Sentences with phrase «body prints»

On view are more of the artist's ongoing series of body prints, for which she covers herself in oil paint before pressing against a canvas on the floor.

Then I was able to make body prints where my breasts weren't overly enlarged.

My newer body prints maybe have some of that too — that watercolor is underneath, but everyone thinks it's on top.

Through sculpture, installation, performance art and his signature body prints, he has highlighted racial issues and cultural stereotypes while addressing questions of personal identity and agency.

Later body prints are generally executed in a dark hue and have a transparent quality that resembles an x-ray image.

In the method of body printing or casts, artists use the human figure as a stamp, creating an impression or mold of the body.

WALKING INTO «Glenn Ligon: Encounters and Collisions» at Tate Liverpool, visitors found themselves poised between Jasper Johns's 1962 lithograph Painting with Two Balls II and a mid-1970s David Hammons body print in which the artist's features are framed within an ace of spades.

A couple of years ago, after the Jasper Johns «Gray» show at the Metropolitan Museum of Art, I came home and did a couple of more Yves Klein-esque body prints in paint on canvas.

Mitchell - Innes & Nash is pleased to announce M \ A \ R \ C \ H, an exhibition of Keltie Ferris» ongoing series of body prints at our Madison Avenue gallery.

Some of the works are a David Hammons untitled body print from 1976 and a Frank Bowling painting called «Blond Betsey» also from 1976; a suite of photographs of Arthur Mitchell and the Harlem Dance Theatre by the Earl of Snowden; and some works by Robert Blackburn.

According to the New York auction house, it is only the second double body print by the artist to come to auction.

With body prints, sculptures, paintings, and documents relating to Hammons's performances and public projects, it will show the extraordinary range of his art.

«L.A. Object» examines Hammons» Body Print series in the context of the Los Angeles assemblage movement and «David Hammons: Rousing the Rubble» documents two decades of his practice.

The sale included works by assemblage artists John Outterbridge, Noah Purifoy, Timothy Washington, Riddle, Saar, and Hammons, whose 1976 double body print collage was the auction's top lot ($ 389,000, including fees).

The colorful exhibition will include 12 new abstract paintings that she made during a recent stay in Los Angeles, as well as several of the artist's figurative body prints on paper.

Examples from his major series over the years (including body prints, found object assemblages, basketball chandeliers, basketball drawings, Kool - Aid drawings, and tarp paintings) will be featured and a fully illustrated catalog authored by Kellie Jones, a professor of art history and archeology at Columbia University, will accompany the exhibition.

Lot 102: DAVID HAMMONS, «Untitled (Double Body Print Collage),» 1976 (pigment and ink on paper and printed paper collage on cardboard).

These early body prints were immediately popular.

The catalog essay includes images by photographer Bruce Talamon that document David Hammons's process for creating body prints.

The exhibition's earliest work is the 1969 black - and - white body print Spade (Power for the Spade); it concludes with a vibrant and earthy abstract - expressionist painting wrapped in a tattered red tarp made in 2015.

Unlike her predecessors, Ferris» body prints reject an easy gendered identification of the body, suggesting a fluid and performative state of gender identity.

The exhibition will move from early engagements with Arte Povera and Dada (greased body prints, spades, American flags) through endlessly inventive deployments of bottle caps, chicken bones and hair as signifiers of blackness, and on to his recent potent engagement with abstraction, which have ranged from blacking out massive spaces (and giving viewers tiny blue flashlights) to concealing abstract paintings under tarps.

She is in good company with «Anthropometry Paintings» as the description Yves Klein used for his trademark blue body prints of women.

Related posts: Interview: Daniel Kingery in Hunt's Point Preview: Keltie Ferris presents body prints at Mitchell - Innes & Nash Careful observation: Scars, skin and larger body parts

This holiday sweater features a crew neckline, ribbed trims, mid-weight knit, a regular fit, a soft - touch finish, a scarf detail, and a polar bear body print.

I was looking for a way to do body prints that didn't have this melodrama, which it does with paint on canvas Yves Klein - style.

He has disclaimed making art, like his early, gritty Body Prints, exhibited in 2006 without his permission.

