Sentences with phrase «bombing at an art museum»

The Goldfinch tells the story of Theodore Decker who, after surviving a terrorist bombing at an art museum, with his mother being killed, goes on an adventure that sees him involved in art forgeries and living with his deadbeat father in Las Vegas.

Not exact matches

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

2001 - 2005 Free Women Artists of Europe (poster, coaster) The Venice Biennale (6 large scale banners) The Guerrilla Girls» Art Museum Activity Book (book) I Decide... They don't Decide (posters) Bitches, Bimbos and Ballbreakers: the Guerrilla Girls» Illustrated Guide to Female Stereoytpes (book) The Estrogen Bomb Update (project for the Village Voice, poster, sticker) The Women's Terror Alert System (project for the Village Voice, poster) The Trent L'Ottscar Billboard (billboard) George Bush's Letter to Santa (poster) The Anatomically Correct Oscar Billboard (billboard) The Estrogen Bomb card (project for Spiritus Mundi) The Birth of Feminism Movie Poster (poster, also project for The Nation, also in Adbusters # 37) GG's to join Whitney Museum's Acquistions Committee (action) Guerrilla Girls go ape at the Oscars... and the Sundance Film Festival (sticker campaign with Alice Locas group) Send a message to those body obsessed guys in Hollywood (stickers, projects in Bitch and Ms. magazines)

Associate Professor for the Henry Kendall College of Arts & Sciences, The University of Tulsa, Tulsa, OK Cameron Shaw, Executive Director and Founding Editor, Pelican Bomb, New Orleans, LA Buzz Spector, Artist, Writer, and Professor of Art at the Washington University in St. Louis, MO Catherine Whitney, Chief Curator, Curator of American Art, Philbrook Museum of Art, Tulsa, OK Lindsay Preston Zappas, Founder and Editor - in - Chief, Contemporary Art Review, Los Angeles, CA

«Hard Work: Marilyn Minter at the Contemporary Arts Museum Houston» Pelican Bomb, June 2015.

EMPIRE at Newcomb Art Museum of Tulane University is part of «Fallen Fruit of New Orleans» a suite of site - specific projects taking place throughout New Orleans from June 2017 through June 2018, commissioned and presented by Newcomb Art Museum, A Studio in the Woods, and Pelican Bomb.

Pelican Bomb, in partnership with the Newcomb Art Museum and the Cuban & Caribbean Studies Institute at Tulane University, hosts a talk with internationally renowned artist Tania Bruguera at the Freeman Auditorium in Tulane's Woldenberg Art Center.

His works are featured in permanent collections at the Museum of Fine Arts in Boston, The Metropolitan Museum of Art in New York, and have appeared in Bomb Magazine, Hyperallergic, Artnews, and The Brooklyn Rail.

SAWCC is pleased to announce a call for submissions for its forthcoming annual visual arts exhibition, this year entitled, A Bomb, With Ribbon Around It, to be held at the Queens Museum of Art (New York) from December 8, 2013 to January 14, 2014.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

He is Artist In Residence at The Hemispheric Institute of Performance and Politics at NYU, has been invited to speak about art and collective cultural production by Harvard, Yale, Columbia, NYU, Parsons, The San Francisco Museum of Modern Art, and the Arts and Labor working group of Occupy Wall Street, and been interviewed about art in public spaces by publications including The New York Times, Frieze, Artforum, and Boart and collective cultural production by Harvard, Yale, Columbia, NYU, Parsons, The San Francisco Museum of Modern Art, and the Arts and Labor working group of Occupy Wall Street, and been interviewed about art in public spaces by publications including The New York Times, Frieze, Artforum, and BoArt, and the Arts and Labor working group of Occupy Wall Street, and been interviewed about art in public spaces by publications including The New York Times, Frieze, Artforum, and Boart in public spaces by publications including The New York Times, Frieze, Artforum, and Bomb.

Three key bodies of work include, «Class Pictures» (2002 — 2006), portraits created in collaboration with young people and institutions across America; «The Birmingham Project» (2013), a series of dual portraits honoring the lives of six children killed in the 1963 bombing of the Sixteenth Street Baptist Church in Birmingham, Ala., presented at the Birmingham Museum of Art and 2014 Whitney Biennial; and «Harlem Redux» (2014 — 2017), in which Bey reprised his first project, «Harlem, U.S.A.» (1975 — 1979, later remounted in the 2010s), post-gentrification.

«In spite of bombs and broken windows»: Queen Elizabeth and the arts in wartime Dr. Susan Owens is Curator of Paintings at The Victoria and Albert Museum.

For another show opening in August at the Birmingham Museum of Art in Alabama, commemorating the civil rights era and the 50th anniversary of the church bombing in the city, Ms. Smith is creating a mandalalike installation from collected dollhouses and stuffed animals to honor the four girls who died there.

His work has been an inspiration for global activist projects like Art in Ad Places, Brandalism, No Ad Day, exhibited internationally at the U.S. pavilion at the Venice Architecture Biennale, ICA Boston, Austin Museum of Digital Art, the International Poster Biennale in Warsaw, and featured in The New York Times, The LA Times, El Pais, New York Magazine, Hyperallergic, and Bomb magazine, among others.