Video color is, on the whole, very good, with accurate white balance and
bold color rendering, particularly in bright light.
Not exact matches
Rendered in a
bold, modern
color palette, this traditional rug is made using durable polypropylene, a fade - resistant, easy - to - clean material that can stand up to the everyday wear and tear of areas that see heavy foot traffic.
Stuffed with foam or stretched over starbursts of stretcher bars, these exuberant works combine
bold T - shirt graphics with brushy
renderings of rabbits and snowmen, and cheerful
colors with ambiguous connotations.
The
bold vitality that once characterized expressionist gesture goes dry on Prekop's brushes — its
color remains, but is
rendered stiff and flat.
Though he emerged in the New York art world in the 1950s during the heyday of Abstract Expressionism, Katz has been dedicated to figurative painting throughout his career, anticipating Pop art with his
bold use of
color and stylized
renderings of humans, animals, and landscapes.
He is acclaimed for an unparalleled modernist painting style, depicting his figures in geometric shapes and dynamic poses that he
rendered in
bold, contrasting primary
colors.
Richard Pousette - Dart, a member of the New York School and mainstay of American abstraction, employed a black and white
color - scheme to
render the mythic coupling of Hero and Leander as
bold, heroic figures.
Taken as a whole, Murray's paintings are abstract compositions
rendered in
bold colors and multiple layers of paint, but the details of the paintings reveal a fascination with dream states and the psychological underbelly of domestic life.
What initially appear to be
bold, expressionist gestures, slowly reveal themselves as meticulous constructions of
colored, silicone caulk — with each
rendered gesture then collaged onto the painting's surface.
In the setting of Trafalgar Square, the monumental scale and
bold color of this extraordinary animal
render the situation unreal, bringing a sense of hallucination and uncertainty to the genteel 18th century architecture.
Taken in as a whole, Murray's paintings are abstract compositions
rendered in
bold colors and multiple layers of paint.
These large - scale compositions draw attention to the abstract properties of each depicted form, the interlocking positive and negative shapes evoking the technique of collage in areas of sharp delineation,
bold color, and softly
rendered detail.
Rendered with oil in a
bold painterly manner, the brush strokes feels sensual in its expressive texture and feature a
color palette that is as unselfconscious as the women he portrays.
His signature works include brightly
colored figures, flowers, and landscapes
rendered in
bold forms and graphic
color fields.
The paintings share the same dimensions and vertical format, allowing the artist to focus primarily on the
rendering of internal shapes and calculated utilization of
bold color.
Featuring
bold blocks of
color, Taylor's loosely
rendered figurative paintings depict his family, friends, historic figures, and periodically, circumstantial newsmakers.
A fine example of this is Woman in Red of 1961, a
bold, large - scale
rendering with freely brushed areas of
color and a figure defined by black outlining, a signature feature of the artist's work.
In his thesis exhibition, Schafter demonstrated his skill at mastering the kind of figurative painting that was prevalent both locally and nationally at the time, where representational images are presented as juxtaposed vignettes and
rendered with expressive brushwork or
bold colors.
Most of the pictures are representational, in styles that vary from John Gosling's delicate
renderings of local scenes to Pat Sargent's
bold portraits of Hedy Lamarr and Billie Holliday, their black lines overlaid with subtle
color accents.
Images captured in bright light on the Note 8 are on the whole outstanding, with
bold and vivid
color rendering and high levels of detail preservation.
Good indoor exposures lead to pleasant
color rendering, with
bold and vivid hues present in many low - light shots.