
Next, instruct all eight members of the team to
stand in a circle about the size of the hula hoop with each persons hands
in front of his / her
body with index fingers pointing straight ahead, thumbs pointed up, and the remaining three fingers
in a fisted
position on each hand (pistol
position).
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The 2011 Subaru Impreza WRX accepts its
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stand -
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body kit and track of its rally bred brother.
Other safety features include: • Front turn signals integrated into fender flares • New door handles featuring more ergonomic pull - out design • T50 stamped on door hinges • Clean sport bar design with exposed
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A dog may
stand in a «prayer
position» by stretching the
body out to decrease pressure on the abdomen and may have a yellow tint to the gums, whites of the eyes, or skin, which is jaundice.
If your dog doesn't respond to familiar cues like «sit» or «down» when you're
in a
position other than
standing in front of him, it could be that it's not the verbal cue that he's responding to, but rather some subtle
body movement that you're not even aware of.
In Conformation competition, certain training techniques are utilized to have the dog stand in a motionless upright position and to allow the touching of his entire body by a strange
In Conformation competition, certain training techniques are utilized to have the dog
stand in a motionless upright position and to allow the touching of his entire body by a strange
in a motionless upright
position and to allow the touching of his entire
body by a stranger.
The Kinect was excellent at tracking your full
body position in real time, but the constraints of the technology forced the player to face the TV and more or less
stand in one spot.
There is force being represented and played with
in Mason's large singularities; the forms bend around a central axis, like dancers
bodies, they
stand united on the plinth
in silhouette, and hold a
position each differently.
In contrast Ink Drops was created as the artist unfolded herself from a crouching position to standing as she dropped the ink on the paper in a gesture towards the materiality of the body and traveling through that physicalit
In contrast Ink Drops was created as the artist unfolded herself from a crouching
position to
standing as she dropped the ink on the paper
in a gesture towards the materiality of the body and traveling through that physicalit
in a gesture towards the materiality of the
body and traveling through that physicality.
At the gallery's basement, the viewer comes across three
bodies of work: black photographic paper (coin studies), museum barriers
standing in vertical
position (distance keepers) and wall painting (model), that act as collage elements and manage
in a quite unexpected and paradoxical way to serve as a whole new system of reference.
Oppenheim speaks of growing up
in Washington and California, his father's Russian ancestry and education
in China, his father's career
in engineering, his mother's background and education
in English, living
in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia,
standing out
in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest
in athletics during high school, fitting
in with the minority class
in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers
in high school, attending California College of Arts and Crafts, homosexuality
in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education
in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines
in art, conceptual art, theoretical
positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth,
body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction
in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement
in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
Partin's three other photographs
in the show feature women who engage with him
in some way: The subject of «Bushwick II» (2010)
stands topless, looking straight at the camera, her face half
in shadow and her skin marked harshly by the sun;
in contrast, the figure
in «Bushwick I» (2012) sits folded over her knees, her
body positioned away from the camera; and finally, «Ulster Park» (2012) captures a woman
in a red leotard
standing in the woods with a camera.
Sitting or
standing in any one
position for too long isn't that great for either your
body or your work.