Sentences with phrase «body of text from»

My favorite feature is the translate mode, which will automatically convert a selected body of text from any language to any language.
The Kindle also uses Bing Translations on all of their e-readers, so you can translate a specific word or a body of text from one language to another.
When you initialize it it highlights random bodies of text from page to page, not going in any particular order.

Not exact matches

(Judging from the Kickstarter page, this app is a tad aggressive: «Good morning Chris, your body clock is now out of sync by 56 minutes,» a sample text reads.
A judge must have humility to seek his primary insights from outside his own moral reasoning: from the text of a constitutional provision, its historical background, the nation's widely recognized traditions, and the democratic body that passed the law that the judge is reviewing.
Though the Bible occasionally speaks of the death of the soul (cf. Ezek 18:4; Matt 16:25 - 26; Jas 1:21; 5:20; 1 Pet 1:9) these texts do not refer to the death of the soul itself, but to the separation of the body from the soul, which results in physical death (see the following articles by Bob Wilkin: «Soul Talk, Soul Food, and Soul Salvation»; «Saving the Soul of a Fellow Christian (James 5:29 - 20)»; «Saving Your Soul By Doing Good (James 1:21)»; «Gaining by Losing (Matthew 16:24 - 28)»; «Suffering which results in Abundant Life (1 Peter 1:9)»).
He may also be faced with incomprehension and hostility when he tries to persuade the school not to support «Red Nose Day» or «Jeans for Genes»; when he suggests that asking pupils to stand at the front of the class and shout out the names of intimate body parts is an invasion of their modesty; when he objects to the non-Catholic geography teacher's presentation of solutions for over-population, the «gay rights» agenda seeping in through text books, the chaplaincyco - ordinator's failure to get abortion agency leaflets removed from the library, or the school nurse's distribution of cards with information on how to get the morning - after pill.
Since exegesis involves putting the text into the speech of the exegete, the message character of exegesis does not just appear later in the sermon but is intrinsic to the very nature of exegesis.6 Therefore, the exegete who denies interest in preaching may simply be wishing to distinguish himself from a body of unscholarly clerics, but if his disinterest is fundamental to his methodology, then his exegesis is a barren fig tree.
Conservative lawyers and judges have had no special reverence for Holmes, but they have backed themselves into a comparable understanding as they have recoiled from what they see as the vice of liberal jurisprudence: a cavalier willingness to appeal beyond the text of the «positive law,» the law that is posited or enacted, either in statutes or in the body of the Constitution.
Do not share entire recipes, large bodies of text, or edit my photos in anyway without first obtaining permission from me.
The Abstract is distinct from the main body of the text, and thus should not be the only source of background information critical to understanding the manuscript.
Having installed itself on the computer, it begins searching the host's files for email addresses, to which it sends versions of the infection message, randomly drawing the header, body text, and attachment name from a small collection, all equally puzzling and dull.
Fulfill your need: Whether you opted to eat the treat or not, identify what your body and mind are really itching for: a walk break to clear your head from a tough task, connection in the form of a quick text to a friend or a few minutes journaling your worries at the end of the day.
You might want to cite your sources regarding damage from running and be sure to place them in context, showing the volume of training if you want to make your case more strongly, because i have seen blurbs and abstracts of the studies cited as ammo against cardio and running in general, when upon reading the full text paper and putting it context of the entire body of research, did not support the contention being made.
Possible topics draw from yogic texts as well as the experience of teachers and students, including the healing benefits of yoga to body, mind and spirit; the daily practice; mindfulness; ethical behavior; nutrition and cleansing; positive thinking; mastery of our thoughts; energy work and enlightenment.
The lessons progress through a range of tasks that engage student's interest, encourage them to: -: interact and share what they know -: develop their abilities to extract information from text and graphics -: view information critically -: check the credibility and validity of information -: develop online research skills -: use web based tools to create surveys and data visualisations The lessons cover a range of topics including: -: Advertising and how it influences us -: Body language and how to understand it -: Introverts and extroverts and how they differ -: Emotional intelligence and how it impacts on our relationships -: Facts about hair -: Happiness and what effects it -: Developing study skills -: The environment and waste caused by clothes manufacturing -: Daily habits of the world's wealthiest people -: The history of marriage and weddings Each lesson includes: -: A step by step teachers guide with advice and answer key -: Worksheets to print for students
The dialogues and the body languages mixed mime the dynamics of the complexity of the reality, Paul Valéry, in a magnificent text of 1936 (Philosophy of the dance) say it is an art deducted from life, an action of the whole human body transposed into a world, in a kind of space - time which is not any more completely the same as the one in practical life.
The text passages on reading - comprehension tests are randomly chosen, usually divorced from any particular body of knowledge taught in school.
The concept for Family Playlists is built on a strong evidence base from the Johns Hopkins University's «Teachers Involve Parents in Schoolwork» (TIPS) program, as well as a growing body of research highlighting the power of text messaging to engage families in high - need communities.
You can select a specific word or complete body of text and translate it from one language to another.
Emily's newly developed body is attracting a lot of attention, from an eighth grade boy in particular, who wants Emily to text him some revealing photos.
The app does not just work with bodies of text copied from websites, but also with images, phone numbers and even web clippings.
I also really like some of the translation software on the new Kindle Voyage, you can click on a word or body of text and translate it from the language its in, to over 15 ones.
Using facts from the body of the text and the sidebars as prompts, students could first record how the young people on Samsø worked to help their community save electricity, and then discuss how they might use similar approaches in their own daily lives and communities.
