Sentences with phrase «bologna at»

«Ruffneck Constructivists» INSTITUTE OF CONTEMPORARY ART The wall of reeking bologna at the entrance sets the tone for guest curator Kara Walker's exhibition «Ruffneck Constructivists,» on...
Skip instantly enjoys a popular reputation around town, even getting a daily feed of bologna at the butcher shop.
Most people say that I could serve bologna at my pig roast as long as I served the beans they would be there.

Not exact matches

Until I found out that my then - boyfriend - now - husband (a poor, broke, medical school student at the time) spent close to two months eating bologna sandwiches every day in order to cut down his grocery budget to $ 10 a week, just so he could save up enough money to buy me an engagement ring.
On the one hand, if it was egg salad day at school, it meant I was avoiding worse fate, like bologna or tuna salad.
The recommendations include keeping your intake of red meat to no more than four ounces (about the size of a deck of cards) per day on average, avoiding processed meats such as sausages and bologna, eating at least five servings of a variety of non-starchy vegetables and fruits every day, and minimizing your intake of sugary drinks, juices, desserts and candies, refined breads and bagels, and chips.
BOLOGNA: After attending sessions at an Australian publishing forum in Beijing just a few days before, walking into the Tools of Change for Publishing conference at the Bologna Children's Book Fair this past Sunday felt like stepping back out of a time machine.
One of the more experimental pieces at this year's Whitney Biennial, a colossal exhibition of contemporary American art, is an installation made from 2,755 slices of bologna pinned to the wall.
Best known for absurdist public performances, Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of rotting bologna slices meant to represent the percentage of Jews in New York City.
Best known for absurdist public performances, William Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of rotting bologna slices meant to represent the percentage of Jews in New York City.
At the Frieze fair, which opens on Friday, numerous galleries will include work by Biennial artists: New York's Mitchell Innes and Nash, which represents Pope.L, whose massive installation in the Whitney included hundreds of pieces of bologna affixed to the wall in pushpins, will be offering one of the artist's (less perishable) photographs; the Los Angeles - based Night Gallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Biennial.
POPE.L aka William Pope.L, Detail of «Claim (Whitney Version),» 2017, installed at 2017 Whitney Biennial (acrylic paint, graphite pencil, pushpins, wood, framed document, fortified wine and bologna with black - and - white portraits).
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