Sentences with phrase «bombastic music»

Don't rely on bombastic music that might not translate well to a pair of ear buds.

Peace Walker has a great mix of dramatic, bombastic music and quiet, slow paced tracks.

Flyboys wants us to take it seriously, with loud, bombastic music that tries to conjure up echoes of Saving Private Ryan and (oddly enough) Titanic, but it's pretty much impossible to do so when there's no real edge to the film, no grit and despair.

But the 1996 Emma seems to take itself dreadfully seriously, even as the actors are giving broad, emphatic performances underlined with bombastic music cues and a lunging camera.

The director, however, can't decide whether or not the clash of civilizations is more important than the Queen's antivirginal itch, so he cuts randomly between the two, with everything pumped up by bombastic music and sound effects, enervating both to increasingly risible effect.

There's a scene where Laura gets dragged into a crowded club, and the flashing lights, bombastic music and roiling crowd of sweaty bodies she finds herself wading through feels just as terrifying to the audience as it clearly does to her.

Not exact matches

Additionally, in no particular order, there were vocal supporters of the Ralph Jones «incongruously great score to «Slumber Party Massacre ``; «Phantasm» «s heavily «Exorcist «- indebted score from Fred Myrow and Malcom Seagrave; Danny Elfman «s channelling of Bernard Herrmann for «Nightbreed ``; Wojciech Kilar «s bombastic, often recycled music for «Bram Stoker's Dracula ``; John Harrison's score for Romero's anthology film «Creepshow ``; Richard Band «s better - than - deserved compositions for the terrible «Troll ``; the great Lalo Schifrin «s score for the original «The Amityville Horror ``; a more recent example in Climax Golden Twins» music for Brad Anderson «s now cultish «Session 9 ``; Pino Donaggio's terrific work with de Palma's «Dressed to Kill ``; Gene Moore's classic church organ scares in «Carnival of Souls ``; and while we've featured Bava fils above, we could easily have found room for his father Mario Bava, probably with the funky original music by Libra for his final film «Shock.»

Of course, we're not too concerned about whether the thud of physical comedy emanates from the speakers perfectly, but the overall experience is as intense as needed, quiet when it wants to be, and loudly bombastic with music when the comedy gets going.

Graphics are crisp, especially so on the Switch's screen, and the music is just as bombastic and catchy as it was a few years ago.

The music is bombastic but warm and expansive but precise; I must admit to spinning the end credits several times already just to hear Shawn Colvin's cover of «Viva Las Vegas,» which is impossible to find online, let alone in a version of such high quality.

The music is very reminiscent of the Lord of the Rings movies with its bombastic and epic orchestrations mixed in with subtle melodies.

The music should fit the game and with it dark grim post apocalyptic tone it works well with music like this rather then something that is very bombastic.

Other games of the time featured mostly bombastic battle or techno music and I felt there was room for more emotional content in computer game soundtracks.

The orchestral music is always there and always «pretty nice» but the only track that has left a lasting impression so far has been the bombastic main theme of the first game and even that has been arranged more poorly.

It won't exactly replace bombastic Hi - Fi speakers, but it does the job and it should be good for light music or podcast sessions.