Sentences with phrase «bombastic score from»

With Courtney B. Vance providing omniscient narration (and a superb, bombastic score from Alexander Desplat), a score of the auteur's regular players have key voice work moments, from Bill Murray, Bob Balaban, Ed Norton and Jeff Goldblum as a pack of helpful mutts, to Scarlett Johansson and Harvey Keitel as love interest and savior.

Not exact matches

A bombastic march that seems to have escaped from a Miklos Rozsa score dominates «The Mountain of Power / Procession», seguing into an alluring anticipation of the Orgy theme in the strings towards the end of its length.

On the down side, the writing isn't very good, and the score ranges from sentimental to bombastic.

Additionally, in no particular order, there were vocal supporters of the Ralph Jones «incongruously great score to «Slumber Party Massacre ``; «Phantasm» «s heavily «Exorcist «- indebted score from Fred Myrow and Malcom Seagrave; Danny Elfman «s channelling of Bernard Herrmann for «Nightbreed ``; Wojciech Kilar «s bombastic, often recycled music for «Bram Stoker's Dracula ``; John Harrison's score for Romero's anthology film «Creepshow ``; Richard Band «s better - than - deserved compositions for the terrible «Troll ``; the great Lalo Schifrin «s score for the original «The Amityville Horror ``; a more recent example in Climax Golden Twins» music for Brad Anderson «s now cultish «Session 9 ``; Pino Donaggio's terrific work with de Palma's «Dressed to Kill ``; Gene Moore's classic church organ scares in «Carnival of Souls ``; and while we've featured Bava fils above, we could easily have found room for his father Mario Bava, probably with the funky original music by Libra for his final film «Shock.»

But I thought a lot about the 1979 film while watching Ready Player One, and not only because Alan Silvestri's score deliberately quotes John Williams's bombastic military march from the earlier film (one of hundreds of hidden nuggets in a film that is quite literally an Easter egg hunt).

The danger the gang encounters along the road is palpable and immersive, thanks to the excellent sound design, and a minimalist musical score that allows you to focus on the action, unlike the average Hollywood blockbuster which smothers every fight scene with a bombastic musical score that more often than not distracts from the action.

They take their footage, often from soldiers» helmet cameras, drones, and helicopters, and edit it to mimic a Hollywood action picture — complete with a bombastic score that almost never lets up.

Some genre purists would certainly take issue with such an obvious effort to create new material by fusing the icons of literary classics, but Sommers» adrenalized upgrading for modern audiences isn't that different from Siodmak's first venture; the former's just over-cranked and way louder (aided by Alan Silvestri's outrageously bombastic score) in a 5.1 mix guaranteed to work out your home's subwoofer.