From recent location - specific series such as The Hotan Project (2012 - 13) made in the Xinjiang province of China, his first London series titled Half Street (2013), as well as recent trips to make work in the UAE and Greenland, Liu has also created an automated painting machine entitled Weight of Insomnia (2016), which translates a digital video feed of traffic streams and human movement in real time into a new
body of paintings tracing time, memory and behaviour.
Not exact matches
Marks on the side were characteristic
of rubbing against adjacent shell beads, while
traces of red ochre may have come from contact with
body paint.
Lead harms almost every system in the
body, so be careful when removing that stubborn old
paint from walls, as it could hold
traces of the dangerous chemical.
Using International Klein Blue
paint, Wagenknecht had Roombas
trace her nude
body on canvases, creating images
of the female form that recall Klein's «nude paintbrush» works.
Motifs glide in and out; graphite lines
trace the contours
of unknown plants and
body parts, accented by strokes
of green, yellow, orange, and red crayon drifting like blossom petals across the surface... the drawings in this show suggest that Gorky's aesthetic is invested in the cultivation
of visual ideas that transcend the individual artwork, a process that is occasionally frozen in
paint.»
Working outwards from this moment, the exhibition
traces several related phenomena: the artistic innovations
of poured
paint and stained raw canvas; the social implications
of decoration; authorial control vs. materiality; the
body and
painting; and the image
of the woman painter and related questions
of gender and identity.
This
body of work plays with the idea
of art as an ongoing conversation with posterity in which artifacts
of the past are
painted over, yet
traces of the original art remain — and using the cave - dweller as a metaphor for the fundamental human condition: forever shrouded in darkness and uncertainty, yet determined to leave our own visions upon the walls
of the cave.
In conjunction with these
paintings, the artist has created a
body of watercolor and graphite drawings on vellum
tracing paper, realized on process drawings that the artist's studio uses to transfer government documents to linen for the oil
paintings.
The firm but delicate
traces of glowing moonlight on the
bodies, trees and clouds infuse the
paintings with an otherworldliness that shares something with Giorgio de Chirico's use
of shadows.
«This
body of work
traces the change from an ornate
painting practice with collage and photography thrown in to help me see and
paint, to an ornate collage practice that mixes
painting and photography in both the production
of collage materials and in the creation
of my work».
We discussed how the clothes themselves are ghostly
traces of the
bodies that inhabited them and the
paintings» depiction
of figures as a haunting or possession upon the clothes.
Since 1994, she has transcribed her
tracings into three distinct
bodies of work — drawings,
paintings and wall drawings.
The exhibition spans almost five decades, and
traces developments in this artist's highly consistent
body of work, best known for its Postminimalist
painting.
Each
painting is a life - sized impression, taken directly from the male figure, creating a unique mark or symbol, which catalogues and indexes the
body, yielding a
trace (evidence), figurative language, narrating a way
of being; producing a vocabulary conveyed through acts that strip popular ideas
of blackness and convey its essence.
This exhibition
traces a narrative
of Schor's work since the early 90s to the present, from Semi-colon in a Flesh Comma (1994) which punctuates the text
of the female
body, and Undue — a section
of War Frieze, her major 1991-1994 200 - running feet long multiple canvas work on militarism and aggression,
painted in the aftermath
of the first Gulf War but still as timely today — through representations
of the nature
of artmaking itself — the sign, the
trace — to the empty thought balloon when grief has left the artist at a loss for words, to her most recent works schematically figuring the artist as thinker, reader, writer in an uncertain world.
Spanning work made from the 1950s to the end
of the artist's life, this survey
traces Maria Lassnig's evolution from early experiments with abstraction to a richly inventive figuration and the refinement
of her «
body awareness»
paintings, in which she captured physical sensation as felt from within.
Spanning work made from the 1950s to the end
of the artist's life, this survey
traces Lassnig's evolution from early experiments with abstraction to a richly inventive figuration and the refinement
of her «
body awareness»
paintings, in which she captured physical sensation as felt from within.
Spanning the First World War to the present day, this exhibition
of objects, drawings, films, photographs,
paintings and archives from medical museum collections, focuses on analogue augmentation to the
body,
tracing how artists have addressed radical changes to the very thing humans know best: our
bodies.
The exhibition will consist
of drawings and
paintings from her two newest
bodies of work, «
Tracings up to the LA River placed in the Clark Telescope Dome, Lowell Observatory, Flagstaff, AZ» and «
Traces of the Indianapolis Motor Speedway».