From his X-ray-like body prints made with grease, to his «Spade» series of garden spades (a reclamation of the racial slur), to Pissed Off (1981), in which he urinated against a Richard Serra sculpture, Hammons combines political sentiment with powerful aesthetic statements.

Rows of body prints line the wall of the gallery, shoulder - to - shoulder, in a tribute to the solidarity of marchers in recent months.

He is a beacon of Conceptual art through his remarkable action paintings: where he self - choreographs and literally embodies cultural criticism and mysticism, masterfully composing body prints using his bare skin on paper.

During his California years the artist became well known for a series of body prints reminiscent of Yven Klein's «Anthropometry» paintings from 1960, wherein paint - covered models pressed themselves upon canvasses, often as a live performance.

According to the catalog essay, «This particular work is slightly unique in its creation, as Hammons chose to make the initial body print against a silkscreen stratum and then used that screen to create the unique mono - print that is [literally] «Moving to the Other Side.»»

«Moving to the Other Side,» one of the artist's celebrated body prints, graces the cover of Phillips «Under the Influence» catalog where it is estimated to sell for $ 100,000 to $ 150,000.

So is the conceptual artist David Hammons, whose coruscating body prints — a black figure with various props on a black ground — include the punningly titled Three Spades.

The Hammons two - sided body print (from left, the front and reverse are shown) sold for more than three times the estimate.

Incorporating both white walls and the surrounding ungainly, if eccentrically charming, brutalist architecture, the show makes corporeal connections between the splattered canvas works by VanDyke, the hand - pushed ceramic totem by Brie Ruais, and Meisenberg's delicate abstractions and impressed body prints on canvas, among others.

In Gmurzynska's booth, which was designed by Robin Scott - Lawson to include a concrete finish on the walls, Pop Art by Robert Indiana and Tom Wesselmann is displayed alongside body prints (or «Anthropometries») by Yves Klein.

I first tried to be more committed to making body prints after I saw the Jasper Johns Grey show at the Metropolitan Museum of Art almost 10 years ago.

SITUATED BETWEEN «Love in the Night,» by Yayoi Kusama and John Baldessari's «Exulting Figure (With Coins) and Witness,» a masterful body print by David Hammons is on display at Christie's New York at Rockefeller Center.

Eleven body prints by Hammons were on view in «Three Graphic Artists.»

Depicting a lone figure executed with white pigment on a black ground, «Coach» is a rare example of the artist's unique body print technique and is estimated to sell for $ 300,000 to $ 500,000.

Experimenting with various techniques, Gormley has placed woodblock prints alongside his crude oil and petroleum jelly Body Print (made by Gormley pressing his own body onto the paper), asserting the freedom of the body in space.

Snow's mock machine teased the lame body print, while simultaneously setting forth its own gendered agenda.

The machine's product — hysterical, bloody body prints — were purposefully, and thankfully, not realized.

Two sets of her work are on view in mother's tankstation's booth; the first is a set of large paintings each titled What It Is (a reference to the phrase «what it is, what it was, and what it shall be,» a greeting popularized by the 1960s Black Power movement) made by covering the floor of her small studio with raw linen before covering herself with black ink and walking around to create expressive reinterpretations of both David Hammons and Yves Klein body prints.

A number of important African American artists are featured in Under the Influence, including Glenn Ligon, Julie Mehretu, Adam Pendleton, Mickalene Thomas, Kara Walker, Kehinde Wiley and the masterful David Hammons whose «Moving to the Other Side,» a 1969 silkscreen body print (est. $ 100,000 — $ 150,000), graces the cover of the auction catalog.

Showing at Johannes Vogt Gallery through February 17th, Aphrodite Désirée Navab's «The Homeling» occupies a paradoxical space where seemingly all - too - familiar works — body prints recalling Jasper John's 1962 Skin situated across from a series of Parisian - inspired automatic drawings — gently guide the viewer to reflect on the prospect of a violently depersonalized world.

Together the new paintings and body prints ask how the artist might be conveyed in the presence of a single mark — a smear, a press, a drag, a spray — and whether collectively these marks can be experienced as a fixed space or single body.