What followed was a brief turd storm of concern, blame and speculation about what these publishers had done to bring forth the wrath of Bezos, followed by a «statement» from Amazon a while later saying it was a technical glitch (ie: they sent out an email with «technical glitch» as the subject line and blank body text, probs).
It has my site logo, a headline in one of my logo colors, plain text in the body of the image, a border with another color from my logo, and my website URL at the bottom.
In many of my recent paintings, I am utilizing and playing with scale shifts of the letters, which is a new development from my previous body of work, which used a uniform text size to aid in making an image.
Both bodies of work highlight the poignant conjunctions between image and text in these found cultural artifacts, culling material from two very different books that each appear to be one thing but end up revealing quite another.
«The paintings layer text in various styles over imagery, including lace overlays, gauzy close - ups of the female body and a sampling of styles from the old - boy - painting network — de Kooning, Fontana, Guston, Morris Louis, Newman, Pollock and Richter,» Tompkins writes of the installation work.
Wurm works in a wide range of media and materials, from the very traditional to the utterly modern: bronze, polyester, drawings, large and small sculptures, text, installations and even his own body.
Using chocolate, fat, felt, steel, signs, texts, and threads of alchemical connection Crotch re-stages Beuys» work from the gallery to the body, from the sculptor to the dancer, adapting abstract forms to express grief and loss.
In other text paintings, Tompkins incorporates close - ups of the female body, drawn from her own provocative oeuvre.
With a focus on temporality and physicality, Hassabi's choreographic experience will direct and experiment with various ways in which the body engages with the established formal elements from the previous iterations: a black and white 16 mm film (shot by Robert), a collection of wooden planks, and a non-linear abstract text (written by Robert).
Other texts help to contextualize the Combines, such as Thomas Crow's essay that calls them the major artistic statement of their time, and the one body of art that could simultaneously hold its own from de Kooning to Pop art.
The exhibition spans three galleries within the Zaha Hadid - designed museum, anchored by overarching themes within each: «Shifting Identities» explores how a changing China alters constructions of identity; «Body as Site» focuses on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and question evolving power structures and social noBody as Site» focuses on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and question evolving power structures and social nobody as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and question evolving power structures and social norms.
Presenting a painting from his well - known body of work «Black Dada» as well as a work from a series layering text and images on mirrored stainless steel, Adam Pendleton's works in this exhibition give material form to the artist's engagement with a dynamic idea of history; one that is ever mutable and reflective of subjective and infinite narrative potentials.
With her current work she subverts textile, text, and the craft of embroidery to confont the racialization, surveillance, and the dehumanizing of brown and Muslim bodies and the western distance from warfare.
Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, EmilyOF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?
Drawing on significant works from various phases of Roth's career, Dieter Roth: Balle Balle Knalle explores an essential connective thread in Roth's varied body of work, showing how text and image were intimately connected for the artist and how his literary and artistic endeavors cross-pollinated each other.
Ella Plevin is the author of said quote, taken from a text that comes with the room sheet noting the show's Richard Kern short - film namesake, challenges gendered identity, questions ideas of «radical femininity» as constructed by men and mentions that women haven't always had control over their own bodies «(we still don't btw)».
His multilayered depictions of images and signs — ranging from human figures and body parts to animals, plants, furniture, text and even credit cards — meditate on the overwhelming richness and sadness of everyday life.
In Long's first show in Bristol since 2000, Arnolfini is bringing together a significant body of sculpture, drawing, photography and text works from 1967 to the present, celebrating the city's year as European Green Capital and Long's important contribution to conceptual art and Minimalism.
Donna Huanca «s recent exhibition Water Scars (exhibition photos, top right), running at Paris» Galerie Chez Valentin from April 18 to May 16, deconstructs this figuration, detaching the human body from what Clara Guislain's exhibition text calls the «overdeveloped, fetishistic tactility of cultural processes», of clothing and skin.
She is best known for her subversive writing and her unconventional use of artistic practices, bringing text into performance, and «giving body, voice and image to her own writings» — using a variety of formats from video installations, to staged readings, to performances, to text collage, and to three dimensional and sound installations.
With this new body of work, Simmons mines a vocabulary of poses and gestures she has culled from art historical sources and archival imagery and texts relating to constructions of masculinity and femininity within several distinct groups of people formed around specific ways of being together.
This exhibition traces a narrative of Schor's work since the early 90s to the present, from Semi-colon in a Flesh Comma (1994) which punctuates the text of the female body, and Undue — a section of War Frieze, her major 1991-1994 200 - running feet long multiple canvas work on militarism and aggression, painted in the aftermath of the first Gulf War but still as timely today — through representations of the nature of artmaking itself — the sign, the trace — to the empty thought balloon when grief has left the artist at a loss for words, to her most recent works schematically figuring the artist as thinker, reader, writer in an uncertain world.
The show included a recently acquired neon piece by Glenn Ligon and a newly acquired series of photographs by Lorna Simpson from her most recent body of work, alongside wall drawings by Sol LeWitt, a Mel Bochner text work - and more.
I draw from queer discourse and texts, and the politicization of the brown / black male body.
As we all know, the performance artist Carolee Schneemann created a masterpiece of feminist art when, on August 29, 1975, she climbed a table in East Hampton, dropped a bed sheet from her naked body, and slowly pulled a long scroll from her vagina while reading aloud its contents, a text written from the perspective of a cat.
From his earliest text paintings in the late 1960s to his more recent «storyboard paintings», Baldessari has always reveled in the playful dislocation between text and image, expanded here in this most recent body of work.
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